Why did it flop?

Why did it flop?

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Wasn't good.

Unfunny forced animation.

It didn't

it did

it was expensive

Post proof

Expensive and a tsunami happened.

Unfunny garbage

Kadokawa went ultra turbo jew on the BDs.

blew all their time and budget on sakuga and forgot to write actual jokes

To much bullying on screen.

More like kyoanus invested too much in forced animation.

Because of Hakase.

Remember when Certified frosty was relevant?

Feels like there's no passion anymore and none of the recent recommendation move me to watch said anime anymore

Don't KyoAni shows generally have actually rather small budgets compared to other anime?

When you make a comedy you are supposed to make it funny.

I wish this and Nichibros didn't flop

Lame comedy and dishonest animation

>6,468 average sales per volume
Not a flop. Not even close.
Correct.

CITY adaptation when?

Show was as flat as an ironing board. Most anime have at least one boob character

holy shit on a stick etc

its average was just barely over 3k, what are you on about

You need a 150+ IQ to enjoy it, not surprising

Kyoani productions are unique in that they're almost entirely in-house and treated more like a movie than an episodic series. Keeping it in-house shaves off costs but each production is twice as tasking because of how focused it is.

Samefaces

someanithing.com/series-data-quick-view
>b-b-b-but re-releases d-d-d-don't c-c-c-count
Sure they do. The fact that there was demand for a re-release means its quality made it a cult classic which only grew in popularity over time.
You know, the opposite of YoriMoi.

Filtered too many nips

Japan, and by extension, anime viewers, have supremely horrendous taste when it comes to anything. This is due in part to the country's mainstream and diseased mentality towards art. Look at how the stiff animation of, say, Galaxy Express 999's movie is praised by Japanese and otaku (even though I do enjoy the movie), a movie where quite literally most of its animation is found in its light animation. The actual characters? The space surrounding them? Literally barren of movement, devoid of personality, in which then the art and aesthetic design itself must compensate. Contrast this to even the most basic of 90s children's cartoons in America, where the world and the characters move as though they live and breath together. You could not divorce Batman The Animated Series from its animation, likewise Sam and Max - you could apply this to a few anime too, such as Cowboy Bebop, Ping Pong, Gurren Lagann, Ghibli films, etc etc. The same applies to Nichijou.
But Japan, unused to animation, their nationalistic snobbishness resulting in their "preference" (materially derived and enforced adherence to) limited/cel-bank animation, refuses to acknowledge that which breaks from their formula of what is considered good "Japanese animation" - not, mind you, "good animation". You'll often notice that the best animated anime are often by non-nationalistic Japanese - this is because they have seen the limitations of their country's small-minded and neutered taste, and have instead aimed to actually provide an animated experience. Cue the outcries of "forced animation!", "overly animated!", "so unnatural!", because an animation bothered to move beyond a lip flap and a stock gesture, perhaps, hell, even incorporating a basic smear! You will see that even the most basic of smears will draw praise in a regular TV anime if it shows up sparsely, which then is considered "good animation", if only because of how rare it is. How rare it is, to have animation in an animated product.