Name of the band starts with the “The”

>name of the band is a quote

gonna make a band called THE MISTER MASTER MONSTER BOSTON BLISSFUL BASED BASS
what do you guys think?

The Pretenders
The Police
The Psychadelic Furs
The Stone Roses
The Human League
The Clash
The Cars
The Jesus and Mary Chain
The Cure
The Strokes
The Offspring
(Echo &) The Bunnymen

>name of the band is "The The"

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Green day
Pink floyd

Anal Cunt

as long as the word that follows is singular it's fine

>name of the band is a prepositional or gerund phrase

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The Armed
The Avalanches
The Beach Boys
The Brave Little Abacus
The Chameleons
The Chats
The Clash
The Cure
The Dismemberment Plan
The Doors
The Drones
The Flaming Lips
The Gun Club
The Jesus and Mary Chain
The Killers
The Last Shadow Puppets
The Mars Volta
The Mountain Goats
The National
The Olivia Tremor Control
The Pop Group
The Postal Service
The Smashing Pumpkins
The Smiths
The Stranglers
The Strokes
The Undertones
The Unicorns
The Velvet Underground
The Voidz
The War On Drugs
The Wedding Present
All good bands

>t. never read scaruffi before

The Antlers

>name of the band starts with "big", "black" or "king"

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Shit band

The Swans
The Slint
The My Bloody Valentine
The Radiohead
The Animal Collective

>The My Bloody Valentine

lmao

>The Slowdive
>The Ride
>The Lush
>The Jesus An...wait

>the beatles

SHE LOVES YOU YEYEYE

wow what a revolutionary band!

Imagine being this much of an idiot

how is that fucking song proving anything????

prove to me how the Beatles really revolutionised the music scape/rock'n'roll WITHOUT TELLING ME ABOUT INNOVATIONS IN MARKETING RECORDS/CONCERTS/PRODUCTS.

Actual input in music.

Prove it to me and I'll admit.

>band name is The The

The Panic! At The Disco
The Fall Out Boy
The Twenty One Pilots
The Gorillaz
The Backstreet Boys
The One Direction
The Oasis
The Spice Girls
The Captain Beefheart

All good bands

en.wikipedia.org/wiki/Sgt._Pepper's_Lonely_Hearts_Club_Band

oh how convenient, a wikipedia article, now you're drawing me into your argument!

I ain't reading that, do you have thoughts of your own to discuss on THE FORUM?

Show us a song that sound like She Loves You released before 63

THE SWANS
THE SOFT CELL

THE SONICS!
THE SONICS!
THE SONICS!

THE SONICS!

Do your own research, pleb. I'm not going to spoonfeed you everything, because we would be here for hours. Here's a short incomplete list.
>revolutionized sampling and tape loops in popular music (see: Hip-Hop)
>literally stopped touring at the height of their popularity to use the studio as an instrument itself and create songs that were impossible to replicate live at the time
>revolutionized concept albums (see: progressive rock)
>created an actual relationship with their audience 40 years before Twitter with self-referential lyrics, hidden clues, and cryptic secret messages in their albums (see: Death Grips)
>Subverted pop tropes and expectations by writing pop songs about lesbians, serial killers, murder, psychedelic drugs, etc. AND did it subtley enough to get past the censors and get them played on the radio
>snuck a musique concrete song into the homes of millions of unsuspecting teenage girls
>invented psychedelic rock
>released the first hidden track
>used the record itself as an artistic medium, including hidden tracks, locked grooves, false starts, false skips, etc.

do you really expect him to break down the chords, etc of the beatles "pre-studio" phase?

look it up if you're that interested, they must be the band with the most written about them. I've had this all explained many times without asking lol

as others have pointed out, they changed culture so much because nobody before them was like them. even their early stuff was pretty noisy and wild compared to pretty much every rock band at the time, jeez man just look into it, they played live for like five years before anyone noticed them and hung out around a bunch of artsy kids who helped them flesh out their sound and modernize it - they really did a lot and kind of invented "rock bands", they werent just a product of mainstream record labels like so much of music these days is

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>prove to me how the Beatles really revolutionised the music scape/rock'n'roll
They were the first to use ADT and tape loops in rock music, as well as the first to use Indian Ragas as a compositional tool

off the top of my head:

Apache
Long Tall Sally
everything by the Rolling Stones during that time

so what, are you trying to suggest the Beatles introduced the sad note to an otherwise happy song?

>They were the first to use ADT and tape loops in rock music
technical advancements that they deserve no credit for
>as well as the first to use Indian Ragas as a compositional tool
they went to India and learned how to play the sitar, wow so impressive

I’d listen to it. What genre?

>Haha if no one responds to me I've won the argument, or they could just not care and leave me alone like people normally do
Truly an intellectual here

Find me another pop song that sounded like this in 1966.
youtu.be/pHNbHn3i9S4

>technical advancements that they deserve no credit for
Why not?
>they went to India and learned how to play the sitar, wow so impressive
No one else did it

There's also an interesting article I've read that The Beatles use of middle eights in song structure forced rock music to deviate from the traditional blues-inspired I-IV-V. I would show you but you probably don't actually care.

Van Halen is far more talented than The Beatles could dream of being.
youtube.com/watch?v=sI7XiJgt0vY

That just proves that wankery =/= better music

>I'm not going to spoonfeed you everything, because we would be here for hours.

lazy, as usual, because you don't know who you worship, you jsut buy into the industry's marketing mythos.

>revolutionized sampling and tape loops in popular music (see: Hip-Hop)

yes, I'm sure Kool Herc and Afrikaa always came back to the Beatles when it came for inspiration

>literally stopped touring at the height of their popularity to use the studio as an instrument itself and create songs that were impossible to replicate live at the time

you realise that the biggest bragging rights for a band come from being able to reproduce their sound live?

>revolutionized concept albums (see: progressive rock)

maybe that

>created an actual relationship with their audience 40 years before Twitter with self-referential lyrics, hidden clues, and cryptic secret messages in their albums (see: Death Grips)

I don't know about that either, sounds like it could 50/50 be conspiracy theories by malbrained fans.

>Subverted pop tropes and expectations by writing pop songs about lesbians, serial killers, murder, psychedelic drugs, etc. AND did it subtley enough to get past the censors and get them played on the radio

for the first part, that was the Beach Boys and Phil Spector. For the lyrics part, again, sounds like far-fetched interpretation.

>snuck a musique concrete song into the homes of millions of unsuspecting teenage girls

I don't understand what that means

>invented psychedelic rock

LOL
O
L

biggest lie ever. They jumped on the bandwagon because they were so whored out by their company. 13th floor Elevators, Pink Floyd, etc.

>released the first hidden track
>used the record itself as an artistic medium, including hidden tracks, locked grooves, false starts, false skips, etc.

I said, input in music, not marketing techinques

They also existed in a musical landscape that was almost singlehandedly built by The Beatles.
The Beatles are year zero for modern rock. Everything after them was built by them. Everything before is irrelevant. They were the first truly modern band.

serious autism

>They also existed in a musical landscape that was almost singlehandedly built by SHE LOVES YOU YEYEYEYEYE

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>They also existed in a musical landscape that was almost singlehandedly built by The Beatles.
Chuck Berry and Elvis deserve a hell of a lot more credit for laying down the blueprint. Don't be a limp wristed faggot.

>that spacing
fuck im sure this is bait now

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>Japanese band omits the word "The" from their name, even though it would make sense in that context

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I mean for god's sake, listen to this shit, how can you ever outlive the shame of not only writing this, but performing it live?

Face it, all Beatles are the best arguments have been forced by women executives/rich women who used to cream their panties in the 60s.They forced it on their boyfriends. That's all

youtube.com/watch?v=BOuu88OwdK8

Fuck Elvis too.

Not an argument

>explains the source of all "The Beatles are the best band evar!1!" claims
>not an argument
Did you grow up without a father?

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fuck you, babypowder

>the Beatles
>good

summer

skynyrd

>created an actual relationship with their audience 40 years before Twitter with self-referential lyrics, hidden clues, and cryptic secret messages in their albums (see: Death Grips)
>I don't know about that either, sounds like it could 50/50 be conspiracy theories by malbrained fans.
Yes, just like Death Grips fans and their retarded theories. Remember Jenny Death When? The Beatles deliberately included nonsensical lyrics to confuse fans, as well as lyrics like "Here's another clue for you all: The walrus was Paul" and the "Billy Shears" shit on Sgt. Pepper, playing into fan theories that Paul had died in a car accident and was replaced by a double named Billy Shears. They put this in their music deliebrately to fuck with their fans. They also included a hidden message to the Rolling Stones that reads "The Beatles welcome the Rolling Stones - Good guys." on the cover of Sgt. Pepper. They referenced their own songs with lines like "I told you about Strawberry Fields" and "I told you about the fool on the hill / I tell you, man, he's living there still" referencing the song from Magical Mystery Tour, and the fools theme plays in the background after these lyrics.

1/2

>Subverted pop tropes and expectations by writing pop songs about lesbians, serial killers, murder, psychedelic drugs, etc. AND did it subtley enough to get past the censors and get them played on the radio
>For the lyrics part, again, sounds like far-fetched interpretation.
Paul has said in interviews that I can link for you that Norwegian Wood is about burning a woman's house down because she wouldn't have sex with him. He said in another interview that I can link that the woman in the song was a lesbian. That's straight from the artists mouth. The chorus of Maxwell's Silver Hammer, a pop sing-a-long song is "Maxwell's silver hammer came down upon her head. Maxwell's silver hammer made sure that she was dead." Pretty easy to interpret. Magical Mystery Tour is full of lyrics that dog whistle drug use like "Roll up. Roll up for the mystery tour" and the album booklet is full of text about "going on magical trips" There's also Lucy In The Sky With Diamonds, in which the lyrics "SO INCREDIBLY HIGH" are sung much louder than the rest in the line "past the flowers that grow so incredibly high."
>snuck a musique concrete song into the homes of millions of unsuspecting teenage girls
>I don't understand what that means
Inspired by Stockhausen, literally put an experimental 8 minute long noise track made up of tape loops at the end of a pop record.

This post is going to be 3 posts long. Fucking post limits.

*crack*

*sip*

>invented psychedelic rock
>biggest lie ever. They jumped on the bandwagon because they were so whored out by their company. 13th floor Elevators, Pink Floyd, etc.
False. Tomorrow Never Knows predates any recordings by Pink Floyd or the 13th Floor Elevators.
>released the first hidden track
>used the record itself as an artistic medium, including hidden tracks, locked grooves, false starts, false skips, etc.
>I said, input in music, not marketing techinques
None of those are marketing techniques. They took the medium at the time (vinyl) into account when WRITING their music. They included things like "Back in the US- Back in the US- Back in the USSR" deliberately, before launching into the next segment of the song. It emulates the sound of a record skipping. Since vinyl was the primary way that people listened to music in the 60s, unless you were incredibly wealthy and could afford reel-to-reel, this meant that people would think their record was skipping and get up from whatever they were doing to check on it, only for the song to continue in a completely different direction with the next verse. It was pure genius on their part. That's not a marketing scheme. That's taking the actual physical medium into account when writing songs. Same with hidden tracks, which weren't printed on the album sleeve or labels. Locked grooves are the same thing. Sgt Pepper ends with a repeating annoying sound that will play infinitely unless you get up and move the needle. They forced their fans to interact with their music.

3/3

Please enlighten us then with your sky-high musical IQ, which bands are actually good if not the Beatles? Because you sound like a 16 year old music “enthusiast” who’s into Faust and Swans.

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Helloween

This. Fucking avant-teens will never understand. I worked at a record store for five years. I was in charge of purchasing, researching, and pricing used records and tapes. I've spent thousands of hours lurking Discogs. I've heard some of the weirdest, most bizarre shit imaginable. Things that 99% of Yea Forums couldn't even wrap their heads around. I still love The Beatles. Kids who like Swans and Death Grips and think they're "way into music" and hate The Beatles are the fucking worst. They think they know everything, but they know nothing. Of all the people I encountered at that job, they were the absolute LEAST musically educated and just spotted Yea Forums and fantano opinions without ever thinking for themselves.

>band has a name

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man this thread really took a turn