This album would be 10/10 if not for Because

This album would be 10/10 if not for Because.

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because is one of the best tracks there what the fuck man

How to spot a fucking pleb.

No, it's a 10
Walked across the crossing today for the first time, loved it so much.

Because might as well be the prelude to the medley.

come together is actually the weakest track and that's saying a lot about the quality of the album

Do you think Maxwell is better than Come Together?

Even though this album has a cover in daylight and a song literally called Here Comes the Sun I always get a night time feeling while listening to it.

Definitely not the weakest, but I agree it is criminally overrated.

Because is the third best song on the album you literal retard.

Because is amazing you pleb.

thats because its a post death album. it doesnt happen neither here or there but in a spiritual plane.

That album would be a 10/10 if you only kept the b side and made the a side an extended version of I Want You

you mean mean mr mustard

Only song I don't like on the album is Here Comes The Sun

you mean octopus garden

Nah, it always reminds me of sunny summers from my childhood

you've upset Mr starr

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It's those summer nights when it's still hot even once the sun has gone down for me.

Could you give us your reasons for thinking Because drags it down? That would be more interesting than just "because sux obama out".

The melody is fucking grating.

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Do you think it's a bad song per se though?

you might be memeing but I kind of see your point lol. I always felt like all of the music on this album happens in a vacuum. It's just so untouchable that it feels like you crossed some unknown boundary to hear it

What did John mean with 'Come Together'?

so basically prog pop?

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The best song on the album

Because is one of the only real standouts along with Come Together, Something, I Want You and You Never Give Me Your Money. This album is barely a 7/10

We used to have wanking sessions when we were young at Nigel Whalley's house in Woolton. We'd stay overnight and we'd all sit in armchairs and we'd put all the lights out and being teenage pubescent boys we'd all wank. What we used to do, someone would say, 'Brigitte Bardot.' 'Oooh!' that would keep everyone on par, then somebody, probably John, would say, 'Winston Churchill.' 'Oh no!' and it would completely ruin everyone's concentration.

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kek

Not only is it not the best song on the album, it's not even the best George song on the album.

nigger

> a pleb who hasn't taken the Ringopill yet baka

How devoid of happiness must a man be to shit on Octopus’s Garden. Completely and utterly

>deletes Maxwell's Retarded Hammer

Ah perfect

moron

This must be the only Beatles album where a John track is not the best track

I Want You is the best track here, though.
I think that Paul wins Help!, though. But it's the only album.

I disagree. Come Together is probably the best opening track to a Beatles' album

>doesn't like granny shit
pleb filtered

It has way more problems

I'm a Scaruffi's disciple but I think this album is fantastic. Maybe because it doesn't feel like a beatle album, it's more like an album made by paul mccartney, john lennon and george harrison.

But that's The White Album more than any of their other albums.

This.

Aerosmith's version is better

>Walked across the crossing today for the first time, loved it so much.
st. john's wood is such a boring area.
they have a cool pizza express up the street from there tho

>Aerosmith's version of Come Together is better than the Beatles version
>Frank Sinatra's version of Something is better than the Beatles version
>nobody has improved on Maxwell's Silver Hammer

Just move it till after Octopus's Garden. Now the album starts off with four great tracks, each one written by a different member

Let me fix this shit
>Come Together
>Something
>Let It Be
>Octopus's Garden
>Oh! Darling
>Dig A Pony
>I've Got A Feeling
>Old Brown Show
>I Want You (She's So Heavy)
>Here Comes The Sun
>Don't Let Me Down
>Come And Get It
>All Things Must Pass
>Because
>Across the Universe
>The Long and Winding Road
>Give Peace A Chance
Ah, perfect

>no medley
Fucking kill yourself

>I'm a Scaruffi's disciple
I'm very sorry about your intelligence, user.

give peace a chance is not a beatles song
it's a john lennon "peace activist" song
it totally does not fit the beatles canon

That and it fucking sucks. Pretty much poor man's All You Need Is Love.

Not really if you contextualize the songs. Which, given that Give Peace A Chance is a protest song is actually appropriate when looking at the piece objectively.

Neither is All Things Must Pass or Come and Get It

Anything from Let It Be sessions just doesn't fit

yes

Let's see.
From where I would say there starts to be a definite divergence with "Paul songs" vs. "John songs" vs. "George songs":
>Help!: Yesterday [Paul]
>Rubber Soul: In My Life [John]
>Revolver: Tomorrow Never Knows [John] or She Said She Said [John]
>Sgt. Pepper's: A Day in the Life [John]
>Magical Mystery Tour: Strawberry Fields Forever [John]
>The Beatles: While My Guitar Gently Weeps [George] or Happiness is a Warm Gun [John]
>Yellow Submarine: Hey Bulldog [John]
>Abbey Road: I Want You (She's So Heavy) [John] or Here Comes The Sun [George]
Huh. Wasn't expecting that.
Of course, it only really holds up if you don't consider just how much each member of the band contributed to every "John song". Did you know, for instance, that Paul wrote and played the tape loops in Tomorrow Never Knows and Mellotron intro to Strawberry Fields Forever?

Also, if it counts, the Abbey Road medley is by far the best thing in the album, and it's totally Paul.

>Paul wrote and played the tape loops in Tomorrow Never Knows
No. Paul gave the idea, and made some of the tape loops. But every member experimented a bit with them.
>mellotron intro to SFF
John started writing it on 1964. youtu.be/USxDXaGeQ3Q

yes t b h

To me it feels like reminiscing on the spring as fall sets in. Even a song like Octopus's Garden feels kind of sad, like it's more about running away to a childish utopia than truly glad.

I agree, Because is one of the only real standouts along with Come Together, Something, Oh Darling, Octopus's Garden, I Want You, Here Comes the Sun, You Never Give Me Your Money, She Came in Through the Bathroom Window, Golden Slumbers, Carry That Weight, and The End. This album is barely real

>No. Paul gave the idea, and made some of the tape loops. But every member experimented a bit with them.
Uh he made by far the most complex tape loops, the other members wouldn't have made theirs without him encouraging them to, he directly influenced how the tapes were edited together through both the take in which they had to record them live and the techniques they used to saturate them.
>John started writing it on 1964
He played 4 descending notes on a Mellotron in 1964. I mean jesus, if John really thought he writing SFF in 1964, do you really think he wouldn't have brought it up himself? This is the same guy who credited himself with inventing heavy metal with Ticket to Ride.

>Let It Be
>Dig A Pony
>I've Got A Feeling
>Old Brown Show
>The Long and Winding Road
>Give Peace A Chance
filtered

>This album would be 10/10 if not for Because.

Replace "Because" with "I Want You (She's So Heavy)" in the above statement.

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>Ticket to Ride.

Ticket To Ride heavy metal?? I always looked at it as The Beatles' taking The Byrds' singles and saying to the world, "That's no big deal. We can do jangly 12-string shit too, and do it better than the The Byrds (who have to use Dylan's lyrics to make it work)."

>Uh he made by far the most complex tape loops, the other members wouldn't have made theirs without him encouraging them to, he directly influenced how the tapes were edited together through both the take in which they had to record them live and the techniques they used to saturate them.
That's correct. The problem is that you said that he wrote the tape loops. Which is incorrect because the other members did aswell.
>he played 4 descending notes
The same of the mellotron intro. He was clearly working on that in 1964.
>on a mellotron in 1964
That's not a mellotron nigga
>if John really thought he writing SFF in 1964
He didn't though. He was only working with that intro.

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It would be a 10 if not for that stupid skit at the beginning of She Came In Through The Bathroom Window

i want to listen to more of the beatles

so far i really like this album and sgt peppers lonely hearts club band,

what are some other good albums?

Literally all of them after they started taking lsd

Revolver is one of the best albums ever made

You do realise the beatles were doing that before the bryds

Yeah, now it's 11/10