ITT: we support, follow, share, and give constructive criticism to each other on various websites for music sharing such as Bandcamp, Soundcloud, Youtube, and more.
Post a link to your site(s) and other anons follow/share/give feedback.
People who post links and shill themselves after 5-10 posts without participating in any feedback/discussion are unwelcome and should be ignored.
ill stick around for a bit and give feedback (plays) on the first several posts soundcloud.com/floruit >sad >environmental >offbeat just came back into production after years of being away, let me know where to get better
oof, grimy atmosphere, this is a faaaat rec. The bass tones on whip felt a bit loud if that helps you out somehow. Otherwise, quality stuff soundcloud.com/rafapacheco/mind-drip
im into hippo campus, and while you arent exactly them, i could listen to your shit for awhile got halfway through pretty o.p (the album) until i realized i have to type this shit out fucking great thanks for posting, wheres your first concert? trying to break my arm in a mosh youre me with instruments, from the 3 i heard at least thanks for the recc, and yea my whole mixing/mastering process is still too scattered from where it was >soundcloud.com/crackbery/tell-me the record scratches beautiful are you going for straight suicide boys? the beat is nice as hell, good mixing yea i want faster tempo too, there are some things in the works but its rough getting stuff the way i want
Wyatt Wood
also this is amazing, would totally dig a whole album with this stuff on it
Aaron Jones
I'm here to save this thread! So say Y-Y-Yu-YOo! *farts* Here's my most recent full album VOLUME 7.0 or "MEGADUBB" by me: D-D-D-D-DJ "King of Dub" DUBBI! With some help from my fellow producers.
CREDITZ: DJ Dubbi - Ideas GioteX - Keyboards, Production, Engineering $wagg $tuff - Sampling, Production DJ BluFlaim - Production DJ Majikk - Production Hi-Hat Hank - Hi-Hat Production Trebby6foot2 - Production Love Mode Machine - Production Hi-Hat Hank - Hi-Hat Engineering FreeFallin' P.G Peller - Engineering Yung Gilly B. - Engineering $kullAx1$ D3D is as follows::: Joshua B. "Flash" Fredricks - Guitar HELL SMOGG - Guitar DJ Quicc2Death - Scratching Mike P. W. Quest - Drums _____________________________________ Misc links:
"Blassé" music video youtu.be/i4Oy1bbwj3Y >Progressive Hybrid Trap >Experimental Trance >Basement Style
soundcloud.com/dj-dubbi >Dubstep & Post-Dubstep (because I officially ended the genre with my song "End of Dubstep" in 2014) >Hybrid Trap >Progressive House ____________________________________ (use a recognizable picture when you post) RECs , I taught these guys everything they know. I'm their mentor.
Work harder bro, If you take the advice I had given you you'll end up getting good. But for now you have a long way to go.
Yeah he's not very knowledgeable about good tempos, but he's good otherwise.
Fourth and final single for my upcoming project Spiderman: Redux. The album is based album on the original Spiderman video-game for PS1 Any feedback is greatly appreciated (:
Listened to the first track. Solid beat, I like the long synth. I'd love to hear somebody rap on this, could go dumb. This reminds me of something that would be on one of Lil Ugly Mane's beat tapes.
really good vocals, deff the standout of the track. However, this sounds quite dated imo, not much different from a lot of emo from the mid / late 2000s.
This really isn't experimental, although it's not bad overall, but bro heres a tip for getting your guitars to actually sound heavy: ( and read this too) Turn knobs marked "gain" or "overdrive" all the way up. Turn other volume knobs down to get the loudness you want. Once you've proved you can get heavy distortion, dial things back to find the tone you want. Focus on being LOUD!! Some amps won't distort at low volumes, mainly because that's dumb as all hell LOL. If yours is like this, either just play loud or give up. That's what every girl you've ever fvcked says LOL straight-up roasted! This could be interesting. Ask me for a remix! me me me me me. Shut it with that. Yo shut your yap.
Evan Stewart
Your beats are a big generic and I recognize the Samples. the sample sounds like it was recorded to a 15ips tape machine with a live band going straight through a console, and the drums are coming from a drum machine, synth, or stock DAW drum samples, chances are the context won’t make sense, you should always focus on that crispy sound quality bro. In my mind I’m thinking “ok, what can I do to make these drums sound better, like they BUMP to the sample, but still stick out and hit hard?” Bro... Think about it like this, it might mean you have to be processing to the sample, or processing to the drums, or both. And generally needssome experimentation to make it BOOM in the speaker. And also mmatching the space is super key. This isn’t easy, it takes a really ADVANCED ear like mine. But if you can train yourself to listen to the ambience in the sample and recreate that ambience around the drums, but don't get confused. You follow? Next turn up the EQ low end (bass) and ta-da you're better. REC, I can't believe how much I've taught you!
to me it sounds like really early suicide boys stuff grey/gray kill yourself pt. III south side (specifically muddy blunts) i lived with a guy that listened to them nonstop, they grew on me
don’t have much criticism aside from the snare on ~. Flams can’t be played at the same time as the high hats. At least not on a real drum set. But that’s just my opinion.
Wasn’t so sure if I liked it until the bass came in. But when it did it was dope
RECS like the vocal styles on smoke jumper & the whole vibe of teflon vest
the search is so 80s i love it, belongs in a movie
perfect description of the sound, love the whole thing, everything flows into each other nicely, super spaced out sounding, def gonna listen next time i smoke
Just came back from a slump. Trying something different than what I normally do.
>hip hop >electronic >ambient >sampling
Always into synthwave and retro. Keep doing you bro. Love the lofi analog vibes from this, with the synths to the guitar and vocals. BIG recs to my man right here. His song is really good.
I listened to it. I don’t understand the appeal of noise music. But according to the comments you’re doing a good job? So I guess keep doing what you’re doing.
Yeah, that's true. At least he gave it a fair listen before deciding it was not for him. That's all I could ask for.
Brody Ward
soundcloud.com/bonbos/sets/upcoming-second-album-demos >dream pop >psychedelic pop/psychedelic rock >synthpop >lofi 4th and Goryeb are legitimately good, they at least sound somewhat different from what you normally produce.
my friends were having a show today so i was the backup dancer, also i did some boat riding and swimming and also lots of weed smoking in the inbetween moments. im really sweaty right now. lifes good :)
mmm yummy! although ill admit i dont fully know what a chicken parm wedge is
>alt rock >folk >country >post rock >ambient >pop >shoegaze >experimental stuff >and many more!!
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not really a fan of the vocal production on here but again, I'm not an expert at hip hop since this isn't my thing. I would say the rest flows tho. maybe some rap amateurs in this thread will love this I'm sure
I have a couple demos that are pretty short and simple ideas. I just need someone to tell me which i should try to make an entire song from because I really cant judge. theyre all pretty enticing but in different ways and I wanna see which would be most worth it to pursue.
really enjoyed the track, very atmospheric, I'd say you have a good sense of when to tastefully add or remove the layers of instrumentation, lovely sounds, good work
You have a lot to learn. Fix your URL , having a "user_____" address looks really amateur-hour and people won't click on your link. Now in terms of your music, you basically need to start over from scratch. Here's my advice I give to people in your type of predicament. -1st buy fl studio, its all you need at 1st -2nd make a kick/snare rythem -invite some producers over to hang out and get them to help get a melody / bassline idea -3rd get some studio time, 4th, get some experienced producers to work with you durring your session(s) 5th let them do whatever they want to the song to make it good. 6th DONE! you have a new song you can upload online and start blowing up.
>tfw dont belong in any genre You really tell yourself that? LOL. You're literally just making generic Deep House.
Learn what Ambient is bro. Do some research for once before you post nonsense.
Bro you're need to read what I said here about how to make guitars sound good.
This is myself
Carter Jenkins
Read what I said here about URLs. Also use a recognizable picture when you post, we ignore no-image links.
I know you want to be me but maybe try to be more original instead of blatantly ripping my style off.
SKIP
Learn how to post. You'll get blacklisted if you drypost.
>Experimental Nope.. >dark Nope... You should stop missusing words just so you can convince people to check out your music thinking that it's going to be interesting, just for them to realize 20 seconds in that it's literally just another boring waste of space on the internet.
I didn't want to have to say this again But you newbies keep forcing it. The problem I have with 99% of "musicians" who sample other people's work is LONGG. The big thing is with these digital sound sampling devices, back in the day my sh!t was ANALOG bro, do you even know what analog means? Whatever, anyway these digital systems are, we are told, music mimics par excellence, able to render the whole orchestral panoply, plus all that grunts, or squeaks. The noun "sample" is, in our comodified culture,pre-fixed by the adjective free, FREE. as in STEALING. So now you're lying about being an artist and if one is to consider predicating this subject, perhaps some thinking aloud on what is not allowable auditory appropriation is to be heard. Some of you, current and potential samplerists are confused, I KNOW you're confused, and it's about the extent to which you can legally borrow from the ingredients of other people's sonic manifestations. Is a musical property properly private, and when and how does one trespass upon it? Like myself, you may covet something similar to a particular chord played and recorded singularly well by the strings of the estimable Eastman Rochester Orchestra on a long-deleted Mercury Living Presence LP of Charles Ives' Symphony #3 and you're thinking "Oh no, welp here's another song down the DRAIN".
Myself
Jace Young
You want to be FAQQI so bad. Just give up, this sucks. Go back to being an insecure nobody.. Oh wait..,, You already ARE that HA!
Yeah I REC this guy, I've taught him all the important stuff he's been doing to improve his music
soundcloud.com/brandonsea >rap/hip-hop >lyricism >new age beats, old school flows >agressive & raw Just released my debut ep, 12k streams across all platforms, but I'm not too satisfied with what i put out. I recommend listening to "DANGER" because that's the more enjoyable song from what I've heard.
Matthew Stewart
forgot my recs. really enjoyable voice and productions. nice rhymes my g. 3 sounded beautiful. good shit mane. >soundcloud.com/djjdslime/serpent i like what sound your going for, just need to get a different microphone/mixer my man!