New to production? Check it; pastebin.com/p2QUqMzj . Post what you're looking for in feedback. GIVE feedback to get feedback. . Post WIP's in; instaud.io . or any other anonymous audio online storage website . DON'T link to Soundclouds or youtube channels (or be banned)
>i thought everyone heard this song Why? It's not a very good song (badly mixed too) and the video only has a 100k views The kick sounds like a pitched-down and low passed 909 kick to me >dumb fuck kys
Nolan Gray
Learn about synthesis, this is obviously a triangle wave with a reverb effect on it. Watch this video and it will explain how to get the tones you want out of VST. youtube.com/watch?v=atvtBE6t48M
Jose Thomas
Why would you assume everyone has heard this song?
It sounds like shit
Adam Ward
Dexed, it’s a free dx7 emulation.
Justin Ross
I've been producing music for 8 years boy, I know how to work with synthesizers. I was referring for to the style that the particular sounds
Let me rephrase my question: Can anyone recommend some good 80s-style vsts? More like TAL-U-NO-LX and other retro synth emulations
Jackson Carter
>for to the *more to the
Adrian James
Cool, gonna check that out, thanks
Jack King
The return channels in ableton work in parallel and I find their levels a little too low sometimes. Is there a way to mute the source like in Renoise? That design is fine for adding light effects on instruments, but sometimes I make ambient music and I really need the sounds to be buried under the reverb and I don't want to insert fx on each individual channels.
If you got money, try to find a second hand licence for fm8 (I got mine for 30/40 $), it's the same as dexed, but less buggy and way better.
James Flores
>Can anyone recommend some good 80s-style vsts? I believe it was all the rage until recently (now it's slowly getting replaced by the modular fad). You have many company specialized in this (U-He, Arturia, Xils Lab, the list goes on). For free shit, try synth1 or CM version of U-He VSTs.
Carter Price
>instaud.io/3VCw Just made this, thoughts? Seems to me that something's off, maybe the tempo of the melody. I'm relatively new to making beats, so any advice is welcome.
Angel Adams
Yes.
Nilesh 'Nilz' Patel.
Luke Gray
>Is there a way to mute the source
Set the send to pre-fade, so that you can pull the channel fader down (silencing the dry sound) and still have the channel's sound routed out of the send.
Jesus christ. 9 minutes of that same shit looping? Christ almighty
Andrew Murphy
go back to r/edmproduction faggots
Ryan Powell
>WHY do i use Propellerhead Reason in demo mode? Well, it's not only because it's free - it is fully functional package of top instruments and effects without time limitations and noise bombs. But mostly i like the fact that it does not let me open saved projects which is motivates me to actually finish my OPUSES
Thanks, I didn't even notice that button, I don't think I would have found its use by just reading the description
Anthony please
John Foster
Shhh that is my secret weapon you are handing out
Joshua Roberts
Bitwig is such a fucking ripoff. We should all pirate it to punish them for thinking they can get away with those insane prices.
Blake Martinez
With a synthesizer you brainlet
Austin Sanchez
If you pick an existing melody, and move the whole arrangement of notes up or down so that the basic melody is kept but it's a in different scale, is that considered copyright infringement? I'm guessing the answer is "yes", but I'm curious
Colton Ortiz
>If you pick an existing painting, and shift the hue up and down so that the basic painting is kept but it's a in different color, is that considered copyright infringement?
The vast majority of people don't have perfect pitch, so the actual notes aren't really relevant to how the melody sounds. Only their position relative to the other notes is, so you'd be still copying the most important feature that makes the melody, and only altering a relatively unimportant detail. It's why plagiarism lawsuit aren't automatically thrown out when the key is different.
Whether it's actual copyright infringement depends on wether your country's legal system believes that you can copyright melodies or not (for example in the US you can't copyright chord progressions so those are game).
Kayden Watson
Thanks. :)
Grayson Perez
Yes. Pitch shifting samples doesnt protect you from copyright infringement. Unless you pitch shift and edit them to the point where you cant tell even if someone were to pitch the track with the sample up and down.
Nathaniel Stewart
the answer is yes, but its way more complicated than yes, who even knows anymore, if you look at the case of the pharrel/robin thicke lawsuit they were sued literally just on the same "feeling" as the gaye song. which is totally legal, they got a really crappy judge though
Camden Campbell
Take almost ANY kick you have, cut anything above 250hz, roll off anything below 60hz and mix it in about 12db lower in the mix than you would with any regular house track.
If you couldnt work this shit out yourself, what the hell are you producing for?
Jaxon Sanchez
>opressi
Nicholas Hall
bump
Jayden Stewart
>mfw i download all the boomer vsts to get that boomer-warmth
Time to make some boomer records and get tons of boomer pussy
Aiden Peterson
i think i'm just going to embrace the deluded boomer lifestyle t b h. imagine how much happier you would be if you didn't understand how audio is encoded and could just 'feel' the additional bits and samples.
I wnder if he knew that his idea was retarded from the start, or if he actually believed it and nobody involved had the balls to tell him.
Samuel Bell
>imagine how much happier you would be if you didn't understand how audio is encoded Tbh I'd be much happier if I didn't understand how to breathe.
Chase Morgan
My guess is that he got handed an mp3 player in the early 2000's that had some 96-128kbps mp3 files with some abysmall encoding so you could hear the antialising all the way down to 12khz.
>Wow, this sounds like shit, how do we fix this guys? >Well, it's good enough, it's just that some people dont know how to properly rip their mus.. >I've heard those mp3 players, they sound like shit so dont try to pull the wool over my eyes here dexter. >Well, if we made a mp3 player that could play wav files like they have on CD's I guess it would sound better. >Let's do it. >but you dont need to make a new mp >Less yappin, more fixing. I want that calculator to sound like my 40 000 stereo at home.
more like have enough money to buy hardware that's essentially foolproof to run and always sounds good regardless of your engineering skill
Ethan Roberts
I know mr. Young personally and I can confirm that this is verbatim what happened.
Joseph Carter
im going to be travelling europe on a motorbike, so im going to have limited space exactly like pic related.
i would still like to be able to produce but i'd only be able to carry a limited amount, so i'd like something that could act as a daw or really just an all in one, would something like the octatrack work? It would also have to be easy to charge via solar.
overall i'm kind of stuck and have been thinking about getting a Korg Volca FM, Korg Volca Drum (both battery powered) & an octatrack so I can still sequence and do DAW type thing.
is there anything that would be better suited to my situation? or any recommendations to small form synths/fx etc that I could bring that require basically no space whatsoever.
its more to deter newbies who don't realise how shit quality soundcloud is
Jose Russell
Are you memeing? You have no idea how hard it is to maintain old gear let alone power it. Anything with tubes and transformers will be a nightmare after years of use and wiring needs to be replaced constantly. You can’t just dump your gear on the floor either and temperature largely influences how a lot of old mixing equipment responds. Your context is off base here.
I am memeing a bit. but once you get over maintenance, hw really is more forgiving. first time I mixed on a proper SSL console was eye opening. stuff just... worked
Blake Moore
J Dilla, probably
Aaron Powell
that girl who gives the blowjob
Jack Flores
phenibut
Carson Wright
>make main part of track >nowat.jpg
How do I get over this meme? I swear, it happens with every track I make for like 2 years now and it's driving me insane.
Kayden Gonzalez
buy expensive moog synths even tho you have no clue about susbtractive synthesis to get that true boomer warmth
Zachary Brown
Don’t begin building the arrangement until you have all of the parts created.
Adrian Cox
The problem is that you spend 8 hours making the main part/drop/chorus/whatever and dont work on the rest of the composition. Well you're shit out of luck and probably have to drop that project into a folder for a solid 2 weeks untill you can get it out of your head because now you're used to it just being a 15 second loop.
That or you drag out good old music theory and fix that shit.
Also helps to strip the composition down to it's bare essentials which makes it easier to work with rather than having to work with a fully produced main part where everything you put in after or before is going to sound underproduced, underwhelming or crap in comparison.
The main problem is that you produced the main part before you wrote the rest of the track instead of producing a finished composition.
Learn to write full songs before you produce them. Even if it's electronic music. You need to know where the track needs to go before you start slapping all these bells and whistles on it for it to sound decent.
Or else you get into the habit of writing parts, not songs, which you can actually end up doing for the rest of your life.
Do also realise that not every idea warrants a song. Be aware enough to not be blinded by the effort put in and the production you've done to spot when you're polishing a turd for no good reason.
Kevin Reed
how do you create a part without creating it
Mason Anderson
8-bar filter sweeps
Christopher Price
finish the fucking song before you start doing production.
Stop wasting time adding additional instruments and SFX, EQ'ing and compressors and verbs and shit before you actually have a song on your hand.
If it sounds like shit barebones, it might be due to the fact that the song is shit and nobody wants to listen to that shit anyway.
1. Learn some music theory 2. Listen to some music and pay attention to how the song is constructed 3. Realise you have no talent and go to college like your mother wanted.
Elijah Perez
do you have talent?
Oliver Price
plenty
Cameron Martinez
>Learn to write full songs before you produce them poorly listened narrow minded detected :^)
generally okay advice but it's clear you're a keyboard warrior who came to talk down to people to feel better about yourself
you weren't talking with me but ok please illuminate us with your superior compositional techniques
Jeremiah Parker
yeah actually, i was bored for a moment.
there would be no point in me expanding and defending what a viewpoint opposite to what you have, it would be some dumb as shit thread ruining argument and we would both be faggots
To add to what others have said, re: the drums: You will want to get your hands on the classic, primitive 80s drum machine samples. You can find packs of them. Check out: Oberheim DMX, The Yamaha 80s machines, the Roland machines, etc. There is a tremendously large pack of electronic drum machine single hits called "the machine". Its about 800 or so mb. See if you can find that.
Eli Ortiz
post musig
Liam Perry
why?
Brody Lopez
Bruh, if you aren’t writing all of your backbone tracks on top of the each other over a 8/16/32 bar loop, you are doing it wrong. Keep adding tracks until there is way too much going on, then mute to figure out which tracks sound the best for each part and start organizing them into an arrangement for full song.
Doing this ensures all of your tracks gel musically in the end and helps separate “melodic creation” phase from the “arrangement/structure creation” phase. Trying to jump in and out of those two phases will burn out anyone.
>You need to know where the track needs to go before you start slapping all these bells and whistles on it Spoken like a true slave to linear recording.
Angel Ramirez
to add onto this: get the alyjames lab VPROM for those drum sounds. way better than any sample will be as it reads the actual eproms from the hardware
Joseph Bell
>hardware that always sounds good Have you seen any gear boomer videos on youtube? They manage to sound like shit with 50k in hardware youtube.com/watch?v=SOnmO1emsRM
Thoughts on Omnisphere? I know a ton of mainstream producers use it but I wanted to hear other opinions on it before I spend $500
Elijah Reyes
pirate it
Lincoln Scott
what do you mean? this sounds good. (except the kick and snare which are obvious bad samples)
it's the composition that's holding it back, synths sound wide and lush out of the box. you could do a lot with them in a more modern setting
Christopher Barnes
Korg Electribe 2 supports ableton project exports aswell as wavs and is a decent and small groovebox with a good engine that is also found in the kingkorg. Make sure to update the firmware. iOS obviously has a lot of music apps, korg gadget is a fun one but there's also many free ones available for sketching. Moreover there's (may god forgive me for uttering these names) the OPZ and OP1.
it's lots of ready to go high quality sounds.... if you've heard a demo and like it you pretty much know what you're getting. if you can afford it i don't see why not
i've seen comments that it has a "powerful" synthesis engine as well, i have no idea though, i don't think the people buying omnisphere are different from the people programming fm8 or whatever from scratch generally
>800 or so mb that's funny. it took me 20 seconds to find it again
i've since added outside drums to a personal compilation (this one isn't mine) and i'm at 7 gigs of raw drum machine wavs lmao. i use like 200 mb of that.
Demarcus if you're reading this is that pack i told you to download 100 times and probably never linked it
meming? regardless, fuck off
Jonathan Barnes
It's good if you want to have a solid set of synth, pads and acoustic sounds at your fingertips, but if you dont mind having 200 gigs of kontakt libraries and vsti synths and knowing how to use them, there is better alternatives out there. But than compiled costs way more than the 500 you have to shelf out for ohmisphere though.
I've never used it myself for any long stretches of time, but I always find it sounding dated. (It just sounds stuck in some 2003 ish place) But that really depends on what you're looking for. It wont bring the cutting edge to your productions.
Jack Collins
Anyone have a download link to Mono/Poly?
Tyler Clark
Is there some kind of cheap equalizer controller out there that will let me adjust the EQ of a song in live time? Something that works for both when playing music through a speaker and when playing through headphones? Sorry if I sound retarded
Adrian Bailey
cringe
Connor Jones
most good audio interfaces will have an eq built in.
my motu has all of the standards for MackieControl along with some zero latency DSP
Jace Walker
That entire format is such a meme. Bunch of new york loft hipsters sniffing their own farts.
Connor Martinez
100% the cringe composition, so grim
Jack Perez
i agree although i'd rather see the ones linked than the stupid trap producer bullshit ones, that struggle to make a 4 bar loop in 10 mins. at least this one is half interesting
Hunter Rivera
worth every penny if you actually use it for its synthesis capabilities and everything else, and not just use it as some nexus type crap, and never actually use it for what its meant for
Luis Walker
Good for scoring documentaries
Logan Wilson
I wanna get in on the Post-Demarco scene. What chords, scales, and instruments (besides guitar) does he frequently use?
why can't I be this good at making shit on the fly
Nathan Mitchell
a tripfag that ruins threads
John Parker
it wasn't made on the fly those niggers have it all planned out before and its just shittty noodling around anyway, nothing you can't do with a bit of practice
>instaud.io/3Viy >rock Genres aside. It's very dull, nothing interesting going on from a compositional standpoint nor production. The drums have the same pattern through out and the guitarish pluck you're using just gets grating after 2 minutes.
And that hi hat is hurting my ears, some really annoying 10khz frequencies on that hi hat.
Introduce some other drum patterns to spice things up, use some other drum samples with a bit more meat on them or layer something on top of what you have. (The snare on the last part was alot better than the thin, ear rape of a snare in the rest of the song) Add some textures, pads or additional instruments to seperate the parts more.
>clyp.it/fo1b0crj fuck off you need to turn that shit down jesus christ what absolute trash
Jacob Moore
That doesn't answer the question tho
Michael Cox
Frequency clear out. Clear out anything below 30hz and everything above 18khz. Go back to your track and go through every channel and clear out all frequencies that isnt needed. Hi hats dont need lows, voice chop dont need below 300hz. Etc.
Dont place things over each other in the stere field. Dont put one synth at 75% left and another one on top. But it sounds like you just have all your synths on maximum wideness so you'll have this issue no matter what.
For loudness, less is more as things have just the right amount of space in the spectrum.
Other than that. Never post that shit here again.
Kayden Cruz
i dont think you even can thats why, and if you can then i don't even want to know about it
wow so original so creative 3 chords so good next kurt cobain wow
Carter Howard
it was 2 lmao
Jack Moore
do you really think I paid attention to you shifting your pinky one note? It sounds like you've played guitar for about a week.
Luis Martinez
nice vids, love synth4ever’s stuff
I recently found this guy, he’s a movie director with a synth hobby and does live ambient stuff like that youtu.be/XdHIX_Xh9QY
Lincoln Cooper
cmon. you can give better criticism, simpleton.
Jordan Jenkins
mbv
Cooper Wood
Why are you playing downstrokes like a retard? Jesus shuffle the rythm a little and practice your chords, you spend like a week between chord the two chord changes. And practice to a metronome, please, you cant even stay in tempo.
when you get tired of a piece of gear, do you put it in the closet so you can use it again one day or sell it for more money towards other gear?
Asking for friend
Jason Hill
keep unless it's absolute trash and easily replaceable
Anthony Watson
Put it in the closet for a month or two and see if you miss it/want to use it again. Also make sure that buying new gear isn't a wish fostered by general frustration regarding composing and mixing. I've often thought about selling my microkorg because of this and that but in the end it's on almost all of my stuff and I'm glad that I didn't give in to any stupid decisions caused by a musical dryspell.
Mason Young
Yeah, that's modular used in a musical fashion. Elegant with fun timbres and actually going somewhere.
Upon further analyzing Cross, I notice that their sound is very towards the middle, yet in my music everything sounds very stereo. Do you think it wise to use a Utility in Ableton on the master and reduce the width?
Michael Adams
sample in mono or tame the sides with a mid/side eq
Just jammin out. Want to make the chorus riff/melody longer.
Jack Ortiz
it's not dull, but kinda to much going on and the melody is just meandering across scales without doing anything definitive.
Also the melody goes out of key a couple of times, most obvious around the 7-9 second mark. Either that or this is some obscure use of polychords or atonality or whatever that I'm not familiar with. Either way, it sounds off to my ears.
That said, quirky and fun little tune, but not something I would listen to on my spare time.
Dylan Perez
I don’t go out of key or do any weird chords. It’s interesting to me that you hear that. I’ll have to listen to it tomorrow with fresh ears
Jackson Jackson
Another thing I notice about Justice that leaves me confused is their use of reverb. They almost never use it on Cross except for gated reverb on snares... I think. The gated reverb on the snare throws me off and with how highly-compressed the album is, I can't tell how much reverb they used. Take Let There Be Light for example. It sounds like maybe 33% wet/dry with a 500ms reverb delay - so little as to not be noticed.
Just more musings from an amateur
Kayden Perez
How do other anons keep themselves safe from the vaginal menace so they can focus on making choons? Pic related is one of my virginity protection measures.
I have a question. Do you think it's better to create music without mastering effects on?
Eli Jackson
Throw a limiter on the master, but don't actually master until you're done with the mix
just jerk off bro
Eli Thomas
>Just more musings from an amateur just what /prod/ needs, thanks
i ignore social relationships altogether :)
you shouldn't but it's not unheard of at all ... once you're pretty into the song anyway
Anthony Brown
it probably has hardcore fuck you in the ass ilok that hasn't been cracked
Jason Butler
If no one's heard Let There Be Light demo, I recommend you check it out. It shows that Justice started out with a pretty shit sound too. They had the ideas there, but you can definitely tell they had some assistance with the bass and odd synth sounds thrown in here and there. And obviously, they compressed it all to hell, which imo, gave the song a more epic sound.
It's inspiring, because if you can get the music and all the sounds down and find a good mixer/mastering engineer, you're golden. They play a huge role too. Justice was carried by their good songwriting and sample selection.
Now I'm off
Aiden King
ilok and uad are unironic pleb filters
Parker Scott
>inspiring that they had somebody else fix their shit yeah okay
i can't put my finger on why your posts are so annoying and it's confusing me
>punishing people who actually pay is a pleb filter you cannot meme
Tyler Edwards
>i can't put my finger on why your posts are so annoying and it's confusing me Confidence.
Jacob Reed
How is paying for my tools a punishment? If you have no skin in the game you won't hustle hard enough.
Ryan Peterson
EFX+ doesn't require iLok, according to their website. Damn, I really wanted to try it out now that Live finally supports VST3
I didn't even know what to classify it as. Good advice though.
>the last minute of the track was unironically the best bit, remove everything else and work with that part. The last minute is basically the same as the first though, just with the distorted guitar and different snare. I will def cut it down, make it less repetitive. And different hi-hats and snare, cause I agree the one at the end is much better. I wanted the early snare to sound kinda unsatisfying so that the one that comes in later sounds "better" but it doesn't really help when it goes for the first 5 minutes of the whole piece.
Thanks guys.
William Murphy
Find an art ho and keep it. She will understand what you're doing and leave you alone. It will also keep at bay all the self-pity/frustration bullshit (very important for me).
Isaac Long
I barely go outside with the exception of the gym and there are no art hoes to be had there. I wouldn't know where to go t b h but I am in NYC if you have any suggestions.
Dylan Cooper
Maybe, but personally I slap a tape plugin on my master as soon as I think I have a workable idea. Also it really is a good idea to put a limiter on there from the get-go.
Nolan Brown
>I am in THE HIGHEST POPULATION CITY IN AMERICA if you have any suggestions lol
Colton Nelson
I'm pretty burnt from the club scene and looking to find different kinds of chicks, perhaps you missed the part of how I don't go out much. Plus theres only so many times you can go to the MoMA.
Does anyone know a synth preset in flstudio that sounds similar to the synth in m.youtube.com/watch?v=IY5Ejus6kgc ? Or a link to a VST. I have no clue when it comes to sound design and don't want to fuck around with synths for hours to get a similar sound.
Joshua Wood
/prod/ can forget about the eight 8s get, but can we get an 808 get?
I can't help you much because I suck with the dating thing, but I'd say you can try volunteering or travelling, that's how I solved that problem and usually, people you meet are not scum or normies. Another way is to hit on your coworkers (you can pick them carefully), but I think it's a little risky when you're American...
>the club scene why would you do that to yourself?
>you can go to the MoMA don't hit on strangers in public place, you're not in a movie and that's creepy
Brayden Wright
everything I make is shit and sounds the same. I want to improve, but my brain goes in self-destruction mode whenever I want to do something new.
i have the opposite problem, if i don't try something new, I don't get excited and what I do is shit. I completely rely on discovering new techniques/ideas.
Aiden Watson
I like the sample I got here after some tweaking, but I don't like the synth. I'll change it to be not arpeggiated and make it plain chords tomorrow.
Has anyone tried the new version? I have better things to do than learning a new daw, but I'm curious about the new features. I'll give the demo a shot. Any tricks for mitigating the demo limitations? (I think you can't save any projects)
Oliver Ross
they are the only real daw that you can use on linux sadly
Wyatt Smith
Ok I have an idea I'd like feedback on. But it is odd. It's microtonal so sorry people with perfect pitch and theres a trick to the time signatures that you could probably work out.
>instaud.io/3VTc Not bad, but it feels like it needs a drop after that (or else it's a little aimless).
What "scale" do you use?
I have noticed that when I use tun files with VSTs, the notes that aren't from the diatonic scale sound off and it's not because they're detuned, even when I play one note with no relation to others (I don't have the perfect ear), I can still feel the weirdness, do you know the reason by any chance? At first I thought it was just the sound of xenharmonic scales, but I'm starting to think it's the VST that can't handle it. I can barely hear it in your tune and now that I'm thinking I can't either when I tune my guitar.
Kayden Kelly
That is a good suggestion, thanks.
The scale in this was en.xen.wiki/w/Riley_rosary. I'm like 90% sure because there might be other cactus rosary tunings.
>I'm starting to think it's the VST that can't handle it
What VST are you using? I'm using serum for my microtonal needs and my ear isnt super amazing but the notes sound the same as they did in Scala. Even so, the .tun files are basically just text and plugins that have had microtonal functions built in would account for this. UNless its shit.
Wyatt Lee
>hcactus rosary tunings Is there a reason you chose this tuning in particular? Personally, I'm a little lost, there are so many, so I stick to simple TET scales and the stuff that Harry Partch used.
>What VST are you using? TAL stuff. I also used Serum, but not anymore.
Brandon Hill
I don't really remember why. Themain focus of this track was originally the time sig fuckery so idk i guess i just chose it.
As for choosing scales, I mostly just go for numbers that have meaning to me, not for any numerology stuff but just because its a way to choose. This particular tuning was shown to me by a cool guy called Lighght.
Tal stuff is usually good but i wouldnt be surprised if it didnt have a good uh, pitch interpreter. Is there any particular reason you dont use serum?
Colton Bell
>Is there any particular reason you dont use serum? I don't use wavetable synthesis that often, so ableton's wavetable is good enough for me.
>This particular tuning was shown to me by a cool guy called Lighght. A friend of yours?
Angel Cruz
fair enough but if you have doubts about some tunings, do try them in serum anyway, if you have it.
But if i may have your attention, i think you should really use serum. you dont have to use its wavetable options at all, it has so much more to offer than most other plugins. and its never given me an issue with microtonal stuff.
I swear I'm not Steve Duda
and yeah he makes good music and art, really glitchy stuff
Luke Jones
Maybe you're right. Actually I have a Splice plan for it, but I noticed I didn't use it that often and I hate all the EDM shit that comes with it.
>I mostly just go for numbers that have meaning to me So, what consideration comes into it? Like, "oh, this one has ratios just like my parents birth dates" or something like that?
Dominic Rodriguez
yeah thats basically it. for me, ive noticed the number 183 around a lot and its kinda spooky so i use that. the other day i found a tuning file that had been made on the day i was born so i used that for some stuff, its great fun.
>smoking weed in 2019 cringe, start doing stims already, the white men's drug of choice
Jaxson Long
Now that I'm thinking, the "weirdness" I'm talking about probably comes from the fact that some patches have detuned oscillators (or even have one oscillator set to a fifth interval) and it the microtuning part of the vst probably don't take that into account. I'm still a noob in that field, so... When you use microtuning, do you create your own scale? (just pick the notes you like and avoid the rest)
Aaron Robinson
can someone tell me the effect in pop music where there's like reverse vocals and a lot of reverb for 2 seconds before a singer starts to sing?
please
Oliver Anderson
Reverse reverb maybe? Could you post an example?
John Sullivan
It's probably exactly that, just take the first word or two of your vocal, reverb the shit out of it, record the whole tail, and then reverse it.
Julian Campbell
yo that's dark af, banger for sure if you get some hard nigga to spit on it.
Matthew Gonzalez
Overall pretty good. I only have some subjective opinions about it. Take them as you will.
The guitar (or whatever it is) loop/riff sounds too happy for me, and it clashes with the otherwise dark mood of the song.
That detuned sound that comes at the drop sounds too digital and clean for the rest of the sounds. Also too bright for the same reason, and the melody it plays seems too random.
The kick is too distorted/noisy.
Colton Cruz
bump
Colton Morales
Where can I lern more about the functions used in music? Is there anywhere that gives tips such as "use X degree to show X" and "use chord III to mean X"?
They're all for brostep but it's just the beginning. The more I watch them, the more the algorithm will think it's what I'm interested in, so it will give me more and more of them the more I watch them. The ones about mainstream stuff I'll only watch twice, and the more interestign and underground they are, the more I'll watch them. This way I'll provide the algorithm with a Darwinian selection of what I'm interested in, so it will show me more and more obscure and interesting techniques, until it will finally show me the holy grail of YouTube tutorials. A tutorial so gamechanging that Sundar Pichai has selectively blacklisted from the suggestion algorithm to keep it under 5 views. A tutorial so obscure that even General Nakasone himself couldn't track (which is why he's still a fucking pleb). A tutorial so immensely powerful that some say you don't even have to undergo SRS to learn from it.
One day brothers... One day I'll finally youtubetomp3andmp4converteronline.com it... And tell absolutely none of you cunts about it. Consider yourselves lucky to having even read my words and being able to tell your moms that you're at one degree of separation from the purest form of /prod/ enlightenment.
Now excuse me, but I have a few thousand tutorials to rewatch.
hi all I'm not really happy with how my 808s sound most of the time the compression, the timing and the key always seems off to me. it's a bane in my existence could someone give me pointers? example:
r8 my beat bros? guess what i sampled for the sounds?
Justin Ortiz
There's reaper which is even on the repos now
John Cruz
>beat is it supposed to be or are you just calling it that because you're a zoomer? (i'm seriously asking) somebody could rap over it but
sorry i'm gonna go with a light 4 here, it's not good. the synth thing is kind of cool though my guess is AnCo just because QuIrKy vocals
legend
Adam Ward
i called it a beat because it's just a starting point, kinda sarcastically too, because of how little the drums do for it
Brody Murphy
alrighty guys taking a break from the arca-ish idm crossover banger to make plebian trap (:
i had to bump
Samuel Gray
When you're done make sure to post it, along with a long story of all your problems (at least one has to be neurological and debilitating) that we'll turn into a thread-derailing pity party for you, only to turn on you for not being anonymous enough and ignoring all our advice.
Isaac Ramirez
whoa hey buddy i've /blogged/ before but i've never replied with the intention of getting a pity party or any of that shit.
always stay anonymous (:
Adam Barnes
All things move in cycles if you stand far enough back.
The last time someone talked to me like that I decked her right in the mouth and she disowned me. I ain't afraid of you cunt. Besides, memeing is an art and I can't just decide to piss if there's no water in my body, you feel me? The memespiration has to strike me first.
who the fuck do you think you are talking to me like that you little shit, ill come over there, bend you over and make you my bitch if you say something like that ever again.
now start with the daily memes again or there's gonna be hell to pay
Luke Sanchez
looks great! thanks man
Joshua Bailey
Tbh you sold me at >bend you over Let's do ths big guy. Where you at?
Carter Lee
>That's pretty gay my man
>you sold me at >bend you over
so which one is it?
Lincoln Cooper
I said that's pretty gay as a compliment.
Carter Nguyen
There's no way for a man to say something approving about another man that isn't a bit gay so it's better to go full homo about it for simplicity's sake.
If you can't afford it just tell me and I'll try to work out a deal, no need to be a cheeky bugger m8.
Ian Parker
listen ill do a fiver and a half eaten pack of extra cool breeze gum that's been open for a while and is a bit soft but still good
Charles Ramirez
Alright fuck it. Top or bottom? I do both, but if you top you should know I'm against enemas because they deprive you of the precious gut flora. Unless it's coffee, then it's fine because it amps those little cunts up and iit's all good.
Jason Rogers
i've never bottomed but im willing to try it but I need someone to make me feel safe, as I find it hard to trust people if you get me?
Ryan Morris
Sorry my fetish is to go hard as fuck, cum as quickly as possible, and while you're trying to piece the mess that I turned you into together, I steal your wallet and run away (at which point I ejaculate once more). We're not made for each other it seems, so I'm out. Goodbye, my almost lover.
Came instantly upon reading this. Thank you, but now I'm disgusted with myself and am gonna turn off the computer and go think about my life.
James Adams
oh no let daddy pensado come and clean it up for you! oh my you've made such a mess hehe
Kayden Sullivan
What a disgusting faggot. I can't believe you just wrote something so gay. Seriously dude, stop it, it's embarrassing. I'm not even getting hard again, so please don't post shit like this because I am most definitely not getting hard again.
Asher Long
oh my you seem tense, let daddy dave get behind those shoulders, oh my! you've definitely got a lot of stress, does that feel good? i hope so
Levi Jenkins
No, stop! Don't get some weird ideas just because we did stuff the other day. And the day before. And the whole month of June. Stop it.
Jaxson Gutierrez
im sorry i will never touch you again i didn't realise it had led you on so much you will forever be in my heart x
Gabriel Bell
And you will forever be in my mind, every time I'll have to buy adult diapers, every time I'll have some hair in my mouth, and every tme I'll see a man spread food on his entire body. Fuck you I'm not hard, it's the zipper.
fuck that looks scarily close to my dad unironically
Nolan Wilson
He certainly looks like my kinda dady :d
Hudson Jackson
ur my kinda daddy
Elijah Carter
i love /prod/ because its good for shit posting, but where are some decent places unironically if you want to actually learn new techniques etc? any decent reddit groups, forums, literally anything?
Alexander Gonzalez
Out of curiosity does anyone know how Billie Eilish did the bumpy voice where she goes baaaaaaad guy?
Anthony Morris
She stood in front of a fan and turned it off as she started saying the phrase so it would slow down during it.
Noah Murphy
Am I being trolled???
Kevin Long
Yes. I can't listen to it rn, but from what I remember it sounded like it was either a slowing down LFO on the vocals themselves, or on some white noise that the vocals were vocoded to, or something along those lines.
Ethan Garcia
kinda, kinda not.. it pretty much creates the same effect but idk how it was done in the studio cause ive only listened to it once and im talking off of my memory
Nolan Sanders
sounds like its being gated to something really quickly
also why did you upload it to youtube, that's so much effort just use clyp or instaudio
Jeremiah Sullivan
so, do you have access to the grid thing with bitwig 3 demo? it seems most devices are unavailable.
Cameron Watson
Someone make a new thread when this one dies thanks
Andrew Cox
How crazy would it be to make a bunch of midi controllers for plugins I used often? I'm going to blow my brains out if I use a keyboard and mouse anymore I definitely have more fun fucking around with a cheap casio keyboard than something virutal - it's not tactile
Benjamin Davis
Rate so far. I need help with drum samples if anyone has any. I'm looking for highly compressed deep sounding snares
Some Swedish company is kind of doing this. user posted an article about hardware for Reason RE's and the company doing them also was working on other VST's.
Ayden Allen
>it's not tactile Spotted the boomer, I use a VR desktop for this.
Adam Lopez
Not quite certain what you're looking for, but guessing some sort of fat french house snare?
These comes in two's, once unprocessed and once heavily compressed. instaud.io/3W5p
Mason Butler
Thanks
Josiah Campbell
I used to use an old Phat-Boy MIDI controller with Spectralhead Silverbox, painted silver and using a custom overlay with replacement grey knobs, keep meaning to update it for a more recent 64-bit 303 emulation like the Roland Cloud 303.