Wow, this sucks.
Wow, this sucks
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Its a great - new wave album; but not a good King Crimson album.
It's better live. Listen to the songs from Beat on Absent Lovers, especially Waiting Man, that shit is great
No
shit opinions
wow this talking heads cover band is great
you're taking it at face value and not actually listening to it. and if you ARE listening, then you're an idiot, because the rhythmic insanity of these guys is way beyond anything david byrne could ever manage to do
Its a pretty good one too. One certainly wouldn't think they were King Crimson!
It's a great album, just not what you'd expect from King Crimson.
It takes some getting used to, but it’s good.
imagine being this insufferable over a joke
This albamu suffers wrong running order. Starts with their most pop songs and then goes into more experimental pieces, it even ends with the least accesible track which disrupts the flow.
Try with this order:
Side A
1.Neurotica
2.Sartori In Tangier
3. Heartbeat
4. Two Hands
Side B
5. The Howler
6. Neal Jack And Me
7. Requiem
8. Waiting Man
fripp has said of the eighties crimson that he only wanted to make the first album, discipline, but in order to get a recording contract he had to agree to produce three albums. with beat, and even moreso with ToAPP, he was less and less interested and it shows... he basically let adrian direct things on the last two albums while reserving final say on artistic decisions, which, of course, led to a lot of tension and conflict between the two. there's a story that adrian ordered fripp out of the studio during the mixing of "beat", for instance.
virgin fripp vs chad belew
fripp was chad enough to kick him out of the band
IM WHEELS
smile for the waiting maaaaaan
I'll be home soon soon sooon SOOOOON
It's Discipline again, but not as good.
imagine being this of a fucking pleb piece of shit
lol you missed a word in your post because you're so assblasted, faggot
You might be onto something. The first two tracks are probably the biggest issue I have with the album. Heartbeat sounds much better coming off the back of Sartori. Pacing of the whole album sorta sucks desu.
Fripp is always pretty autistic about past albums. If you read his reviews, he always seems happy in the moment only to hate on it a decade later - this applies to every single incarnation of the band.
With that said, it's clear that Belew had a bigger role in those two albums. Regardless of what Fripp says, they were spectacular live right up to their last 80s show (Absent Lovers)
fripp is pretty autistic in general
sorry, when i wrote "reviews" i meant interviews
they're pretty interesting, the guy has interesting things to say even if he contradicts himself all the time
is there any album that he's actually happy about?
He's very happy about Court of the Crimson King, Lark's Tongue, Red, and Discipline, I know that for certain. So the same albums everyone was happy with. He also expressed a ton of love towards Construkction of light only to go back on it much later though
I'm pretty sure he said he wasn't happy about Larks' because it wasn't hard/loud enough.
IM MOVING WHEELS
IM A 1952
It's pretty good. It's not great like Discipline but it has some good songs on it. Now this album on the other hand...
Yeah Three Of A Perfect Pair is actually good.
>I'm wheels, I am moving wheels
>I am a 1952 studebaker coupe
>I'm wheels, I am moving wheels moving wheels
>I am a 1952 starlite coupe...
Based Belew
also it's hilarious that KC transitioned from their super serious sentimental prog stuff in the 70's w/ Wetton into Talking Heads-meme core in the 80's w/ Belew. What a genius stylistic shift