Who's the hayao miyazaki of vidya?

Who's the hayao miyazaki of vidya?

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Kojima or Miyamoto

Hidetaka Miyazaki

Hidetaka Miyazaki

Hidetaka Miyazaki.

[spoilers]Shigeru Miyamoto[/spoilers]

kojima because, he takes all the credit for shit a lot of people worked on, "his" shit gets good reviews no matter how lame and generic it is, normies love him

Hayao is a total douchebag boomer who's out of touch, though. Hopefully he dies soon. Hidetaka, on the other hand, is a visionaire.

Anoyne who makes overrated shit normalfags love.

Who

what kind of a faggot dyes their eyebrows

>overrated
No, it's rated correctly, you're just a contrarian.

>head up his own ass
>has actual experience but still somehow has no idea what he's talking about
>pisses off everybody but weebs who insist he can do no wrong
kamiya

Fuck off with your e celeb garbage already holy shit

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whoever directed Superman 64

>The anime boom has already come and gone in Japan, but even now, in 1987, we are still making thirty animated TV series per week, and annually dozens of theatrical features and straight-to-video anime films, as well as works jointly created in subcontracting arrangements with U.S. firms. But there's no real point in introducing all that here. If there is something that I should touch on, it is the ideology of exaggeration/overexpression and the loss of motivation that plagues Japanese anime. Both of these tendencies have contributed to a general decay in popular Japanese animation.

>The number of TV animated series has continued to grow for twenty years, and at the end of the anime boom reached forty per week!

>This was, of course, inevitable. Who wouldn't tire of watching several shows in one week that all use the ultimate cheap story-line trick - that of some organization plotting to conquer the world? For that matter, even love starts to seem a bit jaded as a motive when commercialized as much in Space Battleship Yamato. The anime boom may have been ignited by Yamato, but the irony is that Yamato also proved to be a graveyard for love and justice in anime. For that matter when the sequel to Tomorrow's Joe, was remade, long after the original broadcast in 1970, it was so far behind the times it reeked of the stench of death, and not just as the result of the overexpressionism employed.

>Everything becomes a giant game. Love becomes a psychological game, struggling or fighting becomes a killing game, and competitions become money-based games with defined results. Japanese anime is drowning in games - to the point where even the life and death of characters is treated as a game, and creators become gods and run into a dead end. It was inevitable that Nintendo's Family Computer would replace the anime boom. With real games, more people could participate in the stories and probably derive a little more satisfaction from them, too.

-Hayao Miyazaki in 1987.

Literally and unironically, in the purest most genuine way, who is this?

a guy who told Yea Forums that anime is garbage.

I see. Well hes right.

some stupid overrated boomer that's perennially upset at smartphones and video games and anime he doesn't like and so on

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You absolutely have to be underage. Like, probably fourteen.

Not really.

Nintendo

>Made great and visionary works that changed the landscape of the medium
>Overly resistant to change due to a paranoid fear of becoming as bad as the worst of his peers
>Company goes downhill without him, but found their footing. Unfortunately he still has more influence than he should and holds the company back through boomer tastes
It's clearly Miyamoto.

You're getting meme answers. He's the Studio Ghibli guy. Made My Neighbor Totoro, Spirited Away, Kiki's Delivery Service. That stuff.

Im 32 honestly, but i googled him and hes like an anime guy and ive never watched anime so i dont know him.

The Whoyo Hayoayhoheyhohaho Mangalo Myasosasosaparaskasakagaji?

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Famous anime filmmaker (My Neighbor Totoro and Spirited Away to name a few) that hates modern anime because it seeks to appeal to nerds looking for soft inoffensive escapism instead of having a genuine story to tell or challenging your perspective on things. He hates how anime nowadays is directed towards anime fans instead of people

Basically, anime was a mistake.

>He hates how anime nowadays is directed towards anime fans instead of people
If this was in the 1990s and maybe early 2000s I would somewhat agree, but "regular" people, or normalfags as I like to call them, are fucking retards with no taste in anything these days

Sounds pretty based to me.
Who hates him besides fat nu anime loving otaku virgins?

Being a "nerd" (well the kind that's into consuming pop culture) is as big of a normalfag that you can be in 2019

>le Miyazaki hates otaku meme
do people ignore his protege and the guy he got to star in his most recent movie is an otaku

you're literally posting on a board about a medium that shouldn't even exist if miyazaki could have his way

So it's a moot point. Appealing to anime "nerd" fans is pointless because it's appealing to normies who are incapable of taking in true storytelling due to their vapidity. The groups have become the same.

literally what the fuck are you talking about

there is a big difference between "guy who is a fan of anime in a healthy way" and "otaku"

god I hate ESL kids

Gainax existing proved this guy to be a hack, it was gold after gold until it split into three, and most of what Trigger does tends to be just as good if not better

Anno is a self described otaku.

Nigga, you're such a fucking retard. You are so far gone. That man is talking about Ashita no Joe and you bring up fucking Trigger and Gainax? Really?

>the anime boom has awweady come and gone in japan, but even now, in 1987, we awe stiww making thiwty animated tv sewies pew week, and annuawwy dozens of theatwicaw featuwes and stwaight-to-video anime fiwms, as weww as wowks jointwy cweated in subcontwacting awwangements with u.S. fiwms. But thewe's no weaw point in intwoducing aww that hewe. If thewe is something that i shouwd touch on, it is the ideowogy of exaggewation/ovewexpwession and the woss of motivation that pwagues japanese anime. Both of these tendencies have contwibuted to a genewaw decay in popuwaw japanese animation.

>the numbew of tv animated sewies has continued to gwow fow twenty yeaws, and at the end of the anime boom weached fowty pew week!

>this was, of couwse, inevitabwe. Who wouwdn't tiwe of watching sevewaw shows in one week that aww use the uwtimate cheap stowy-wine twick - that of some owganization pwotting to conquew the wowwd? fow that mattew, even wove stawts to seem a bit jaded as a motive when commewciawized as much in space battweship yamato. The anime boom may have been ignited by yamato, but the iwony is that yamato awso pwoved to be a gwaveyawd fow wove and justice in anime. Fow that mattew when the sequew to tomowwow's joe, was wemade, wong aftew the owiginaw bwoadcast in 1970, it was so faw behind the times it weeked of the stench of death, and not just as the wesuwt of the ovewexpwessionism empwoyed.

>evewything becomes a giant game. Love becomes a psychowogicaw game, stwuggwing ow fighting becomes a kiwwing game, and competitions become money-based games with defined wesuwts. Japanese anime is dwowning in games - to the point whewe even the wife and death of chawactews is tweated as a game, and cweatows become gods and wun into a dead end. It was inevitabwe that nintendo's famiwy computew wouwd wepwace the anime boom. With weaw games, mowe peopwe couwd pawticipate in the stowies and pwobabwy dewive a wittwe mowe satisfaction fwom them, too.

Trigger is a bit overrated in my opinion, I haven't seen any of their meme shows like inferno cop or the other one, but KLK is worthy of being seen once because the novelty dies off pretty quickly, kiznaivers was pretty gay and slow and fuck darling in the franxx

still excited for Promare tho

Inferno Cop and Luluco are better than anything else they've made.

>KyoAni and Miyazaki dying in the same year
Will 2019 be the 2001 of anime?

t. seething nonhuman muttshit

A talented individual that pushes games forward through technical skill & beautiful craftsmenship?

Anita Sarkeesian
John Carmack, but I guess TIME magazine would disagree.

You should be ashamed

So he hates games and wants Japs to breed and conquer Asia?

>hayao miyazaki
>eceleb
This board is past being dead, its a zombie wearing a fortnite shirt

>Luluco
how the fuck could I forget about it? Luluco was amazing

Me.

Reminder that all the seethe itt is from shartmutt goblinos because he called amerimutts soulless for their lack of empathy or acknowledgement towards the crimes they committed in Vietnam and Iraq

>He thinks Kojima is comparable to Miyazaki
Really nigga..

It's Miyamoto. Anyone who says any person other than Miyamoto is a pleb who needs to play more video games.

>complains about US war crimes
>meanwhile Japan on rape of nanking

inferno cop was actual low budget garbage

>calls out mutts
>mutts: "bb-bb-but what about japan"
Cope

keep ignoring rape of nanking japan

Kojima is a total westaboo though.

Which says a lot about their material.

He also complained about Americans appropriating other cultures' symbols, nevermind that the biggest piece of pop culture media in Japan uses Christian imagery all over the place just because Hideaki Anno thinks it looks cool.

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>the feral goblin mutant throwe a tumultous tantrum as he is forced to face his crimes, "but what about nanking" he said, "what about the holocaust" as he wolfed down another mcburger and preached to people that the falseflag used to justify invading vietnam was real and the greenlight given to Saddam to invade kuwait was an innocent mistane

rape of nanking

56%

en.wikipedia.org/wiki/Japanese_war_crimes

>He also complained about Americans appropriating other cultures' symbol
Source.

it depends.
If you think he's a genious: Miyamoto.
If you think he's a hack: Kojimbo.

source?

If this is the case, I wonder what Anno has to say about it considering their relationship.