I liked it.
It had some problems and the ending was rushed, but it was still a fun and entertaining show to watch.
I liked it
Still better than VEG.
>beautiful ending that fits all the themes perfectly with everything you can wish an ending to be with high budget fights and animation and a cute space wedding metaphore
>hurr durr rushed endings
I fucking hate otakus.
Miyazaki was right.
He sure was because it led to a cumbrain like yourself that is willing to forgive any badly written show because it's TRIGGER animation and appealed to waifushit.
>cumbrain
Why have I been seeing this a lot recently?
>cumbrain
I don't know. I saw it in two threads yesterday and two days ago and thought it's a funny seasonal insult. Certainly beats reading "cuck" for the hundredth time in 3 posts.
Zero Two, Strelitzia and Genista were the only things of value
SHUT UP PLEB GO WATCH OLD MECHA FROM THE 80S RETARD
We all like shit sometimes.
Darling in the Franxx had a neat concept and a lot of ideas to say, but it was saddled with the worst writers.
Darling's writers didn't
1. Know how to write relationships
2. Know how to pace a story
3. Know how to write queer characters
Just about the best thing about the series was 02 and it sounds like that was mostly because her VA put a lot of input into her character's lines.
>cumbrain
where the fuck..
you know what I ain't even gonna ask
>willing to forgive bad writing
what bad writing?
The ending is better than any speculation any retards here came up with. it ties everything up perfectly. it's profoundly beautiful. I bet you are one of these spaz who are still mad about episode 14 and are crying about bad writing cause you don't know what to do with yourself
>just because trigger
you got it twisted
it's the other way around
I like trigger because they consistently stand up to my harshest scrutiny. I like them cause no matter how bitter of a way I try to judge their work it always passes with flying colors.
only good thing about ditf was making fun of it
Fuck off with this garbage, there is no longer place for Franxxfaggots at Yea Forums. Go to some other site to circlejerk about it
>me try to use brain but flashy color and epic animation very good show me likey
>>>/reddit/
No.
It was a trigger rehash that abused the themes aggressively.
The 9's were wasted. The spear (whatever the fuck they named it) was wasted. VIRM was entirely wasted (Fuck, they don't even acknowledge losing their homeworld as a setback).
No resolution for Franxx (Ignore any buildup with 02; dies a mechasexual pervert), No resolution for Hime (The god damn snake has more catharsis).
There are good parts to the ending, but the thing's a fucking mess; as to be expected when they admit they didn't plan it out.
>Still whining about Ikuno being in the closet being in a caste system where not performing with a male partner leads to liquidation.
>Complaining that the 9's, which are engineered neuters don't display significant sexuality.
The folks over at /tg/ are also blaming it on Yea Forumsermin crossboarders.
Well shit, I'd rather them think I'm a faggot than a Yea Forumsermin, thanks for the heads up, user.
>what bad writing?
Learn to recognize Yea Forums-speak:
"bad writing" (synonim of: "trainwreck") means: "It doesn't appeal to my personal shit taste"
Imagine unironically defending the shitty facebook virgin shaming meme of the month.
>It was a trigger rehash
We're still parroting this blatant misinformation are we? This right here is a picture of the perpetrator who ruined this show and I can confirm that he is not the organization known as Trigger, but rather single human male named Atsushi Nishigori.
Every Trigger anime has a cooling period of two years before tryhards stop shitting on it.
That's not an excuse anymore: Anime is virtually written by committee.
The fact that one man ends up with the most influence (When you don't fucking plan) and the show ends up borrowing from better written... YES... BETTER WRITTEN previous shows is not acceptable.
The fact that half the content is acceptable to excellent in that episode range all but proves that this was a planning issue that would have been resolved if it got additional passes for continuity and message.
based
Ikuno was great, what are you talking about.
I'd say your'e right, except it began way before.
this started from gainax.
How does it feel being utterly BTFO and unable to articulate a single shred of rebuttal?
See TRIGGER's staff is composed of people who are only competent at stealing bits and pieces off better written older shows and jamming it into their shows. Recently they've even taken it as far as copying entire animation sequences or storyboards because "it's just a homage guys haha".
They have no talent other than animating.
>Anime is virtually written by committee.
What do you mean? Every anime have clear writers credit for every episode.
>Yea Forumsermin crossboarder reveals himself and his terrible taste all in one post
Sausage nu-Yea Forums.
You just described Gainax.
I won't say that Gainax was better for the way they rode their own content to smooth over rough edges on their newer material, but that's the frustrating part about FranXX: The new material was good (Enough at least). They could have finished the show off of their own wave for once, but instead, they flopped themselves and ran back to old content that's off message and blatantly pandering.
Series writing and episode writing are not the same thing.
That's exactly why I quoted , retard. I'm agreeing and saying the people that did that are now simply working at TRIGGER instead.
>Series writing and episode writing are not the same thing.
Well the series as a whole usually only have one writer. At least in the credits.
Everything on the right is better than that on the left, except for TTGL and Getter
Typical Gainax shit eater.
I'm not even sure what the argument here is anymore, but episode writing only means storyboarding the already-written overall plot. At the most all it does is make some episodes look better than others (regarding angles, scenes, and cuts, not the actual animation)
They don't have unilateral control. The lead writer is generally the person meant to tie the ideas together, not the source of all of them.
If you had a writer with full control, there wouldn't nearly be as many aborted arcs and dropped plots. This is why when you have aggressive directors or writers on a project, for better or for worse, they're more cohesive.
>proves that this was a planning issue
Correct. Nishigori and his fellow writer said that they had been planning out the first 6 episodes of the series for years prior to the project being greenlit, with all the way up to episode 15 being roughly planned out by the time production started. Then they admitted that after episode 15 the show was basically ad libbed. While doing that the creative leads were still the Director and his fellow Series composer.
There are very very many reason why the show was disappointing, the only point I'm trying to make is that Trigger being blamed as the primary reason for it falling apart is an overegageration and blatant misinformation.
Nishigori approached producers with his idea, all those details were worked out, ex-gainax members from A-1, Cloverworks, Trigger and even Khara if I'm remembering correctly were brought on board to support yet the Director and Series composers remained at the creative helm for the entire show and they are the ones who let it sink.
>but episode writing only means storyboarding the already-written overall plot
No, storyboarders have their own credit, separate from script writers.
No, storyboarding is an entirely different task altogether. The episode writer just writes the script of the episode, under instruction of the series composer/director. Storyboard artists are tipically directors and animators, who have to translate the script in images.
Imagine being too retarded to realize you are accusing hideaki anno, imaishi, and nihsigori of ripping off hideaki anno imaishi and nishigori.
this is like if people would accuse shinichiro watanabe for plagiarism for making space dandy because he had similar themes in cowboy bebop.
I don't know what the hell did you think I said.
This guy said it takes two years till people stop spazing out about trigger shows. I said this has been a trend since gainax. looks like he's right though the fuck you talking about?
I'm talking about the same ripped off ideas they continually regurgitate you monkey. The recurring themes and aesthetic in their works are all ripped from older, better works that influenced them into joining the industry. They just can't let it go and force it into everything they do. I'm not saying they ripped off themselves, just that the shit they ripped off repeats eternally in their works.
People who haven't watched old stuff from the Leiji-verse, or Go Nagai adaptations and shit like 0079 or SDF Macross will not know what you are talking about.
Don't get me wrong I love Trigger but I can acknowledge that a lot of what gets their creative juices going is the stuff their lead creative stuff grew up on.
In the case of Kill la Kill, that is a direct result of Imaishi working on Re: Cutie Honey back in the early 2000s. The similarities between the two are uncanny, yet I still find both to be enjoyable.
All that matters in the end is that the protagonist Hiro died as a virgin in space, despite being handed out the designated mascot hawt waifu of the whole show, which is ultrapatheticshameful times maximum infinity.
You don't remember when Zorome told everyone he walking in on them mid-fuck?
fpbp
>fucked in the abadoned episode and figured out she can't bare a child
>fucked in the honeymoon in space
and the virgins of Yea Forums still want him to be a virgin just to feel good about themselves.