I've noticed that you guys have significantly better taste in movies than Yea Forums. Any recents and recommendations?
I've noticed that you guys have significantly better taste in movies than Yea Forums. Any recents and recommendations?
The Pest
no
Once Upon A Time In Hollywood was really good but Yea Forums was too busy shitposting about it
High School Musical
Gigli
A bone-chilling, slowburn from A24
Avoid generic edgy 90s and early 00s like those on the chart and Lost Highway, Natural Born Killers
Black Moon (1975)
Valerie And Her Week of Wonders (1970)
Last Year at Marienbad (1961)
Le Grande Bouffe (1973)
Gozu (2003)
Southland Tales (2006)
Brand Upon The Brain (2006)
Shadows of Forgotten Ancestors (1965)
The Pest (1997)
The Silence (1963)
The Ascent (1977)
Les Bonnes Femmes (1960)
stretch
>Avoid Lost Highway
Lynched
There’s nothing generic about Lost Highway fuckstick
> Suicide Squad
>Southland Tales
absolutely patrician
Withnail And I
Mystery Train
Stalker
okay I was wrong you're all hopeless plebs
Promare
i-be area
freddy got fingered
cremaster series
landscape suicide
the corridor
Jacobs Ladder
old Yea Forums might have been able to help, but numu is retarded
Son Of The Mask
im not
and I got trips
cine-cuck
Some recent favs
Stroszek
Sonatine
Biutiful
Noi the Albinoi
Getting back into Japanese stuff lately. I'm a sucker for Tatsuya Nakadai.
Lost Highway, Mulholland Drive, and Inland Empire is a top tier trilogy.
damn today has just rained the dubs
see
What, can I not post clips from a film that's already been posted?
post clips from the other films
check your time length and file size.
posting requirements are actually ridiculously stringent
film patricians ITT please rec, not in the mood for romance rn
The Ascent is the only film on the list I had clips already made up for.
Wasn't commenting on posting clips, thought the user was being uppity because they already posted it. Obviously not the case though.
>T,O,U,C,H,I,N,G
Killer film absolutely maddening.
>Outer Space
If that's the Peter Tscherkassky one, I got to see a superscope print of that at a screening. Incredible experience.
Check out Hiroshi Teshigahara if you haven't. Pitfall, Face of Another, and Women in the Dunes are all top notch.
Melville is one of my favorite directors but i think a lot of people only see 1 or 2 kinos by him. I´ll recommend right off the bat
La Silence De La Mer 1949
Les Enfants Teribles 1950
Leon Morin Priest 1961
Le Doulos 1962
I think his earlier works get passed over a lot.
Also I would rec some of the great czech new wave kinos. These are the essentials really.
Firemens Ball 1967
Loves of a blonde 1965
Closely watched trains 1965
The Shop On Main Street 1966
The Cremator. 1969
>The Cremator
Probably my favorite film I've seen recently. Really need to check out more czech stuff.
Gotta throw some love towards Ozu
Just watched Rashomon the other day, that was a good movie.
depends on how you look at it
and extremely influential
every "story told through multiple POVs" films/tvshows owes debt to it.
It also put Japanese cinema on the map.
>All this pseud artsy fartsy tryhards
Yikes
you're on Yea Forums
What movies are you into user?
he likes caddy shack and fast n furryous
Chung King Express hehe
>>Avoid Lost Highway
if you want to avoid an amazing film yes
It's pretty sad for someone on a music board to be so uncultivated culturally. Film has nothing to do with attempting to be artsy, good cinema IS art. It's an art form wholly unique and deserving of some respect, which your too much of a brainlet to have.
im watching THE REVENANT
cunts did a purdy gud job
Wasn't a fan of it. Pacing is way to slow, bear cgi is cheesy as hell, DiCaprio is just crawling and grunting on the ground, constant unnecessary use of wide angle lens.
>t. arthoe orbiter
based clip poster
nice trips
thanks brother
i swear to god you all the exact same fucking taste fuck off
>sonic the hedgehog the movie
despite me being sentimental for donnie darko, this one fucking wrecked me
true art. aka all the basic rym-core posted in this thread lol
You're really complaining about overlapping taste on Yea Forums where the same albums are posted constantly.
The Wailing = best horror movie of the decade
yeah but with films when people post stuff like that they actually think they're knowledgeable
They were just asking for recs and posting a chart. Doesn't strike me as pseudo-intelligence.
Recent favs
Wiener-dog
Meet the feebles
Thats it
Also literally just watched blackkksman and it's ok but tiring asf
I don't think its 'wide angle lens'
I think its a reaction to digital scanning type content - its one camera having to deal with situations that it isn't suited for as it moves from character to character, too close too far, distorted, etc. its a good effect. very rashomon in a way.
Pacing slow? cmon, do you know the difference between walking a mile in the country and walking a mile in a city? time is a fact in experimental cinema. time is a signifier of truth in popular cinema. otherwise its just takes five minutes for the hero to get the girl and that would piss Homer off.
bear cgi? well, im pirating . . .regardless, these trapper cunts had a lot of bears to deal with. the bear attack is doe style wise the same as every other attack, done the same as 'why should I pay any attention to one event/character as another" etc. pretty well conceived I think. I happen to be researching some trapper copy right shit right now, so . .
Funny games (1997)
Raw (2016)
The Handmaiden (2016)
The vast majority is shot with a wide angle lens. There's some funky stuff with the long action sequences that come from digital scanning but when a horses head is so much more massive than the riders body, that's the lens. It's Iñárritu's "thing". Also calling Revenant experimental is quite a stretch. I can understand trying to create a sense of realism in the pacing but it did very little for me.
tetsuo: the iron man. for some industrial horror kino
if you aren't interested in watching, at least listen to the OST
>Funny Games
good stuff
im not an expert on lenses, but im pretty good at painting and perspective. like I said there's clear and intentional distortion as the camera moves between moments and thats both visually odd in its extremity and expected. its a purposeful tool. the horses head is supposed to be more massive. that's the film makers happily surrendering to the conditions they've set for themselves. and I find it quite acceptable.
I didn't call this pop movie experimental - I just noted how time is conceived in different arenas.
im only like an hour in - but am enjoying it much - but like I said, I have a research interest presently.
That's it for tonight.
It's no doubt intentional, personally don't care for the choice. Worked for me in Birdman and Children of Men but not for this.
I don't recall children of men working the same way . . .I guess the long duration shot ..
which is entirely different from revenants 'character as sole focus' shot. it tries to give each character perspective its honest due in the narrative, as gesture to the complexities of history. 'le great white men' didn't conquer the savages - that kind of thing. and of course, with Hugh Glass, whaterver code there was between trappers was violated and the dumb hero cuck did scooch two hundred fucking miles.
fuck me im off too bed
have a good night.
if you must be an ultra chad, be a good ultra chad
La haine
(Which is somehow music related too I guess)