So I got triggered to post here after reading through not one but two Merzcast / Merzgate / Merzcontroversy threads.
Serious misinformation going on, I thought.
First, regarding the idea that the Merzcast were profiting from Merzbow. Um, no. "Images used as Patreon bait". Double no. These are, in a word, lies.
I say this as an avid Merzcast listener who was all set to sign up for the Patreon. Not because I was interested in any of the old Merzbow images. I seriously couldn't give a flying fuck. No. But because I wanted to support serious Merzbow enthusiasts who were doing the good work. For instance, bringing in interesting people like Eldon M, Philip Best, GX Larsen, to talk about noise, and Merzbow. And also, I thought, helping to spread the good news about Merz.
The good news is this, and it is not minor: the laptop era of Merzbow is, gasp, NOT total shit.
Let's just let it be said that the vast majority of self-identified "serious noise fans" think that Merzbow has SUCKED SERIOUS DONKEY DICK since he went laptop. The Merzcast, incredibly, did a significant service in helping to reverse these sentiments. For example, in me. I was all set to actually consider picking up some new Merzbow FOR THE FIRST TIME IN 20 FUCKING YEARS. Now? Not so interested.
Let's not forget that controversies like this, involving Merzbow, are not new. Please refer to the Self Abuse compilation from 1996, Music Should Hurt, and the Killer Bug (Kazumoto Endo) track Brain Police Besieged Parkside Corp. As I recall, Parkside Cord is Akita's old address. One guess as to where Endo was going with the "Brain Police" reference. Incidentally, the best track on the album is the Killer Bug. The Merzbow is quite good too, actually very good, but KB simply blows Merz away. So in a nutshell, even in Japan, even almost thirty years ago, Akita was VERY WELL KNOWN for his opposition to the idea of the free flow of ideas.
I'd like to write more, but apparently I've exceeded the character limit.