Why does he always hints (in interviews) that he knows details about Kurt Cobain's passing that has not been previously...

Not just a nerd, he fucking owns a wrestling organization
pwinsider.com/article/110484/billy-corgannwa-purchase-update.html?p=1

this. remember when Monument to an Elegy came out an he was literally complaining that critics weren't giving it high enough scores?

He says it wasn't a murder. He knows what everyone knows. It was a suicide.

Because he fucked Courtney you idiot.
If you want a woman to day any fucking thing, just give her alcohol

just fill her up and slide that pecker in her cooter, son

"You talkin' shit about my woman, Yea Forums?"

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"$50,000 to WHACK Kurt Cobain!"
*Laughs nervously...*

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*winds up dead literally two days after telling a documentary crew that courtney asked him to kill kurt*

>Help!

I don't get it. He's a clean and handsome dude and she has always been a deformed mess. Maybe it was just the thought of cucking Kurt that appealed to him.

"My friend Alan... well, I'll just let the feds get him..."

youtube.com/watch?v=Hgvzm9hm5DU
"If I seriously thought Kurt had been murdered, the people... if I-I thought Courtney was involved-or if thought- was involved they would be dead now... flat out... I would kill them if I thought.... that was the case."

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he looks like he's a big name in deep space

he desperately wishes he had the status of someone like cobain

problem is that billy has never had the stoner wit of a kurt cobain, or the rakish charm of a david bowie, or the winking camp of a mick jagger. there is no mystique, nothing to draw you in. he's just a bald asshole who ran out of steam ages ago and now stands exposed as a complete hack

luckily what he lacked in agreeableness he more than made up for in his art. the more pertinent question is how the fuck did he lose "it", the patented corgan touch. the guy was putting out these magical records in the '90s which, while perhaps veering into sum-of-its-parts-ness toward the end, came across as fully-formed worlds; a totally unique pop aesthetic of writing chops, rock-solid musicianship, evocative song titles, videos and artwork, and every band member a unique and distinct personality, looking so fucking cool in every photoshoot. corgan still a massive dick, but coasting by on this beatles-tier genius jambalaya that was the pumpkins

then he started tying his music to increasingly ridiculous concepts and everything suffered. he has single-handedly worn the smashing pumpkins brand down to nothing. the last tour had him dressing up as the pope and covering stairway to heaven. whatever man

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what a gay post, made me reach for my butt and protectively cover my asshole with both hands.

im sorry

"Room for one more!"

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Probably trying to feel special like he’s in on something that makes him in a unique position. Maybe there is something, I know nothing about this, but knowing Billy’s wildness I’d expect it’s not as much as he’d want it to be

Why does everyone ignore the fact that kurt cancelled the in utero tour and tried to kill himself in italy a month before he actually did it

>hurr that wasn't a suicide attempt only courtney claims it was!!!

lol right.

The last tour had some laughable antics like the pope shit but musically they were super tight. It’s a shame that their new album was so lackluster, because live they were great. Even Solara sounded cool live, while the recorded version sounds weak as shit.

source please that sounds funny

newspunch.com/billy-corgan-shapeshifting-reptilians/

I don't think Billy ever had any type of "Corgan Touch", imo Smashing Pumpkins started to go to shit once it stopped being a collective effort from the band and started being Billy's solo act. it seems that after Melon Collie, you never see James Iha or D'arcy's in the writing credits, just Billy's

Dylan Carlson is a liar. He was involved in the death, but uses his heroin addiction to exonerate himself. This is not speculation.

They don’t do shit on any of the albums before Mellon Collie except vocals on my daydream and some chord progression on Mayonaise

Gish [Caroline, 1991]
if you can dig art-rock fantasia (and hey why not?) this one has a nice, witchy wail to it ("Crush", "Rhinoceros") **

Siamese Dream [Virgin, 1993]
*choice cuts* "Geek USA"

Mellon Collie and the Infinite Sadness [Virgin, 1995]
*choice cuts* "1979"

Adore [Virgin, 1998] *bomb*

Machina [Virgin, 2000]
Galloping in from the wastes just in time to save us from an onslaught of meaningless pop, it's a genuine Rock Band here to remind us of the things that truly matter, such as the death of God, the girl you had a crush on, and hearing your favorite song on the radio. Billy Corgan's proclamations are almost as interesting as Al Gore's with the notable exception that the latter's might actually affect our lives. But what can it mean when his vocal cadences are sexier? C+

Zeitgeit [Martha's Music, 2007] *bomb*

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>problem is that billy has never had the stoner wit of a kurt cobain, or the rakish charm of a david bowie, or the winking camp of a mick jagger.
Or Bono's "Let's right all the injustices of the world".

>Mellon Collie and the Infinite Sadness [Virgin, 1995]
>*choice cuts* "1979"
pfft

>*choice cuts*
>*bomb*
this means nothing to me

Case in point. Billy Corgan is (was anyway) a masterful studio craftsman but he's not a compelling figure as a rock star. Critics tend to like rock stars, people who are interesting to write about, so you see that Cuckgau had trouble dealing with SP.

Choice Cuts (the scissor thing) means the album is mostly shit but has one good song on it.

fag

He knows as long as he hints at shit people will continue to listen to what he has to say.

Too bad his voice sucks.

Mellon Collie and the Infinite Sadness was too fucking bloated of an album and really should've been at least 12 tracks.

ask yr mates