Well guys, the Japan Times review was right—it was fucking fantastic. Studio 4°C truly pulled off a miracle; all the wild technical experimentation they've been doing for the past 20 years has climaxed in a visual feast the likes of which you have simply never seen. Watch in a theater, and wear diapers. No anime—not Ghibli, not Shinkai, not Redline—has ever looked this good.
Beyond its incredible technical accomplishment, I'm extremely impressed with the film's deft paring down of the manga's befuddling excesses into a single concept: everything is connected, and human beings are born into that connection, so although we can and should explore our environment, we can never achieve the perspective necessary to fully understand the intricacies of the universe. The world was not made to be comprehensible to the human mind, and accepting that truth as the basis for the mystery of life is what brings joy to existence. The movie focuses on Ruka's arc as she comes to this realization, and although I miss some of the secondary characters whose roles are reduced to nearly nothing (particularly Jim—I loved Jim, but he's barely relevant to the film), that focus represents an elegant solution to a seemingly impossible-to-adapt manga narrative. It also imbues the wild animegasm of the climax with genuine emotional weight (in that sense this film is actually better than the 2001 parallel the JT review draws); several moments brought me to tears, both in the climax and in the extremely significant post-credits epilogue.
If you're in Japan and you've been putting off watching this because you think it's just some New Age nonsense, don't miss out!