Why the ever loving fuck did this song become so big in 2010?
Why the ever loving fuck did this song become so big in 2010?
Josiah Gonzalez
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Jace Perry
It was different enough to pique people's interest but familiar enough to not spook normies.
Leo Williams
Retards
Easton Hernandez
Yea Forums shits on sonny for being a talentless hack but he did have a talent for knowing how to remix interesting samples and introduced extreme bass sounds to the mainstream.
He's still an overrated hack, dont get me wrong but he got big right around the time when everyone was tired of mainstream rap and pop and rock was on its deathbed (as a mainstream genre). Skrillex and Dubstep got so big you had every music industry head trying to force shitty bass drops or collabs with almost every artist, it was insufferable.
Ian Taylor
sonny's a cool guy and his production is still great
>Skrillex and Dubstep got so big you had every music industry head trying to force shitty bass drops or collabs with almost every artist, it was insufferable.
agree with this though
Nicholas Lee
SMaNS is overrated shit but Cinema is actually good
Bentley Martin
Familiar how?
Joshua Scott
>tfw you liked the doors x skrillex collab
what a strange time
Julian Gomez
And then came the Party Rockers and put Dubstep in its grave.
Kevin Reed
youtube.com
Zachary Cook
[shake that]
Robert Perry
its not even that difficult to produce. ive farted on soundcloud and come up with dubstep without trying.
Carter Scott
Cringe tier bait
Adam Wilson
for cringe tier genre
Brayden Phillips
he is really talented and humble.
Grayson Miller
Caleb Reyes
Fuck you I like it
Wyatt Ross
because it's one of the most interesting pieces of music ever recorded and LITERALLY cannot be replicated
Chase Clark
recess is 10/10 album
Ayden Young
>Scary Monsters
>no Super Creeps
William Carter
his collab song with the doors is peak
Camden Bailey
That song is dogshit mate. Bangarang, reptile - his only good songs
Parker Nguyen
now you remember that he produced/remixed The Doors too
Nicholas Jackson
1. Dubstep was new enough that anyone could capitalize on it by turning it into pop music.
2. It's just dumb dance music, the same way I'm Blue and Cotton Eyed Joe were in previous decades. Yeah, it's really fucking annoying, but so were those songs. Kids like manic, annoying songs, look at Crazy Frog
3. Scene kids probably gave him an early audience because of his time as a member of the scenecore band From First to Last
Landon Cox
its good
Evan Morales
Bangarang was good, but it came later in his career. People had already kinda forgotten about Skrillex, and Bangarang breathed some new life into his music.
Adam Gutierrez
Americans made UK dubstep more danceable and appealing in everyway. Only problem with this track is that the vocals, sample, and pianos are midly cringey
Adam Wright
Does anyone have the screencap of Skrillex posting an aphex twin song on facebook
Leo Davis
Remixing a song can hardly be called a collab, can it now?
Daniel Allen
this kills the fly
Caleb Gonzalez
SORRY FOR PARTY ROCKING
Kevin Campbell
based
Nathan Roberts
posting this fucking banger
youtube.com
Grayson Ortiz
Most of his old shit is good
Wyatt Harris
>not kill everybody
Nathan Thomas
yeah I enjoy that track too, just wanted to post one that not too many people know of
it's interesting that most EDM sounds have been replicated by other artists sooner or later but when it came to his music it was always some horrible attempts to copy him. I can't find a single producer who had his sound design and consistent song writing
Zachary Myers
kill everybody is incredible I wont even lie
Nathaniel Cox
>I can't find a single producer who had his sound design and consistent song writing
Eric Prydz
Parker Walker
Kill Everybody is so fucking good
Ryan Garcia
because 14 year olds existed in 2010
Jose Green
>not Cat Rats
Julian Howard
it was pretty based
Evan Miller
I discovered Burial through his "Leaving EP" so i'll give him that
Daniel Roberts
This song has a nice melody but feels too long
Lucas Hill
Fucking Die and the €€ Cooper Remix are the best (patrician opinion)
Brandon Lopez
2009-2013 were peak party years, it was party musics last dying breath before mumblecore rap shit took over
Gabriel Torres
Nothing wrong with Mo Bamba or Versace, boomer.
Nathan Cooper
it's pre good
i like the melody
Dylan Carter
Sounds like shit, his best collab was with AMONEYSYMBOLAP ROCKY, Wild for the Night had the normies creaming their panties.
This doesn't do it for anyone except the Wakanda crew because "Kendrick is so WOKE brah we iz kings".
Skrillex Leaving EP is his best work, combining industrial and IDM and just straight delivering raw fire.
Christian Miller
thoughts on kyoto?
Sebastian Cruz
Reminder the early EPs are peak Skrillex
Jeremiah Williams
No, but I've seen it. I don't want to remember.
Ayden Carter
he looks like a kid with fisher price toys