My band shared an airport shuttle with Odd Future in Barcelona. They piled onto the shuttle late...

My band shared an airport shuttle with Odd Future in Barcelona. They piled onto the shuttle late, after finally getting corralled by their minder, who was nursing a head wound with an ice bag wrapped in a towel. They piled in, niggering everything in sight, motherfucking the driver, boasting into the air unbidden about getting their dicks sucked and calling everyone in the area a faggot. Then one of them lit a joint (or a pipe, I didn’t look) and told the driver to shut the fuck up nigger and smoked it anyway. A female passenger tried to engage one of them in conversation, but he just stared at her with a dead-to-me stare while his seatmate flipped double birds in her face.

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based

The whole trip they complained about not being at a McDonalds and repeatedly shouted for the motherfucker to pull over so they could get some fucking McDonalds nigger. Interspersed with the McDonalds requests were shouted boasts about how often they masturbated and fucked bitches nigger and got paid like a motherfucker fifty grand like a motherfucker. They continued complaining that the trip was taking too long and insisted they be fed immediately all the way to the airport, where their minder presumably fed them.

What are some other supremely autistic moments in music history?

He actually said 'niggering'? How can one man be so unequivocally based?

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motherfucking the driver?

he means 'saying nigger at everything' though

this^

he's not a clout chaser, actually more the opposite
there's no reason albini would lie about this but tyler denied all that shit and went on to make fun of the name "rapeman" when all the songs on goblin are about fucking rape
>mfw

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the airport shuttle in Barcelona just leaves when it's full, it doesn't wait for anyone

And this is why you really shouldn’t even use the word at all, it doesn’t even matter, you’ll just get passed around by le edgy meme anons.

Anyone have the Steve albini quote on shoegaze?

>I believe that the so-called shoegaze movement of bands is essentially just a gang of pretentious art school kids trying to create noise, but they’re putting emphasis on some sort of cool, mysterious, sexy factor by obscuring the vocals and creating some hazy, druggy “atmosphere”. Every one of these bands seem to have this woman in the front, acting provocatively on stage, wearing tons of makeup, and making some type of peculiar moaning tribal sex noise instead of singing legible lyrics. Underneath all the noise and obscured vocals, it’s just your basic pop-rock, just pure bubblegum pop that’s been peddled on your local radio station by the record company for the past 50 years. Same song structure, same basic premise at the core of it. But since there’s a loud reverb-laden guitar it’s so deep, so original, so creative.
>When people regard a group like Slowdive or Lush or Jesus and Mary Chain or My Bloody Valentine as the pinnacle of noise, or call these groups innovative and challenging in any way, I throw up in my mouth a little. People regard this mindless pop as noise, instead of listening to an actual noise group like The Jesus Lizard or Girls Against Boys. This shit is the reason that the development of British music has stagnated over the past 15 years, and will continue to do so.

so he’s upset about genre classification

so this is what people keep regurgitating onto this board

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I can't believe he didn't get #cancelled for this.

Based. No wonder he ended up working with the Manic Street Preachers later on considering they fucking loathed shoegaze as well.

Based and ign’ant

sounds legendary

can't you just enjoy the jesus lizard and mbv? also
>old man yells at cloud

It's ok, Albini is PoC himself (Italian)

>>When people regard a group like Slowdive or Lush or Jesus and Mary Chain or My Bloody Valentine as the pinnacle of noise, or call these groups innovative and challenging in any way, I throw up in my mouth a little. People regard this mindless pop as noise, instead of listening to an actual noise group like The Jesus Lizard or Girls Against Boys. This shit is the reason that the development of British music has stagnated over the past 15 years, and will continue to do so.
from what year is that comment?

Early or mid-90s probably, as that was the only time people actually gave a shit about Girls Against Boys.