Genius 10/10 lyrics

t. non-musician

HEY HEY WHAT CAN I SAY

Fishing for fishies don't make them feel happy or me neither I feel so sorry for FISHIEES

Why is this a genius 10/10 lyrics?
I prefer John's part, and I don't even consider it a genius 10/10 part also.

BASED
>In Richard Witts's biography Nico: The Life & Lies of an Icon, she claims to have been in attendance at the private party Brian Epstein threw at his home on May 19 to preview the Beatles' Sgt. Pepper's Lonely Hearts Club Band for the press. "There is a song I liked on Sgt. Pepper, called 'A Day in the Life,'" she states in the book. "It has a beautiful song and then this strange sound like John Cale would make (he told me it was an orchestra, actually) and then this stupid little pop song that spoils everything so far. I told this to Paul [McCartney], and I made a mistake, because the beautiful song was written by John Lennon and the stupid song was written by Paul. It can be embarrassing when you speak the truth."

>retarded woman who can't ride a bike and is only liked by Yea Forums because of her racism and being a woman
>has shit taste
makes sense

cringe and plebpilled

Lennon's part is the superior part. But Paul's part is still amazing, Nico is shit

Paul's part is shit and Nico was based.

I AM THE TABLE

Paul's part is atrocious. My favorite lyric of all time is probably
>just got a message sayin' yeah hell has frozen over, got a phone call from the lord sayin' hey boy getta sweater, RIGHT NOW!

based even though Paul's part is fine.

good lord this band is so retarded

>looking up
>I noticed I was late

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>I don't know where but she sends me there

>You are young and life is long and there is time to kill today
And then one day you find ten years have got behind you
No one told you when to run, you missed the starting gun.

10/10, you really know how to use greentext and quote lyrics. Look, I know that none of Paul's section is lyrically genius but if the whole song was John's parts it wouldn't be as interesting. Surely you retards know that part of the fun is the contrast of the two sections

Based

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>The grabbing hands
>Grab all they can
>All for themselves after all
>The grabbing hands
>Grab all they can
>All for themselves after all
>It's a competitive world
>Everything counts in large amounts
How deep!

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You're a fucking idiot - it's the mundanety of the lyrics in Paul's section in contrast with John's surreal and strange lyrics that make it what it is. Context is everything. Also I've always loved the way he sings 'And somebody spoke and I went into a dream' in that really clipped matter-of-fact way, I think it's really clever and always catches me out as his reality falls away into John's dream world again. It's fantastic.

More like John saves my ears from any more of Paul's elementary lyrics.

I agree completely here. I love that little break, the way the alarm clock goes off in the background too. All those little details. It's such a great song and it would lose so much if you scrapped Paul's middle 8.

>But oh that magic feeling, nowhere to go

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I've got no inhibitions,
So keep your keys out of your ignition.
I steal a car like I got the curse,
I can't resist the old lady’s purse.
Jailbait you look so good to me,
Jailbait won't you set me free,
Jailbait you look fine, fine, fine
And I know I've got to have you in a matter of time.
Well, I don't care if you're just thirteen,
You look too good to be true.
I just know that you're probably clean,
There's one little think I got do to you.
Jailbait you look so good to me,
Jailbait won't you set me free,
Jailbait you look fine, fine, fine
And I know I've got to have you in a matter of time.
Sad but true.
So tell your mama that I'm back in town,
She likes us boys when it's time to get down.
She's got this craving for the underage;
I just might be your mamas’ brand new rage.
Jailbait you look so good to me,
Jailbait won't you set me free,
Jailbait you look fine, fine, fine
And I know I've gots to have you in a matter of time, now babe.
Honey, you, you, you look so nice.
She's young, she's tender
Won't you please surrender.
She so fine, she's mine,
All the time, I woke my mind.
It's all right baby, it's quite all right I asked your mama.
Wait a minute officer; wait a minute officer
Don't put those handcuffs on me, what about her?
Hey, I'll share her with you!

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they were teens with no idea. and to be fair those are some of the stonger lyrics from the DM back catalogue, they're really bad on that front