>Real music is created by humans, not by a machine or a computer.
The two are not mutually exclusive, and unless you listen exclusively to unamplified live accapella performances, you don't believe this either.
>Real music has structure and consistency.
Structure and consistency are not binary occurrences, nor are they necessarily interdependent. There is incredible consistency to white noise, but no structure, for example.
>(3) Real music elicits real emotions.
Limiting the scope of music to emotional expression (or impression, I guess) is just as harmful as limiting it's scope to programmaticism. There are plenty of functions music can serve and has served for thousands of years other than only the emotional - be they intellectual, or to do with the transmission and preservation of cultural ideas.
>(4) Real music requires talent
Plenty of the greatest musicians on Earth would themselves admit to never having an ounce of musical talent. Skill is a very different thing from talent, and appeals to talent is what keeps most people from really engaging with music. Aside from that, skill in an artistic endeavour comes in many forms - many of which you would likely not recognise.
>Real music requires instruments and/or voices.
An instrument is that which we create music with; to say that music requires instruments is tautologous.
>Real music should be cross generational.
Why? Why should something that is highly-valued by some parts of society and not by others be deemed overall to be of no value? Aiming for mass-appeal is exactly what is wrong with so much mainstream art - why would you want that to be a required factor for all art?
>Real music shouldn’t need gadgets or special effects to be enjoyed.
You are literally using a gadget to access a website, to find music which you will download from someone else's gadget, in order to store on a gadget into which you will plug another gadget that you put into your ears in order to enjoy that music.