You told me it was great

this nigga just playing random notes!! beep bap boop boop beep boop beep boop baaaap braaap braaaap braap braaaaaoooppp eeee

If you're going to mock it and not even attempt to understand or appreciate it, why continue posting about it?

I'm unironically trying to right now, what the fuck is this album even? It's overwhelming, but it just does not cut in my bleak white soul.

take 200 advil that should fix the problem

That's the problem, you shouldnt need drugs to understand music

cus its funny for him, or if its really true, its funny for us ;)

If you're intrigued by jazz, perhaps look into Miles Davis as an entry. I suggest "Kind of Blue" or "Porgy and Bess". From my experience, people tend to prefer either Coltrane or Davis.

Do you guys just pretend to like this or are you guys schizophrenics or junkies

Kind of Blue is also noodling just a bit slower and more structured

>getting filtered so hard you get a headache

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oh it wont help you understand it any better but it will fix the problem ;D

>pretend to like shitty music so you get cool Yea Forums patrician points to look like an intellectual

People with other opinions are just lying to hurt you. They secretly agree about everything in the world, but they are FUCKING with you. Yep.

>Says he's trying to learn to appreciate it
>Writes it off as 'shitty' and throws out ad-homs
I'm done here, you've got no real intention to appreciate it.

Dude you could take this routine nation-wide, im dying

why do you need a tripcode when you're a retard with no musical knowledge who gets confused by entry level jazz?
I mean this thread is pretty pathetic even for this board
is it just so people can filter you out?

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A Love Supreme is not entry level jazz, don't try to get upboats for trying to sound intellectual.

>A Love Supreme is not entry level jazz
Then what is?

Ascension is probably better or the 4 cd Coleman boxset of Change of the century, shape of jazz to come, this is our music and free jazz is it called?

A lot of music is just noodling in all honesty. You might prefer marching bands.

there's no need to understand any theory to enjoy it. there's a dozen catchy melodies that repeat in this. if it isn't derived from a theory-game like the 12 tone melody or the descending chromatic bassline than theres no need to understand any theory to enjoy any music. your opinion is underage and pseud-like and its why people here stray away from jazz.

I didn't say that he NEEDED theory knowledge to understand or appreciated, rather, I said that it could help. I'll ignore the rest of your post because it's infantile ad-hom.

appreciate it*

Entry level jazz doesn't work the say way entry level music of other genres do. Jazz is just complex by default and it is being recognized as an essential classic that determine what makes a jazz album entry level. In contrast, entry level music of other genres is defined by commercial accessibility.

yeah ok Im sorry, I thought the captcha didn't work on Yea Forums if I didn't include at least some infantile ad-hom. but I still don't see how theory can enchance the listening experience. maybe share an example of what you found in it when you approached it from theory-analysis.

It's a fine thing when the idiots of Yea Forums decide to trip. Straight into the filter it goes.

Trane's 7th best

A reason I love this album is the drums (bias b/c I'm a drummer). Elvin Jones is absolutely fantastic, and I can't even comprehend some of the rhythms, mainly because of the odd time signatures and the complexity on the pattern on the cymbals and the drums. I don't know how to properly put it into words without sounding weird or it not making a lot of sense. Sure, a may be a bit of noodling, but it's TALENTED noodling.

I'm from a teaching background, and I know that some people/students often appreciate/enjoy something more if the understand the basis from which it works. In regards to jazz music, a student may find it more enjoyable if they know "what's going on". For an example, my music teacher explained to me how modal jazz and soloing through a particular mode works through 'So What?'. Also, how Evans formed the "So What chord", and how that relates to inversion.
Of course, you don't need to know anything about theory, because music is first and foremost an emotional and experiential thing. But for some, understanding how it works can be of benefit in gaining an appreciation for it.