Post music in 5/4, 5/8 or music that features quintuplets
Post music in 5/4, 5/8 or music that features quintuplets
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more of a 4+4+2 thing than 5
Nice. The part that starts around 2:40 is really good. Wish the bass player was going off a little bit more there though
i count it 1 2 3 4 5
I make a lot of music in 5/4 but I'm not about to just shill myself in this thread but it's really cool to write in.
It's not just about using an odd time signature or anything, it just opens up a lot of cool rhythms.
Subtle and masterfully implemented quintuplets
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I was gonna post this :(
this is 4 throughout I'm pretty sure
the classic
I mean, it sounds like 4, but it's really fast 5 with weird swing feel.
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One of my favorite songs
oh you're right. is it really just in 4 but all in quintuplets?
The horn section by Death Grips
Yeah, probably the best way to look at it when I think about it, so in a way you initially were right.
How about a song where the concept of 5/4 is referenced by the musician as well as being part of the song
is this thread only for quintuple meters or for non-duple/triple meters in general? the only recs that come to mind immediately are septuple
Not OP, but probably fine.
>tfw Diagonals is in 10/4
preferably quint meter, but others are acceptable
thought of one that's not posted yet
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okay, dumping some random 7/4 and 7/8 tracks I like
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and an 11/4 track
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Oh shit, this one is isn't it? Second best song behind the opener.
Do you know which time signature the organ in the second half of Rose is in? I think it might be 10/4 as in 4+4+4 but it's hard to tell because each measure is just one droning chord, but the way each one ends so abruptly doesn't sound like 4/4
*4+4+2, my bad
I'm gonna guess 13/4? Some chords don't sound quite consistent in measure so it's really hard to read. Who knows if it's even supposed to be consistent?
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I know Yea Forums hates musicals, but this is one of my favorite 5/4 jams.
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Here's one no one's heard of
How do i count music?
I found learning to play an instrument and learning to play in non 4/4 / 3/4 time signatures helped me a lot in that regard.
Begin by listening to the underlying phrasing of each aspect of the music. The process could be as quick and simple as three A minor chords and then a C chord to round off the bar on repeat, thus leading to what could be a 4/4 time signature. Or you could just listen to the snare/bass drums and deduce where the downbeat is.
One could gather an idea for the musical direction by assessing the call and response nature of the melody and tapping their foot along to it, feeling the "pulse" of the music. One could have a prior knowledge for music such as Waltzes which regularly follow distinct timing patterns.
It gets more complicated with unusual time signatures, and polyrhythms, but generally, all you have to do is attempt to follow the rhythm and you'll quickly gain the ability to count naturally, it's not all too difficult really.
listen to the music, figure out where the emphasis is, and figure out where new lines/ideas start. from there, count each emphasized point in time (this is the beat), and go back to one whenever a new line/idea starts. this is easiest when there's a percussion loop in the background, especially when it's a drum set, which usually plays with bass drum on extra emphasized beats and snare drum on less emphasized beats (boom kick boom kick 1 2 3 4, or boom kick kick 1 2 3, or boom kick kick boom kick 1 2 3 4 5, etc). just make sure that when you define the beat, each one is an equal length of time apart and occurs at times when more notes play (unless it's jazz, then the beat is where the notes aren't playing)
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1 2 3 4
bump
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