Most directors are lucky to make 1 or 2 good anime. Dezki has like 6 masterpieces across different genres. How can anyone compete? The absolute GOAT
Goat anime directors
bonsoir
Go back to your vtubers moeshitter
ENTER
imaishi is up there, no doubt
No.
I don't rate homosexuals
true
lame
lol, no
No fucking way, his shows are massive clusterfucks full of poor planning and shit made up on the spot.
The one and only.
For me, it's them.
Dezaki was a pioneer in the world of anime and his distinct signature styles/techniques such as the "postcard memories" continue to be an influence to anime today. I think the biggest thing with Dezaki was how incredible he was at actually adapting and utilizing those techniques of his on bigger anime projects. He basically made a visual "vocabulary" of techniques in his works, expecially Ashita No Joe and Rose of Versailles.
i'm sorry, were we talking about writers?
I liked the visual direction in episode 49 of Naruto Shippuden
>Dezaki was a pioneer in the world of anime
Nah he wasn't
>pillars of the anime industry
>no miyazaki, dezaki, or takahata
>Ashita No Joe and Rose of Versailles
I'm ashamed to say that I've never watched any of them
Why? Someone post his credentials.
Shinichi Watanabe aka Nabeshin (Excel Saga, Puni Puni Poemy, Dotto Koni-Chan).
The middle row is reddit as fuck. Who's top left and top middle?
watch joe, nobodys boy remi, and space cobra, those are the good ones. Golgo 13 is also pretty good except for that one scene
Satan
It's also the responsibility of the director, if not even moreso
"Postcard memories" were his trademark, and they're still used to this day. KYS.
all his movies are so slow and boring and they dont even kiss at the end. I liked garden of words OKAY, but other than visuals it wasn't really better than any other sappy anime romance
>Roses of Versailles
>not good
Holy filtered
>Someone post his credentials.
Lame love stories. "Your name" and "Weathering with you" are his works.
>those are the good ones
Couldn't have said it better myself. Dezaki did a superb adaptation of Nobody's Boy: Remi. Putting into it italian neorealism where he presents the hard reality of its people, Opera dramaturgy & clear elements influenced by Luchino Visconti as Dezaki is a fan of worldwide cinema.
Joe is fantastic but the first series aged kinda bad - lots of weird closeups, weak animation, trumpets and awkward sound in general. The fights were incredible and the story itself is also great. The second series, made in the 80s, has none of the problems and is just pure good.
Rose of Versailles is an absolute masterpiece. Good animation for the time, incredible soundtrack. It aged beautifully.
Akiyuki Shinbo because he likes spooky blonde lolis
anno had the greatest impact on the industry. rei is literally the reason for merch, shes the character that made everyone realize money can be made this way.
He was consistently great in a way I think only him and Miyazaki have been. But "like 6 masterpieces" is a stretch, and other directors peaked higher, including Miyazaki. That's my opinion, anyway. He's top 5 for sure.
Both Shinbo and Ikuhara surpassed Dezaki
That old man is so good holy crap
Every episode turns into kino
nerd
>Kenji Nakamura hasn't made a single new anime since 2015
I weep at that everyday.
Ikuhara fell off. His last two works were awful.
I respect your opinion but they were very good and I enjoyed them very much.
They're used as excuses to cut corners on animation. If anything Dezaki is known for making the prettiest Powerpoint presentations.
>he didn't like the gay bears
Wrong.
Top left is the Lain and Kino guy, I forget his name.
Anno literally shaped the otaku fandom in the late 90's and beyond. Many of beloved characters from different anime shows were inspired by his characters.
He fell off so bad that he's crawled back to Penguindrum.
Dezaki's first Joe adaptation expands on the manga's story and themes in a meaningful way, influencing Chiba himself. Ashita no Joe 2 nearly butchers the original with it's awkward changes to the story. It becomes something else, that is definitely still good, but it doesn't carry the same weight..
Nice collage of creators, it would have been perfect if you have included Eiichi Yamamoto with them
Those are just compilation movies. He's currently doing some weird music project
>Those are just compilation movies.
Even worse. What's there to revisit?
Is that so? Guess I should pick up the manga then.
>Ashita no Joe 2 nearly butchers the original with it's awkward changes to the story.
What changes? Aside from nigger that plays cards
Being set in the 80s
Rushed Carlos arc
Nishi staying a cornerman till the end
Joe donating blood before fighting Kim (wtf?)
Softened Joe and Yoko's relationship a lot, also ultimately making Yoko less complex (they removed various inner monologues of her)
Softened Joe and Mendoza's rivalry slightly
Filler and additions to the story aren't meaningful
Overall, Joe 2 becomes more of a melancholic melodrama instead of the harsh but incredibly meaningful and poignant final manga volumes
To be fair, 80s Japan had changed a lot from the time of Joe's story and so I understand trying to do something different (also to not just walk behind the manga's footsteps), but I feel Ashita no Joe lost more than it gained in retrospect. Oh well, it's still good.
havent seen it t b h
this, peeple hate on this show for being "torture porn" but it's actually just a really well done, really sad story, much more genuinely emotional than most modern anime
>poor planning and shit made up on the spot.
Feel free to name one (1) example.
Dezaki was a genius, he had such a great sense of style
Ace wo Nerae is so fucking good too, the only Dezaki I've yet to watch is Kaze no Stigma but I might this winter.
Its like after Joe 1 and Ace wo Nerae 1 he changed and his style went through the roof.
It's funny because neorealism was more like Takahata's thing but Dezaki did it fairly well and added his distinctive warmth and visuals too. Apparently this anime was made with a 3d effect gimmick in mind too (the producer's idea) which was eventually dropped but explains the unique look of the early episodes.
everybody is so afraid of him
I'd call this thread bait or something, but I just finished watching Rose of Versailles and Oniisama e back to back, and they're now 2 of my favorites ever.
Cutting corners in inventive ways isn't a critique, that's a compliment. Believe it or not but anime directors are limited in what they can do by their budget and production schedule, if you can come up with creative ways to convey things that save time and money that's a positive rather than a negative.
I don't put too much value in directors.
To be fair Dezaki got insanely lucky and pretty much only got to adapt manga masterpieces. Just watch Shuranosuke Zanmaken.
Imagine knowing any of these random old Asian men