yes yes i know you are all extremly busy with the current superhero movie
but what did he mean by this?
Yes yes i know you are all extremly busy with the current superhero movie
Jason Cox
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John Mitchell
Lynch's work rely heavily on simbolism and dreams. I think Goddard has a problem with this. I find Goddard wrong here, since all movies come from personal places in one way or the other but I disagree with the idea that Lynch's movies are all about him. Lynch taps into a creepy collective subconscious that most people have and explores it. I really dig his approach.
Benjamin Edwards
>simbolism
Blake Lee
>Lynch taps into a creepy collective subconscious that most people have and explores it.
It sucks to noy be one of those people ;_;
Henry Phillips
You don't find a connection with Lynch's work? I do admit that some movies are a stretch (Inland Empire) but Mullholand Dr. for me is one of the greatest movies ever. Such an eerie atmosphere even in the first half where everything is "perfect". And the dinner scene with the shrink was my only true scare I have had while watching a movie.
Anthony Ross
>tfw you've outlived all those other bastards
Joseph Mitchell
What’s that got to do with a creepy collective subconscious though? And why is Lynch terrified of the Uruk Hai?
Charles Jenkins
>And why is Lynch terrified of the Uruk Hai?
Why aren't you?
Asher Rodriguez
He is right in the sense that Lynch himself admited that all the symbolism in his movies is meaningless, and it's only there as part of an aesthetic sense that pleases him.
Robert Brown
The only things I remember about Mulholland Drive are that Robert Forster seemed like he was going to be an important character, and then we never see him again, and that Naomi Watts seemed much more believable when she was acting (in her audition) than when she was being herself.
Noah Young
>simbolism
really shows us what kind of IQ you must have to enjoy Lynch's flicks.
Camden Moore
youtube.com
This video has some interesting points if you wanna know more about Lynch's work with subconscious tones. Regarding the Uruk Hai, I have no clue, maybe he is just a hobbit from The Shire.
William Ward
I don't think IQ correlates to art appreciation that well. I know both idiots and very smart people that like Lynch's work. IQ is useful for articulating WHY you like the work, though.
Adam Perez
are we not all primates, friend?
Angel Richardson
I love Mullholand Dr the most and I like a few other of his works, but what's stopping me from liking Mullholand and the others even more is that I still find it a bit lazy that the conclusion of the story and meaning of most of the things that happened is
>dreams lmao
What the fuck's up with the midget who's shutting everything down? Why didn't he expand on the directors character? Why didn't he expand on the Camilla Rhodes in the first part?
Aiden Stewart
>>dreams lmao
It's how he's ended everything since Lost Highway lmao
Julian Wilson
Michael Nelson
Lynch is a hack.
>muh eraserhead
Pretentious shite
>muh blue velvet
Edgy garbage people namedrop to.seem hip
>dune
Too ambitious of a projevt to be handed to Lynch.
Wyatt Williams
It's just hair envy.
Adam Allen
at least Lynch's symbolism is interesting to decode
Jodorowsky's symbolism is surface trash
Jack Nelson
Because it's all vacuous shit. Surrealism is the most vapid of all art styles.
Tyler Ward
Godard is raging that some other director is known for smoking now