Why haven’t we had the next big musical innovation yet?
Why haven’t we had the next big musical innovation yet?
Zachary Myers
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Josiah Russell
'Cause it's 2019, basically a useless year, just wait til 2020.
Caleb Perez
shh I’m looking at my phone
Noah Garcia
Due to technology involving to the point where we can create any sounds we want, musical inovation is essentially dead forever. We’ve hit a wall and nothing can change that.
Luke Bell
*ahem*
pshh you know nothing KID
the future of music wont involve those filthy interfaces you call "ears"
Charles Nguyen
This is why vaporwave, trap, and synthwave was never invented
James Sanders
All have still be around for about a decade now
Jaxon Smith
theres literally nothing good about those genres. theyre spirutually dead.
Jaxon Peterson
>Why haven’t we had any big musical innovations recently THAT I LIKE
Benjamin Murphy
Seething Hip Hop retard
Sebastian Young
monkeys with mics are an anthropological curiosity but thats it
Nicholas Adams
t. uncreative white goys
Jack Baker
Because nobody wants to practice or rehearse enough to forge a musical vocabulary.
John Wright
what was the last big musical innovation?
Thomas Diaz
When they discovered you could just take a trap beat and change the drums a little bit to make reggaeton
Easton Robinson
vaporwave
Liam Bailey
What's innovative about this?
Innovation is things like recording first stereo sound albums.
Austin Russell
what did it innovate?
David Ramirez
oh, that sort of innovation. well, none, in a fuckton of years, were currently in a big plateau that never ends, and never will in the nevar future if vinyls keep being a thing.
Christian Gomez
its post postmodern music
Leo Harris
>that doesnt count as innovation
Aaron Morgan
>big plateau that never ends
lel, it's not big and it's too irrelevant to end in a catastrophe
Sebastian Fisher
we still use fossil fuel, culture is crystalized.
Adrian Fisher
70's classical is postmodern music.
Bentley Thompson
literally the only sensible person ITT
Grayson King
>to the point where we can create any sounds we want
And everyone wants 12EDO. Real innovation is happening, but it's ignored. Check out Sevish and Brendan Byrnes.
Lucas Bennett
What? What fucking fossil fuels? Popular music industry is a miserable thing that despite its billions is dying in agony. Don't you dare to assume that this little freak show is somehow the pinnacle of art and culture.
Sebastian Jenkins
Listening to Sevish now, here’s what I’m getting
>everyone else’s notes suck. I have better notes than anyone in history, so that makes my music both novel and good
Of course he’s wrong
Jason Ramirez
that's the ready-made culture for you
bunch of shallow pricks
Colton Young
I couldn't fault the industry people for trying their best to save their careers, but what I cannot even tolerate is artists and promoters still barking up that tree, making the same exact mistakes since pay-to-play shows became a thing. To make it even more insulting, they cop that typical disillusionment that a lot of musicians go through, and use it as an aesthetic.
They're literally all liberal half-asses too, but that might just be circumstantial.
Leo Hall
>everyone else’s notes suck
So why does he respect the same rules of consonance and dissonance? The innovation here isn't microtonal tuning, it's using it in a way that doesn't deliberately sound like shit.
Jose Flores
>SPOTLIGHT UH MOONLIGHT UH
The final frontier.
Andrew Sanders
Think of it as a fork in the road, where youre taking the other path, which leads to a dead end
Jacob Ramirez
Say no more
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