Is Siouxise Sioux still a babe?

Is Siouxise Sioux still a babe?

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she was like 30 when they got popular was she not? pretty sure she looks like debbie harry does now with blondie, melted body, mostly unrecognizable face even with makeup,

everyone ages, plus genetics, kate bush looks bad too

She was like 19 when they released their debut.

how do you pronounce that

I mean she's basically the female equivalent of Robert Smith so fuck no

Suzy zoo

Suzy Sue, except she spells it like the Sioux Indian tribe.

You got it backwards, mate. Robert Smith is like a male Siouxsie. He didn't even wear makeup or tease his hair until he toured with the Banshees in 1979 as their guitarist. This is what he looked like before he started hanging around Siouxsie.

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god i need a goth gf

she aight

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She looks decent for 61. She looks better than Robert Smith, and she's older.

So then they both became self-righteous pricks gotcha

I'd still do.

Robert Smith is a grumpy old sad boy, but he seems nicer than Siouxsie. I really love her music. The Banshees are one of my favorite bands, but she seems like a total cunt.

If he can have the same gf since 14 and talk about heartbreak like he's been alone all his life I have the right to call him as self-righteous as Siouxise

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Disintegration is one of the most emotionally honest songs ever written. The lyrics give me chills.

Imo they're a shitty band with 2 solid albums but both are overshadowed by The Smith's discography

Whatever faggot. Felt is better than The Smiths.

HNNNNNNNNNNNG

I like The Smiths too, but they feel more hollow to me. The Cure's music has more meaning.

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she's awesome
great doc about siouxsie. they also talk about the first time robert smith put on make up.
youtube.com/watch?v=2FIrWHpgGxw

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No

>Dark-punk's most overrated artist, Siouxsie has left behind very few compositions that deserve to be remembered. Most of her "music" was actually attitude, and therein lies her importance. She was an icon, and undoubtedly influenced bands worldwide. Goth-rock would not be a widespread phenomenon without her. But, unlike her model Nico, she was "only" an icon, and never a musician. Thanks to heavy promotion from major labels since the beginning of her career, she did achieve a bigger commercial success that the rest of dark-punk's emaciated ranks but at the expense of sacrifing whatever little originality her music had. If nothing else, the commercial scam helped give the genre some credibility with labels, which in turn materialized in a broader acceptance of gothic music worldwide. That is what Siouxsie will be remembered for.

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