The 90s isekai had such a better atmosphere than the current copy/paste era isekai.
I don't know what's more astonishing - the fact that it was a an isekai shoujo, the fact that it was made in the first place, or the fact that it was written by a male when most of it radiates "for women" energy. Or maybe, the most important mystery how does Merle get away with everything she's done?
What atmosphere? They were just in generic fantasyland where there was never any attempt to establish the world or state of society whatsoever beyond the fact the evil empire is waging war on all the other countries. It's as if nothing in the world exist beyond whatever Van went through. It's an utterly soulless pile of shit.
Ian Rodriguez
>It's as if nothing in the world exist beyond whatever Van went through. That's exactly the issue with most "just get isekai'd to learn lessons and then return home" isekai. Authors are very worried the audience will get too attached to the Otherworld and wonder "why not just stay there?" and so the authors try to paint the Otherworld as transient and momentary rather than an actual place one could move to permanently if they preferred it.
Brayden Foster
Is that......!!!?
Brody King
Was this the first huge representation of transwomen in anime? Sure, there were side characters here and there, but Donaldo was like a main character start to finish.
Caleb Cox
the writing is just as trashy as isekai made today is though
Bentley Cruz
Wasn't Ranma the biggest win in the 90s for mentally ill people?
Charles Reed
I think the writing was about on the same level as Neon Genesis Evangelion (but for women instead of men) so I agree it was trashy
Ryder Rivera
A lot of older series used imagery and sound design to invoke a sense of fantasy in a series, as where more modern stuff is instead using references to other works. Not that the older series didn't reference other works but usually they were smaller and more allusions to inspirations, as where the modern stuff tends instead to be using a more direct approach referencing a narrower array of inspirations to tell you what sort of things are in the world.
Wyatt Green
Hitomi and Van had next to no chemistry. She paired much better with the other guy. Alan?
Julian Wood
The only good isekai back then is 12 Kingdoms Fushigi Yuugi, Escaflowne and the rest were just as bad current generation isekai Pic related best girl
Yes but thanks to the reclassification of the DSM. Being Trans is no longer a mental illness. Playing Vidya is so that means I can earn neetbucks in America.
Asher Foster
Huge if true
Aaron Gomez
So at the end of the day, did Hitomi literally not get anything out of the journey? She didn't even get knocked up? How pointless.
Liam Watson
No, just a fag
Zachary Davis
Probably nostalgia speaking but I love it. It was also one of the very few anime back then with a German dub that was not cringeworthy, the others being Ranma and Cowboy Bebop. Back in the day when it was virtually impossible for a kid to watch anything other than the dub in their country, that was a big deal.
Hudson Carter
same also best intro, maybe escaflowne is too good for these american plebs
Jackson Butler
I like when isekai stories make the main character treat the other world as something unreal, insubstantial or just temporary delusions only to slowly grow attached to it and realize it's something worth protecting with real people Thomas Covenant is best isekai
Luis Murphy
>absolute beautiful ost, if not one of the best there is >beautifully drawn every shot the same quality as a ghibli movie >story actually progresses, the characters start "generic" but get much more depth as the story progresses subverting expectations
anyone saying escaflowne is just okay has either newer seen more than a few episodes or straight up shit taste
Yes that's perfectly fine. I was just referring to those stories where treating the Otherworld as fake persisted until the very end, often with one of the final few lines of the story after the MC returned back to his own world being something along the lines of "in the end I wasn't even sure if it all really happened or if it was just a dream". That's usually just a cheap cop-out for so-called "deep writing that leaves things to the reader's imagination" but in reality it was just a way to half-assedly appease both those who want the journey to have been real and those who want it to have been fake.
Luke Reyes
nobody is saying it's okay they're saying it's bad which it was. it might seem good compared to what airs today but that's not a high bar at all and doesn't do the show any favors. it looked nice but the story was subpar. it was shit even in its era.
Austin Cook
>progress Escaflowne's story and characters only ever get worse, without exception. The biggest subversion of expectations is that people actually liked it.
Julian Foster
sure, the only thing that give people even the slightest attention spam is mindless waifubaiting and coomershit
Evan Nelson
There would be less people shitting on it ITT if the last third of the story wasn't gutted. Probably.
Camden Butler
Maybe, but the first act wasn't very good either.
Benjamin Rogers
Ever notice that these yahoos like to make bold claims with cursing and/or ad hominems while never backing their claims with evidence or examples of what they're talking about? Yeah, me too.
Yeah, I do notice that. How do any of the characters gain depth as the story progresses? From what I recall Hitomi entirely stops thinking about much of anything other than getting fucked by Van or Allen towards the end. Much of the agency she displayed before the halfway mark just vanished. Sadly that user wont ever elaborate or attempt to clear up my inability to see the character's growt since he decided to start yelling about "waifubaiting" and "coomershit".
Grayson Myers
Only nostalgia cucks say this shit good
Ain't got nothing on Mushoku
Aiden Bailey
It's funny how much of Escaflowne was ripped off by Araki for Part 6.
>The 90s isekai had such a better atmosphere than the current copy/paste era isekai. You're mistaking aesthetic for atmosphere. They're the same uninspired trash but in terms of aesthetic the 90s are way different and had its own identity.
Angel Jackson
>when the anime is such an early jojo reference that it precedes the jojo it's referencing
Brayden Kelly
>You're mistaking aesthetic for atmosphere. Can you explain the difference in this context?
Isaac Martin
t. """woman"""
Carter Rodriguez
>They're the same uninspired trash Escaflowne isn't uninspired in any sense.
Cameron Smith
But Ranma hate being a girl
Grayson Moore
Ranma is butter to me
Carter Reyes
>Escaflowne isn't uninspired in any sense. Okay, list how it's inspired then