Great instruments, greater musicians. Alas, Miloš, the gramps with the eyecatching mane, no longer has that long wild hair :(
When I asked him yesterday after the concert what happened to it he said he went for a more “civilized” look while relating that others had said they missed it, too, making me assume that the more “serious” venues he now plays had an issue with it :|
Oh and fun side note, I started talking to him in English which I knew he speaks when some guy walked up to him, interrupted us and talked to him in my native language which, apparently, he speaks as well. I wasn’t sure whether to switch or not so I just awkwardly (at least in my mind) continued in English.
Tyler Campbell
Fuck normie baroque, classical and romantic eras, give some of your favourite renaissance and 20th century composers.
Brody Powell
Check out Jacob Obrecht. He wrote some beautiful masses.
I'm on the lookout for good albums of baroque and renaissance wind instruments. Any tips?
Why does baroque just sound more interesting than classical and romantic music?
Ryder Cooper
baroque was peak western fine arts, classical was just an effeminate epigone, romantic is for nervous neurotics
t. knwoer
Bentley Anderson
Classical sounds too tame, Haydn is the prime example, it feels "too nice". Romantism has the problem of being too pompous which makes all the feelings it tries to convey seem less legitimate. When baroque handles darker sounding themes it feels more mature.
What is the most tiresome current trope in the world of classical music? I suggest that it's the awful habit of pretending that women composers of the past (particularly pre-20th century) were actually geniuses. At best, you could call the best of Clara Schumann's music second-rate yet there are people out there raving about it: not from a position of "here's an underplayed composer who wrote some nice music. It's not era-defining, but there are moments of interest" - as is the case with most composers of the second-rate - but rather asserting that her compositions are better than her husband's and better than Brahms'. It's ludicrous, and I want to point anyone who makes that argument in the directions of the introduction to Rosen's "The Romantic Generation" whenever I see it.
Lucas James
what are some pleb filters for opera?
Easton Fisher
Lulu
Julian Cox
I like this a lot, but on the other hand, I think renaissance music is pretty much Pop in terms of catchiness
I would really appreciate anyone who takes the time to listen to my music thank you and peace
Jackson Garcia
>I make classical-jazz fusion
You make shite mate. Fucking lounge music trash.
Owen Hill
I can't believe you guys let the last thread die with just twenty replies...
Sebastian Peterson
its not really lounge music
but thanks for not listening to it bud
both classical and jazz are dead as genres im making something new
Nathaniel Adams
What makes this at all classical? And don't just say because you wrote the notes down. That excuse doesn't work for Kapustin, how much more ineffectual will it be for you?
Gabriel Hill
>I'm making something new
Imagine actually believing this. Next you're going to start telling me you're the young octopus of music.
Charles Edwards
there was a raid or just a lot of meme shitposts as new threads
Joseph Johnson
It was literally misogyny
Hudson Cooper
>what makes this at all classical the style of music and its all improvised I didn't write anything down technically making anything is making something new if you listen to it and think its derivative of something else id love to hear it
Daniel Price
It derivative of Jazz. There is nothing notably classical about it. Have a nice solipsistic life, you narcissistic prick.
thanks you too man wish I knew what solipsistic meant
Andrew Garcia
Also can I just say, no posting your own fucking music in classical. Even if your music is styled after classical, it sure as hell probably isn't going to hold a candle even to third rate composers like Salieri.
>inb4 some contrarion asshat insists Salieri is good
yea its interesting music from the modern era doesn't seem to be cut from the same cloth creatively as the classical greats, was it something in the water
only 20th century music I can think that compares to classical music's prowess is jazz
the salieri piece you posted is beautiful i think its more of a meme that he wasn't a good composer than that he is
lol if you think that trite, awkwardly phrased crap is beautiful, I don't know what to tell you. It doesn't help that all his music sounds exactly like that. The idiot can't even convincingly modulate to the relative minor. In the words of Bloom: "He can't think, he can't write. There is no discernible talent"
I just wish there was a composers general or somewhere that we mu ppl could post and discuss serious compositions and theory
the soundcloud threads are a lot of lofi beats and stuff. I liked tom's fugues that he would write even tho he didn't really post them in the thread stuff like that
"Though the work is often described as being in the key of D major, the tonal scheme of the symphony as a whole is progressive. While the opening movement is in D major, the finale is in Db major."
William Brown
although it is progressive, D major is the assigned key gustavs word is final
Cooper Rogers
dont blame me blame the youtube man
Nolan Allen
1. The first movement is the larges 2. D flat major is just a semitone over D major lmao
Gavin James
>just a semitone and what a difference it makes
Aaron Watson
'The Vienna Symphony Orchestra has announced today that the successor to Philippe Jordan will be Colombian-born Andrés Orozco-Estrada' 29th March not sure what to think weve all seen his stuff with the frankfurt radio this will be either very good or very bad
Wyatt Green
>this will be either very good or very bad Conductors these days either sound the same as everyone else, or atrociously misguided.
Dominic Morris
>grug think adjacent keys most similar because small distance between keys grug see
Why would anyone ever want a gf if they're so fundamentally different from men I mean, think about it logically. Ideally you would want your wife to still be your loved one if sex wasn't an option anymore. Like, she'd need 'something else'. But women like that either don't exist or they just think they exist (but no, you don't). So the man is forced to cope with himself and force conversations with the empty sex vessels that are women. The best women have masculine qualities in their personalities but by then they force themselves to be more feminine because society disapproves of them or they're dykes (and thus not real women)
It's an improvement to Jordan, but I don't think that he matches well with the sound that the Vienna Symphony has. Both conductors seem to have a very good career planning in common.
But that can't be as I clearly expressed sexual attraction to females in that post
Xavier Sanchez
>have to scroll through the video description to find name of composer BELOW all the instrumentalists Petzold-Rennaisance when?
Ethan Rodriguez
Well, my dumb frogposting friend, musical convention tells us that there are no two musical degrees more chromatically distant than those a tritone apart. Even in spite of this we've all heard chord movement from I-bV. But there's a reason it sounds idiomatic of modern and impressionist music like adjacent chord movement sounds distinctly spanish or gypsy or central-asian. The most related degrees haromically are those a perfect 5th apart and this doesn't evoke any particular style of music because its so fundamental to how music (especially that which modulates) is structured.
Noah Bailey
never read it tb h im just a translator
Owen Hernandez
about the same time as the Wienberg renaissance if Mahler pulled it off, so can Petzold
Levi Wilson
am incel and thoroughly enjoying Bruckner, thanks for the rec
