I was out feeling the crisp breeze drift across my hoodie onto the back of my exposed hands when I realized: It's about time for an [s4s] OC Albume!
Ahh, can you smell that? (imagein..) That's the sound of creativity gone berserk! Just the kind of weather I like to see flickering the leaves against one another, the reflection of a single light shining from the lamp post known as Yea Forums.org
For the uninitiated, the [s4s] OC Albume series is a wonderful experience that YOU can become a part of! Whether you've been making music for aeons or have been spending the last 2 years telling yourself you would finally learn how to make musice (you know who you are ;^) the OC Albume series is for you! By my count, we're on...holy crackers! OC ALBUME 18?! INCONCEIVABLE XD!!!!
We accept submissions during a 1 month period and release them on our most beloved bandcamp page: esfores.bandcamp.com ! Music ranges from memey scream sessions to beautiful ballads about the joy of rolling quads, and everything in between! Take a chance, and become part of the most magical experience that [s4s] has ever conceived!
Submit your musice to this thread, or if you're shy...hehe you can submit your songes to me directly: [email protected]
ALL SUBMISSIONS WILL BE ADDED TO THE FINAL ALBUME, SO DON'T BE SHY! [s4s] is a really nice guy and doesn't afraid of much, and YOU should not be afraid to showcase your hidden talents in this most glorious musical occasion!
Thank you for always being here to continue on this amazing project, and for being my friends. I don't know what I would do without you, and even if I did, I wouldn't want to consider it seeing how much I absolutely adore each and every one of you :^)
ILU BBYS! I CAN'T WAIT TO HEAR WHAT YOU'VE MADE!~~!
MWASH!~
Your fortune: You will meet a dark handsome stranger
I’m going to attempt a freaking music but if I don’t I am sorry
Gavin Sullivan
please do not weed
Isaiah Clark
Bumping the le ebin bread
I've got like 6 things I'm getting ready to ship out. But if that's too many, I can always try to....."tone" it down ;) really though, is 6 too many or am I ok?
Well I've been preparing since the last albume release so that's why there's so many. But even if they were le rubbish or not, the quality doesn't matter. These albumes are the collective of esforts getting together to make a kewl piece of art that not only embodies the board's culture, but also acts as a time capsule for what the people on the board were like on [current period of time for current albume]. So considering that, its le rubbish-ness is ultimately unimportant.
whatever you say jaq but the truth is that no one cares about the songs that aren't good and even in the future people will just ignore the bad ones and reflect on the good ones as if they were the only remnants of that time period. It's the same with real music tbqh...
Cameron Smith
whatever you say anonymous but the truth is that no one cares about singles that aren't good and even in the future people will just ignore the singles and reflect on the good gets as if they were the only remnants of that time period. It's the same with posts tbqh...
Ethan Peterson
this but unironically
Lucas Myers
You're not wrong at all! I mean, that's the case now with music from the 60's and 70's. So many people have this tunnel vision about how music's not like it used to be, but really we're only looking at the good stuff from those periods.
And that'll be the case for the albumes too, and that's ok. These albumes capture a lotta different characteristics about the board, and in a lot of unique ways. The immense variety in song styles is what brings the albumes to life, not any individual one, no matter how good.
OWO it's le ruse bird I can't le believe it Considering jaq is a QUALITY poster he probably also makes nice music hmmmmm
Joshua Murphy
bumo
Landon Young
I'm liekin it. Are you also Tina Dartrix or is that someone else? Also I fuggin LOVE that you used Madeon for one of them, very good very good
Namefig2018 have I ever told you ur a cutie? Cause you ARE
-11256 I totally agree, I love listening to the albumes all the way through. For me it's almost like a game where you don't know what you're gonna listen to next. One song can get you busting your gut laughing, then the next could make you wanna DANCE, and then the next can entrance you with its beauty. Also, it's kinda hard to tell, but are you guest_account?
*Giant crowd of people, waiting behind a red ribbon, growing rowdy* *Me, behind the ribbon wearing suit and top hat, holding giant, cartoonishly large scissors*
This thread has officially been... *SNIP* BUMPED. BACK to the front page!!
Caleb Bennett
Whoops, I forgot to ask. 3bard I just wanna make sure with this, but are you accepting submissions until March 8th?
James Edwards
If I had to guess the albume might release on the 11st or 22rd or april 1nd
do you guys actually make original songs or are these just variations of existing pieces? i absolutely cannot fathom making an original song, would probably blow my brain to bits LOLE
Well I only make original piece, some of them are samplings/covers/remixes
Robert Wood
i only make my own stuff because i'm not a little BITCH that needs to rely on other's work
Luke Sanders
It's really not as hard as you think! Okay I mean, yeah it can definitely be hard as HECK, but with a little music theory know-how, anyone can learn to make their own music
Bentley White
based
Jason Anderson
no offense but why is it that every song starts good and then devolves into random instrument blaring?
That's my track. Contains the standard mp3 version as well as lossless super high quality (24bit 96kHz) version for the ultimate listening pleasure :^3
You could try Reaper reaper.fm/ I haven't used it, but it seems pretty good. It does the winrar thing where itll give you a "free trial" and then never make you pay for it lole
WHAT THE &$(%&*(%& IS THIS THE BEST YOU CAN GIVE ME !!!!!!!! REEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
Grayson Rivera
You could try Cakewalk too, it's also free cakewalk.com/ But I'm tellin ya bud, all that better stuff costs $$$MONYE$$$. I can give you some links for some of that [ high class ] software if you don't actually mind paying though
Jeremiah Green
Trackers are simple music making tools that mostly work with samples, there are hundreds of them and 99.9% are free.
Basically you load bunch of samples (.wav files) into a tracker program and input notes into a grid. When you play the song it goes from up to down in the grid and plays any notes that you've entered in your chosen sample. For example if a note value is attached to a .wav file of a piano sound, it will play that piano sound in the note you want.
Then you can add effects in the grid that the program computes in real-time, for example you can make a sample slide up or down in pitch or alter its volume.
The program saves the whole thing as a file called "module".
Trackers are very easy to get into. Few are designed for professional audio production use. I would recommend MilkyTracker or OpenMPT for a beginner. There are bunch of tutorials on YouTube.
Fuggin BASED post. To add on to this, SunVox is good too if you want something with a more modern interface. It also looks pretty kewl too
Jason Roberts
I can sing sum songes You just gotta rite the lyrics :^D
Nolan Ortiz
"motherfucker lay back in your cadillac let me jump in your truck like back to back stay real for life roll down south fixing to wreck shop for the hometown crowd my alias be that south park mexican flowing through your veins like medicine you got freestyle on the beat now real ballers fight for the rebound g-town to motherfucking p-town creep around everybody g'd out I can't see how you can take me out hot peow make a dog meow deep south my hood got more slack than 88 cowboys riding on horseback top that the mexican's all that strike like a snake and attack like a bobcat like capone on the microphone you beat me leave that pipe alone boy H-town represent as we do it like this or we can do it like that much love"
cute and funnt hahehehahahahhhrhr hheeheh cute ahahaha hahaha cccccu heheheh xhxXDDDDD cute adndndnnnnnnnnnnd FUNNY AHAHAHAHSHAHAHA HAHAH HA HA HA HA HA H A HA HA HA HAHAHAH AHAHA CCUT EE FUNEYE I SA ID IT FCUTE FUNNEY HEHEHHHEHHHHEHE HAHAH VCUCTTTE VFEEEUNENNEY HSHEHEEH FUNENEY WORDEES XDdddD I CANT BREHTH AHAH AHAHAH FUNENY FVCYTEUTE XHAHAHAHSHAHAHAHAH AHAH HAHA HAHAHAHHAHAHAHAHA CUCCCRRREWEUEUEUUEUUUEUEUUE UEUEEEEETTTTTTTTT FUNNEEEEEY AHHHHHHHHHAHAHAAAAAAAHAHAHAAAA
Camden Allen
this is your brain on anime
Ryder Nguyen
your moms on anime
Austin Jenkins
i'm not sure if that's meant to be an insult or not
Sebastian Diaz
Heya, can anyone listen to this and tell me if it sounds realistic for spikeman going across the stage to sit on a piano bench? my.mixtape.moe/udtffx.mp3 (NOT submitting this mp3 for the albume, but I'll submit the whole thing once it's done)
Owen Flores
do u feel #rekt?
Gabriel Rivera
not really nice dubs tho
Leo Ortiz
thanks you too but you should feel it because u just got #rekt xD
Carter Kelly
i'm sorry maybe try again
Noah Flores
lole just what i'd imagine it to be tbh. crrrp crrrp crrrp kinda sounds from the spikes. Very good!! LOLE!
Anthony Thomas
Thanks bud! I wanted it to sound as "realistic" as possible LOLE but I just wanted to make sure it worked ok
Xavier Edwards
here's my lyric ideas for a valentines day song that i will likely never make
I LOVE THE RIPA I LOVE YOU THE RIPA RIPA PLEASE BE MY VALENTINE
I WANT TO SNIFF YOUR FEET AND WORSHIP YOUR LEGS
RIPA RIPA RIPA
I LOVE THE RIPA I LOVE YOU THE RIPA RIPA PLEASE BE MY VALENTINE
I'VE BEEN ORBITING YOU FOR 4 YEARS I THINK IT'S TIME I GET SOME COMPENSATION
RIPA RIPA RIPA
I LOVE THE RIPA I LOVE YOU THE RIPA RIPA PLEASE BE MY VALENTINE
RIPA IF YOU SAY NO I WILL KILL MYSELF I HAVE ALREADY FAILED LIFE AND YOU ARE THE ONLY THING I HAVE LEFT
*gamey over sound from bomberman hero*
*loud coughing*
*feet shuffling*
*sound of two elderly women asking something indecipherable*
*ba-bow sound effect from mario world*
Gavin Kelly
kill yourself
Connor Wilson
don't wanna be that guy but i think it sounds a bit weird. like when you think of the spikes going against the floor it kind of makes sense but i'd imagine that the bottom part of his body is flat with maybe some small feeties or something...idk my personal thoughts
Thank you for the criticism, I honestly really appreciate it. I've been sorta on the fence on how to approach it too, and that was the reason I posted it on here in the first place. I'm not sure if I'll do tiny footsteps cause I feel like that'll be too ambiguous, and I want it to be, like, immediately clear that it's the Spikeman crossing the stage when people hear it.
I used a sample of broken glass for that sound before, but this time I'm gonna try editing the sound of a long broom sweep and see if that'll work better LOLE. Again though, thank you
Aiden Rodriguez
yeah actually a broom sweep sounds like it might fit right, goode luck jaq!
Honestly, if you're new to this try out the freeware suggestions by other nicefigs to learn the basics. I, for one, still think that Ohmstudio is a good start for freeware DAWs because it's quite intuitive. If you like this hobby you'll be dumping much nicemonies into equipment and software/samples, so better check out Cubase, Ableton or Logic X too and see what suits you best beforehand.
Another approach would be to get a vpn and search the .RU NET for torrent trackers
How do i get started in music theory? Are there any essensials that you need to know when making music? I mainly know basics, like: the music sound good if its in a key there are triads/chords that sound fricking cool and can be minor or major, there also can be larger chords (that i know how to make) and suspened chords that are just more tension oriented chords that the melody should travel from/to keys in chords that bassline sounds good when its on a root note i grasp the concept of root notes (its just the base note of the chord i dont know much about songwiting, interest curves, tension and release i know my daw just enough to make music but i still lack theory and i want to post something for this album so i dont have time to read books about it (but it would be also amazing if you would tell me some good titles) pls help i want to contribute
Basically, the vast majority of music is just a big ol' dance around this here "Circle of Fifths" (pic related) Since the root is considered the 1st scale degree, or "home", a fifth refers to the 5th scale degree, or 4 scale degrees (or 7 semitones, since you're using a daw) up from the root, in a major/minor scale. The circle of fifths is what happens when we constantly stack fifths on top of each other (G is the fifth of C, D is the fifth of G, A is the fifth of D, etc, until we come all the way around to C being the fifth of F and then we start over)
So why does this matter? Basically, how we move around the circle of fifths will determine the kind of effect our music will have. If you play chords going COUNTERCLOCKWISE (Gmaj - Cmaj - Fmaj - Bbmaj, etc) Then the music will sound like it's constantly resolving or "breaking down", while if we go the opposite direction (Bbmaj - Fmaj - Cmaj - Gmaj, etc) it'll do the opposite, and sound like it's constantly building itself up and creating tension. Obviously, we don't have to ONLY go one direction or the other with our chords, since we can go from ANY chord to ANY OTHER chord. If we do that, then, in a 4 chord progression using ONLY basic major and minor triads, we get 12000+ different possible chord progressions. And that's not even counting major, minor, suspended, and dominant 7ths, 9ths, 11ths, 13ths, diminished chords, augmented chords, and so on. So there are an ABSURD amount of possibilities To help narrow these down, thats why we have the major and minor scales. (Sidenote: Interestingly, if you stack fifths from F to B, we get the entire C major scale.)
Here are the chords for the C major scale Cmaj(I) - Dmin(ii) - Emin(iii) - Fmaj(IV) - Gmaj(V) - Amin(vi) - Bdim(viio)
If you don't understand the roman numerals, the number indicates the scale degree. Uppercase = major Lowercase = minor (cont)
OK I won't say too much more since I don't want to overload you with info lole
Now that you have your major scale chords, you can experiment around and find things that you like. If you want to go around the circle of fifths like I was talking about before, you can. Start from Amin and play Amin(vi) - Dmin(ii) - Gmaj(V) - Cmaj(I), and you'll get a chord progression thats really common in classical music. Then of course, you can go the opposite way with Cmaj(I) - Gmaj(V) - Dmin(ii) - Amin(vi) to get a progression that kinda sounds like it would work in pop music.
But you can also experiment with different chord movements too! One that I really like is Dmin(ii) - Fmaj(IV) - Amin(vi) - Cmaj(I), which just moves up 2 scale degrees with each chord.
Anyways, I hope at least some of this helped, and tell me if you have any questions with any other stuff
okay it's been a week and this thread has had 0 good contributions, truly and honestly the worst album...
Julian Campbell
ur the worste albume fuccboi
Adam Moore
I now have a nice big elctric piano so mybe I'll try another song but last timee my singing was taken out so ill just choose a piano only song.
I've been fuguring put how t play "Around the Table" from Dr Kawashima's Devilish Brain Training: Can you stay FOCUSED? and it sounds super nice so mayb you'll see my cover on your albume.
speaking of cover, i look forward to seing an ew albume cover. they always look super nicee!!!!!!
Your fortune: Very Bad Luck
Connor Sanchez
thanks you bro i am working hard on la musique 24/7 or maybe 12/6 yuor music is cool i bang my head at mach seven when lisening to it. opens my crown chakra very nice sounds like Lofi hiphop beats to study/relax to but 8bit so its more liek Lofi 8-bit hiphop beats to study/relax to
Jayden Stewart
Hello again 3bard!!! I stopped namefigging a lel while ago but i'll bring it back, just for you :DD Excited to bring some more nicer newerer music for the albume!!!
big music theory nerd here ok so bascially in any key you can refer to the chords by roman numerals as jaq has very nicely explained tension and release is created on the assumption that each chord is designated a specific function, called functional harmony the most common resolution is a V7 (dominant seventh) - I (major tonic) and has been around for yonks, since the time of bach and probably earlier. this is called a perfect cadence there are other resolutions, such as IV - I, which is a plagal cadence, but a perfect cadence is generally the strongest and feels the most complete this V - I progression is typically extended to ii - V - I, especially in jazz (but is used friggin' everywhere), where the ii functions to build up tension HOWEVER these tension and release thingies are mainly reserved for genres where non-cyclical chord progressions are common, i.e. jazz or classical music. if yu listen to much of pop music today it is centred around 4 chords that just loop over and over and over and over again with maybe one or two dominant chords that resolve back to the tonic to assist a build up to a chorus or whatever. pop music uses a thing called “retrogressions” which basically aim to shift between chords with minimal tension. a very common progression is I - V - vi - IV. it uses the dominant, however it functions very differently from resolution; instead of resolving V to I, it goes from I to V, thus actually distancing itself from the tonal centre. it loops back with IV, using a plagal cadence, so that we can still ‘feel’ the key centre but not with something as strong as a V7
Anthony Martinez
(parte two) now of course you can combine chords in all sorts of wacky ways. on the topic of extensions now. extensions generally are used to simply add colour to a chord progression, however when you start using more outlandish progressions (e.g. key modulations) extensions are increasingly used to ‘tie’ the chords together if the composer wants it to be as smooth as possible and not jarring to the listener. chord inversions, where a chord’s notes are ‘shuffled’ around (e.g. C - E - G, a cmaj chord in root position, could be E - G - C, a cmaj chord in first inversion), are similarly often used to connect chords together functionally. lots of people slap a gazillion extensions on any old chord and think it makes it sound amazing. in reality, extensions should be used appropriately with maximal closeness to each other. onto melodies now. to write melodies, you have to make sure it fits in the chord youre writing it over. you dont necessarily have to stick to the only notes in the chord because our brains recognise it as an extension of the chord; for example, a D over a cmaj chord would still sound good because our brains would recognise it as a major ninth, and a B would function as a major seventh. however, if you added a C# over a cmaj chord, it wouldnt sound good because C# is miles away (harmonically speaking) from cmaj.
tbh I like making my own songs but I don't want to put them here on th album for personal reasons. Maybe in future, idk tbh
Dominic Campbell
Poste them alle! There is no lmite othre than you're imaginetione :^)
Juan Green
real MIDI niggaz in tha house 2nite couldd do wit some moar variation lol a nice portamento melody on top or somfin lolololole
Dominic Taylor
Thanks for the lessons frens, it's really helpful. i had no idea about the circle of fifth before, so i'm looking more into that. Ty Fren! I'm thrilled for your next le music!! -11295 -11285 blessed greenposters
Gabriel Long
hehe yes thnx for tips frend lololleee i am trying to improove after all :PDD
Nicholas Peterson
mmmm.., bery relax. i like
Juan Myers
i put midi notes into program and IT WORK sometimes i even hit the KEYS on my PIANO i barely have a tenth grade education of the musice, it just work
Levi Edwards
how i do things
Landon Martin
press button
Samuel Ortiz
dub dubs, very bince
Your fortune: Good news will come to you by mail
Aaron Robinson
Thank you. You guys are amazing and helped a lot, and now with a newfound confidence i will get to work now and do some cool music!
Sorry for not replying earlier and once more thanks luv u guys
music is choosing a specific set of frequencies melodic line, chords and not questioning anything just going off what makes me feel something. hoping the end result will calm the turmoil
abandoning any worries and just playing. letting whatever is, be. you can go anywhere you want, do anything there are no judges, no rules it's up to you.
you can play one note and be done or a whole symphony of sounds. you're searching for the same thing
14.3 KB Edition has a nice ring to it nice dubs! this speaks to me on a deep level. gj anone!
Ryder Walker
bumpt
Jack Kelly
what copyright infringement
James Bailey
this is better music than 99.97% of the mainstream music
Charles Peterson
based
Joseph Sullivan
epic win
Connor Richardson
bumpity bump
I've started figuring out the songs for my medley from listening to them. The first song in the medley is great, but the second may be a bit off. It's just the bleep-bloopy stuff that's hard to be sure of.
I'm gonna play the whole thing on my electric piano and record it onto my iPhone voice memo app. I'll then put it on iTunes on my computer and email it.
It will be difficult to get a good take because there are some backing parts that need to be recorded using the electric piano's recording system, so I'll need to use a metronome and actually write the extra layers of the music on a sheet or something, which I'm bad at. It'll be hard to keep in time, stopping and starting, as the extra stuff is only for some songs.
The medley will end up with 9 songs, I hope. I've so far figured out the first 2 and a tiny bit of the 5th and 6th. Luckily, the seventh song will likely have some sheet music on the internet somewhere, I should hope.
songs 4, 5, 6 and 9 will likely be the hardest to get right. Especially 9. The 1st suffers from a similar difficulty, but I was able to overcome that, miraculously. If I can do it once, I can do it 4 more times!
I may be forced to cut some songs out of the medley if they're really tricky, but I really like all of them. I want to keep them all tbh.
The 1st song in the medley will take about 35 seconds, and the next one about 30, so I estimate the whole thing will be about 5 minutes. I want to stick out from the crowd with this ultimate celebration of [s4s]!!!!!!!!!!!!!
(Maybe at some point I'll do a cover of i'll b ur gf, but not for this album! :)))))))))))))))))
Your fortune: Very Bad Luck
Nicholas Carter
rude tbh
David Torres
who cares? just shut up and post the thing when you're done
An edit of a thing I posted on the board a while ago. I wanted to capture how it feels when the boards going SUPER slow and it almost feels like you're the only poster on the board. Exciting, but also kinda lonely too. You can funpost to your heart's content, but you don't have anyone to funpost WITH. A bittersweet kind of feeling, I guess. I hope you like it LOLE
-11295 Ok that makes me a lot more comfortable with all this, thank you le 3bard man
I also forgot to reply before, but I'm happy you fellas could get somethin out of my music theory ramblings lole, luv u goobers and if you have any other questions please don't hesitate to ask
Your fortune: You will meet a dark handsome stranger
Adrian Flores
"prolly is rite but I haven't decided yet tbh xD basigally once the albume is done I shall released it!" quotign the le 3 bard you might want to install the [s4s] interface on funpostign.online
Aiden Carter
BUMPIN
Jeremiah Gonzalez
aQZTPC !!))!)!!))!)!)!!)!))!!((!(!)!(!(!( discord
Parker Gray
I've finally broken through the first song. It was super hard to tell what was going on, but, now that I know, I should be cruising through to the 4th song of the medley.
Once all 9 are sussed, it's just a matter of recording into my Electric Piano, and then playing along to the recording, and then getting it onto my computer.
I'm liking this a lot, very spooky and the way the bass seems to subtly shift in tone over time is a really kewl and unsettling touch. maybe it's the mother 3 pad and the cover art that's making me think this, but I really feel like this music would fit very nicely as the background music for Moonside in Earthbound. Super nice and I can't wait to hear more stuff from you :)
Thank you very much my're fren, I've been trying to clean it up more lately and possibly resubmit it cause the other night all the instruments n junk seemed very clear, but now that I've given it some time it seems kinda muddy. I might try to make an extended version sometime later though!
you're spot on about the moonside connection! i used the palette when i drew the cover; i also listened to all the stuff on your soundcloud and im really impressed with how you connect all those chords together to make melodies; something i cant really do yet as im just starting out, ocean walkers and beak 2 bread for example are my favs.
Decided to experiment a little on this one. If it sounds like it's being played on an old radio, then I've done my job right. If not, then fuck, I blow.
maybe it's just everyone is on a thread you don't fancy, or maybe it really is a ghostly ghost board for a few lonely hours...
Your fortune: Excellent Luck
Eli Price
maybe it's a Yea Forums server lag thing?
Kevin Nelson
ok i exaggeraterd hours tbh
more like minutess
Your fortune: ｷﾀ━━━━━━(ﾟ∀ﾟ)━━━━━━ !!!!
Adam Campbell
Sorry I didn't reply sooner, but that's honestly pretty friggin awesome, and thank you very much fren, that means a lot. Though I'm gonna update the birdeat one soon with a cleaner mix!
The song is damn fine on its own, especially those fuggin drums DANG son, but I don't get the impression that it's playing from an old radio, but you do NOT blow. If you really want that old radio kinda sound, just use a tight bandpass filter on the midrange, and then maybe give it a little reverb too so it sounds like it's coming from the other side of the room or somethin. You could ALSO try adding a vinyl crackling sound (not affected by the bandpass filter) like this: youtube.com/watch?v=41lrxMvhBdc I know that's more for vinyl, but nobodies gonna tell the difference if you use it
.gif: SAVED By the way, now that you mention it, your song really reminds me of this cutscene from Mother 3 where t
Thank you frens, I'm glad that feeling could translate over well. Gonna try to clean it up a little more, but I'll make sure to preserve that dreaminess/loneliness of it. Again, thanks
very nice harmonyes fren........ maybe i am feeling inspried to make bury comfie ! beginning synth kinda sounds liek Owen Wilson LOLE but ya... sounds sleepy like town vidya gaem music or somethin je ne sais quoi my onley feed back would be to maybe change the melodie synth 2 something else for a section so theres more variation or maybe contrast between the sections of the track lole...
I did use a vinyl effect, guess I didn't make it obvious enough.
I rejigged a load of the effects, and added some static sample behind it. I spent literally 2 minutes because I need to go out rn so it may be rough around the edges, but hopefully sounds more like you want. I had also used a bandpass, but the effect was turned down while I edited some of the notes, and didn't go back in.
o shid I have to actually release the final version ow my song now gimme a bit but it'll be out and ids a bjanger although it actually sucks and I have no idea how to mix nor how to master but shhhhhh nice board right?
I'm honestly really sorry for waiting almost 50 entire years to respond back, but I like it man! At first I thought the static was a little too overbearing, but I feel like my ears adjusted quickly and I think it works really work, plus Vocaroo does this stupid thing where it converts all uploaded audio to mono so its probably perfectly fine in stereo anyway. Another thing you could do (in case you still wanted to work on it some more) is to put a SUPER SLIGHT lfo on the entire track's pitch so it sounds like the radio is wearing down as it plays it
I meant works really well not works really work xdddd mega epic FAIL
If you don't want to shell out money for styrofoam panels, you could honestly just use a cheap stereo recorder and record under a bunch of blankets and not many people will tell the difference between that and a professional studio recording.
Or wait, unless you're recording drums, then that's a BAD idea, but stuff like guitar or singing should be fine
Luke Cooper
Dubs
How to sing?
David Mitchell
Basically you gotta breath out FAST but also move your throat and tongue in funny directions and maybe give ur neck a flick or 2 to kickstart it....at least that's how the pros do it idk. Really though if you're gonna try to sing and you're not used to it, try to use your diapraghhgmgm so it'll not only sound better but also be less likely to hurt your throat. If you're not sure how to use your diaphragm, stand up straight with your back against a wall and it should be a lot easier when you try to sing, but if for some reason ur in a wall-less area, just make sure you're upright. You'll kinda feel it around your stomach when you do it right
Sorry for the late reply, but thanks pal I appreciate it
Hudson Bell
non
Tyler Morales
once upon a time a group of autists with an autistic culture got togethor on an autistic site and collectively made shitty autistic music the end
haha gool sdory bro :DDDDDDDD xDDDDD is so audisdic ids almosd a gud reason 2 do id ha ha DDDDDDDDD: xDDDDDDdddddddddd[[[[pppppppppppp
Angel Kelly
>ids almosd a gud reason 2 do id >almosd a gud reason 2 do id >almosd a gud reeason >almosd >almosd almost? almost? it's almost a good reason to do it? That means ur cxlose to doing it...almost. Youre almost close to doing it....you just need a push. OK mr anonymous how bout I throw this out there, if you make a songe for the albume, you'll be able to garner the same amount of epic attention-credits your average namefig accruse WITHOUT having to wear a gay namefig in the process. Sound like a sweet deal? Almost like a paradox, but the oc albume makes the impossible possible. We were at almost before, now let see if we can turn that into a DEFINITE with this new info coming in. Basically I'm asking you to make a songe DO IT. DO IT DO IT DO IT DO IT DO IT DO IT NOW NOW NOW NOW NWO NWO NOW
MAKE A SONG FOR THE ALBUME DO IT NOW DO IT NOW IT CAN BE ANYTHING *jingle jingle* look at these attention-credits *jiiingle* look nice? they're shinining...they have your name on them. youu could have ALLLLL of them if you just MAKE A SONG NOW POST IT NOW NOW NOW NOW NOW NWO NOW NOW DO IT DO IT NOW DO IT NOW DIO IT NOW DI ON TO INTO NOW NOW NOW NWO NWOW
sounds of hopelessness or just, contentment. even if it won't be alright. you can still hum a little song at night that no one else can hear. You're here... that's all that matters. I'm glad you've come to this place, don't despair, it was never meant to be any other way.
