Manga Paneling

What are some mangaka that are good at paneling and scene composition? I'll start with the greatest: Yoshihiro Togashi.

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ONE with Mob Psycho 100

NnT

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All I see from this is that you enjoy it when people leave their panels.

neither of them are close to Togashi's mastery they are however better than the average mangaka(EX.OP image) but they are children when compared to Togashi's composition and flow to his panels.

Hxh fags truly are simps

>mastery
baka shitposter

To be fair, panelling is Togashi's one artistic strength.

obviously togashi is at a level above the mangaka posted by those anons

He just make things bleed from the panels when it's something he deems impactful. There's special no flow or creative square cutting

>inb4 brainstroke
*He just makes things bleed from the panels when it's something he deems impactful. There's no special flow or creative square cutting*

It's not like those pages posted in the OP are bad, but they aren't one stop above everything like HxHwhisperers claim.

Like said he uses mainly one trick, and it looks good and can be effective at times, but there's a lot more to panelling, flow and the such than just one trick.

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Fujimoto

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>there's a lot more to panelling, flow and the such than just one trick.
This, Oda's paneling is basic but incredibly effective and some of the best in comics

Ritz can be amazing when she isn't busy drawing boobs.

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Togashi uses many tricks that could only be done by a master, like using extended panels to imply focus or time's passage, or like Kurapika's chain carrying from panel to panel implying the sense of momentum and snap of the chain as he pulls his arm back, or like using the absence of clear panels to let the page's last image act as a sort of framing device. Here, the extended panel focused on Kurapika's arm reflects the guard's preoccupation with discovering Kurapika's powers, the focus of his own eyes. I also like how we're led into this guard's perspective by the headshot that exists outside the panels entirely.

The cohesiveness and depth between writing and panelling in HXH exceeds anything else ever published in WSJ.

Also, I hope your pic is supposed to be unrelated.

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Kiyohiko Azuma with Yotsuba

Takehiko Inoue

Oda's Paneling is atrocious, its what truly drags down One Piece along with the repetitive formula.

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>The cohesiveness and depth between writing and panelling in HXH exceeds anything else ever published in WSJ.
Except One Piece and Jojo

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Let's not forget about FKMT too. While the way he cuts panels doesn't seem outstanding, it's really good how he dispatches the dialogues between panels and uses them to make specific lines stand out more while also giving a good sense of the flow and pacing each panel has.

That's babby stuff.

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>basic planning is mastery
baka

>cherrypicking
You can do better.

That's literally just basic panelling that any comic does, expected of a hxhfag to be too stupid to read that.

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Araki is more of an illustrator than anything else, he was atrocious at paneling and composition until the middle part of SBR. He finally doesn't put thousands of background details that makes everything incomprehensible after like 30 years (for the most part). It's still not great and I wouldn't compare him to masters like Tezuka and Togashi.

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This composition is kinda nice, user.

i can't understand a single thing that is happening in that page

Panelling and composition were literally the main appeals of Jojo from the start.

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Cute as fuck, is this worth reading?

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Can never go wrong with Kui

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Yes, it's great. Very interesting magic system, and great art

Based Hunterchad schooling newfags.

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thats retarded and utterly bullshit

B-but he's one of the uninspired and ineffective ones!!!!

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Truly, the Rick and Morty of manga.

seething an coping so hard

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You're probably retarded

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>art goes outside the panels
Lmao even children can color inside the lines. What a fucking hack.

lol u big mad

Abstraction by Kago Shintaro

>seething an coping

>shoots down through the window yet the shot redirects upward after hitting the guy
Is this supposed to make sense in context?

Ogure Ito.

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I've read over 400 manga and I've never seen someone use panel composition, coreography and POVs so masterfully like Togashi. His simplistic art is perfect to focus the attention of the reader on the details of the story and the emotions he's trying to portray

>lol
you know user, there is this new board called "reddit", I bet that would be the perfect place for someone like you
I can give to you the link if you want

Unironically based as fuck. Currently re-reading HxH at chapter 66 and I'm having the best time of my life with this manga. Even fucking Zushi using Ren for the first time gave me shivers. Togashi is ridiculously talented at composition and imparting emotion in everything he draws/writes. Let alone his character designs or artsy aesthetic that are unmatched by anyone else. Even his background characters are full of expression and care.

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retarded? I call that just bad drawing

Can somebody tell me why hunter x hunter shitposters are always like this? I don't get near shounen very much, but god, what a weird bunch

lol u big mad

>400 manga
newfag

kek after 20 years of panelling Oda still produces garbage like this

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Inoue is a faggot AND a a hack.

actual garbage

Oda's paneling is above average. I just find the actual artwork a bit too cluttered sometimes.

you blind faggot, is the best one of the thread

post the next page

Witch Hat is great
Now, if only there were more than a couple dozen people on Yea Forums who seem to be interested in it

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>shonen shit manga
>good paneling
pick one.

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this

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Undisputed king of manga paneling is Otomo.

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or should I say, composition really.

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Atrocious panelling and flow.

That's legitimately awful

I think Paru's better at composition than panelling, although I've never seen anything wrong with it. She's good at leading you into the OH SHIT moments, at least.

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Hagio Moto

that is one of his worst panelling though. It's only pretty art

forgot pic.

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Keiichi Koike, Sei Itoh, Taiyou Matsumoto

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i'd rather not. Have some Air Gear instead.

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fuck off retard this shit is terrible and gets worse every week

Ikegami Ryoichi

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Read more manga
What's wrong with Inoue?
Definitely, worth reading for the art alone to be honest. I've never seen the medium be used this well before.

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R E N T F R E E

>it's awful because I'm too stupid to read it

>it's good because I like sucking dick

Learn to read.

user i think you read the page wrong.

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seething

Time for more Otomo

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every one else is honestly, pleb-tier.

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Prime example of bad composition. Here it's very clear the difference between composition and panelling

Considering how bad people are at reading is it honestly that surprising

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Alright, I suppose I assumed the windows in the bottom panel were the windows in the top panel.

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Not sure if retarded.

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One with the OPM webcomic specifically the Garou arc especially near the ending.

His later works are meh.

>His later works are meh.
MP100 > OPM

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>I can't think on my own

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Masterpiece

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yeah its shit and gets lazier(every part not just the garbage paneling in that image) by the week fujimoto is just riding on fumes from fire punch(also shit) before he crashes and burns

honestly, kino.

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Holy shit, Akira is this bad?

baka

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Yes.

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>The garbage rushed ending and awful story telling
>The complete lack of character development besides "I changed, you're my friend."
No, Mob psycho is absolute trash; the relationship went no where, the cult went nowhere. Every bit of story and introduced story went no where.
There was no point to even reading that, maybe if he knew how he was going to end it instead of ending it early to make time for OPM manga story boarding it could have been decent or good.

Everything was lacking and the fact that you like that garbage shows you have zero taste.

Have you even read the OPM comic?
Not the manga.

Post something better that isn't in the thread.

yes akira is awful

We are talking about panelling, user.

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and ONE is shit

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ohshitnigga what are you doing

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>Togashi's mastery

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t. zoomer

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Oh sorry, well I still think the webcomic paneling is better.

seethe more

Every single panel in HxH

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FUCKING BASED

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>still shitposting
If you enjoy this type of engagement what can I do.

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>seething

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I don't enjoy it, I hate engaging with sub 100 IQlets

I have no idea about any of his manga but he is a really good artist, good post user

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>engaging

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This is beautiful. I'm gona bookmark this series to read later.

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Yes?

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>Yes

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The worst part is I know some of the discord hunterfags actually believe this shit

Based witch hat atelier poster

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seething

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Shit paneling, trying to understand the panels is a drag.

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mad faggot

What was the zombie manga with weird stiff cinemtic panneling?

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>seething

I am a Hero?

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holy shit, did this thread got moved from Yea Forums? the average iq ITT cant possibly get lower jesus christ

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Yes that one, it's really weird, doesnt feel like a manga at all.

The stairs redirecting the viewer's art to the upper part of the page made me nut
I have to read that one again, Shirahama is a genius.

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implying shitpostingxwhisperfags will reply to you with an argument instead of more and more memes and buzzwords. but i cant blame them, they are just so used to Yea Forums

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Haven't read the manga yet, but holy shit this was the best chapter in the entire anime.

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that's enough from me. hopefully you've all learned who the true master of composition and paneling is.
peace out shonenshitters!

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Kengo Hanazawa actually wrote my favorite work.
Boys on the run has the similar weird paneling, strange faces etc.
Amazing manga.

nice gimmick

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Togashi is a master of fundamentals, paneling and creating memorable page composition. The man is a genius who can set up his scenes from interesting pov angles that are able to put in contrast what each scene is exactly trying to portray. As an example, I'll direct you to this page which is one my favorites of Togashi's magnum opus. Let me break it down for you:

The head shot of Gon breaks the boundaries of the first panel, which already takes up almost the entire first half of the page, making him feel imposing and setting the tone. His pointing hand is aimed right at the eyes of the reader and it seems to hover above the page, making it feel close and uncomfortable.
The reactions to his words are framed around the hand, small and unimportant. The final panel is a shot of the enemy's feet, giving the idea that they're looking down in defeat and submission.

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>He actually sat there and did that for however long
>No one cares about his shit

>example

thanks senpai!

that shit looks so ugly holy shit

>cares

the only good one so far is the Witch hat one

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I find it pretty ignorant that people who don't know anything about manga art would dare to criticize Togashi just because they dislike the fandom.
Togashi is known and respected by everyone in the industry and his art is studied by a lot of successful mangaka.

Here are some examples:

>Fujimaki (author of Kuroko no Basket): After seeing the expressions of the characters that Togashi-sensei has drawn, the area that surprises me the most is the corner of the mouth. Kurapika for example would always have this kind of expression, where the corner of his mouth is always slanted upwards or downwards, but because the shift is very slight, it looks like he is smiling, but also expressionless at the same time.

>Ishida: I’ve had this storyboard in my head constantly, but internally the bar kept getting higher… Because I was going to show it to Togashi-sensei, whom I greatly respect, I didn’t want to show him anything poorly done, and I wanted to construct my own worldview within “Hunter x Hunter”
>Ishida: That’s right. When I was in junior high school, the first manga I copied was of Hisoka. It was the scene where Hisoka is letting down his hair after a bath, after he has a battle in Heaven’s Arena. It was so cool I just had to draw it

I suggest you read the interview with Ishida, Fujimaki and Kishimoto and see how much they praise Togashi, not only for his writing skills, but for his art too.

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>successful

dumbass

These.

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take your copy pastas somewhere else, this is a paneling thread not a hxh art cope thread

beautiful art

shit wrong one

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Cope with what? With the fact that Togashi is seen as a genius by pretty much every mangaka?

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cope with shit art. dont get me wrong i like the style and the paneling but the art is quite troublesome

>the average iq ITT cant possibly get lower
You'd think so. I remember thinking the same thing in 2016.

Shit art only according to you. I've cited 3 notorious mangaka that praise his art. Togashi won art awards, there are professional critics that praise his art. So your subjective opinion is irrelevant.

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shit i cant believe people like this garbage

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sorry but everything you guys are posting in comparison to those otomo pages here looks like literal shit

quit being gay, art is subjective. those 3 mangaka youve noted also have shit art kys

what makes it garbage, fag?

Togashi's fundamentals, sense of composition and paneling, and his understanding of anatomy, lighting, space/depth and expressions are unmatched.
Just look at the seamless combination of brushwork and hatching here against a plain white background to create a beautifully human depiction of Netero's last moments.

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cant tell whats happening and its all over the place doesnt matter though sense fujimoto's writing is also shit

>muh wacky broken paneling makes it unique and good
Huh? No sense of composition in these scenes.

Who the fuck cares it's the least important thing in the world.

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No other mangaka can compete with Togashi's depiction of extreme emotions.

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Ah so youre retarded
>muh panels need to be deep
literally kys

>deep
They need to have a sense of space to be interesting, yes?

Except Boichi

That's one of the best moments in CA arc.

im saying the panels should be easily read you fucking chimp thats why they're shitty all of fujimotos action scenes are like this unless their big panels that take up a whole page so you can stare at his shitty art

When I see pages like this in Japanese, it really makes me think how much is lost when things are translated.
Do other mangakas also utilize different fonts/typography like Otomo? It's quite stunning.

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If you can't even read its panel composition, get the fuck out of this thread retard.

Well, an example of Advanced Furi in HxH. You can see both "悪意/malice" and "進化/evolution" on it. A beautiful double meaning from Togashi in tandem with themes presented by this Arc that can't truly be translated.

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I never said that, I said it's composition en scene literally doesn't exist in the first place.

>still no vegeta vs recoome

Boichi is not on Togashi's level when it comes to clean paneling & composition, let alone his top tier choreography. Let me demonstrate it with this example:

The first page shows Biscuit facing off against Binolt, a bounty hunter and serial killer. The audience to the fight, Gon & Killua, have no idea how powerful Biscuit is, and neither does the reader.
Togashi starts the page with Biscuit lifting Binolt up without effort; Biscuit’s body has almost no speed lines, emphasizing the ease with which she can lift a full grown man. Instead, all of the speed lines are focused in on Binolt’s body as it rises; he’s completely powerless to even move. The second panel emphasizes the same qualities: once again, Biscuit’s body barely moves, while Binolt’s spins at incredible speed. The final panel on the page boils the fight down to its pure essence: Biscuit, almost completely stationary while Binolt is sent exactly where she wants him.

>And then there’s the page turn

Forcing the reader to hold their expectation is one of the oldest tricks in comics, and Togashi knows it’s an evergreen technique. However, he also contrasts this new page with the former. There are speed lines everywhere, more impact lines, heavier crosshatching, and mild exaggeration in the features. The previous page is time boiled down to a few moments, milliseconds even. This page is time speeding up. Biscuit hits Binolt so hard he vomits a frankly improbable amount of blood before he even hits the ground. It’s the next three seconds of the fight boiled down to a single, action-packed panel. The middle-bottom panel is Gon and Killua, barely visible and stunned. And then Biscuit ends the page by clarifying that she wasn’t using her full strength.

In two pages, Togashi’s made a girl in a puffy umbrella skirt cooler than your favorite character, using comic techniques familiar to almost any comics reader.

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>dude art
this is a panel thread fucking nigger and its your fault for not understanding an asian comic book page fucking dumbass
most of the page is used up, yes?

>spic
go back to your favela and watch another episode of dbs.

Are you talking about scanlation or translation? There is a difference, you know.

I seriously can't tell if these togashi copypastas are real or not, this is fucked up.

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You're joking right, this entire thread has to be satire. I don't understand how hxh fags can be this delusional. It's a good manga but rarely because of its art. Can someone just post some creative panelling like the atelier one I posted above.
I want to more with panelling like that.

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it is a paneling and composition thread not a one panel thread which means that pages should have flow and be able to be read ive seen better paneling in shitty webcomics

I find the HxH's example better than what you posted to be honest.

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You mean this kind of paneling?

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Murata

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If its a paragraph then, yes. Hunterfags are too retarded to think on their own, they steal shit from an e-celeb or from reddit

You mean ONE? He does everything but designs.

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Can we not have any thread including Hunter x Hunter for some time? Please?

>but rarely because of its art.
Again, says who? We're presenting arguments with facts and logic and even some quotes by established mangaka praising Togashi's art and all you can do is say "NO ITS BAD ITS BAAAD".

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Plebs who have only read 5 manga like you shitpost because you are unfamiliar with advanced paneling, this doesn't make him a bad artist. Just look at that garbage you posted.

Now, let me dissect, both the art and storytelling of this very panel from chapter 352 page 19, to demonstrate why Togashi is seen as one of the best artists in the industry.

>A. The general clutter of the panel and floaty-ness of the character art shows how chaotic the setpiece is, and how Hisoka's mind is narrowing down to focus solely on Chrollo's devious tactics. As if time was slowing down for this train-of-thought.
>B. The white space behind Hisoka's head is used to show how empty of other subjects besides this battle his mind is. Narrowing down to the basics of the fight.
>C. We are then brought back to Hisoka's face, which expresses a mixture of smug surprise, and devilish determination. And swirling in front of him and as well as (seemingly) to his side is a menacing smog. Which has typically been used to communicate blood-lust in this manga.

There is much more into the art of drawing than having detailed realistic figures, that retard know nothing about paneling and composition. Suck Osamu Tezuka's rotten, worm-dwelled, dead dick.

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Soul

Soulless

>reads webcomics
why did you have to throw in the towel so early?

What do you guys think about Miyazaki's literal storyboard approach to paneling/composition?

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Made in abyss is a webcomic you shit eating retard.

>mfw

Beautiful post. It really is always a good day to be a Hunterchad, isnt it?

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point still stands fag

One does all story boarding and paneling, and like earlier in the thread I'd argue that his webcomic is better.

His panels are always close together, it feels claustrophobic.

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but Togashi represents the best in Manga

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I haven't read Nausicaa yet because the only scans available online are low quality left-to-right shit.

ONE/Murata take a lot of inspiration from HxH.

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whatever you retard not reading anything and everything for the sheer comparison and contrast makes you a brainlet

you can just purchase the official release, which reads from right to left.

cope

In a few years ONE will become a master, just give him time.

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gay

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Look at the composition of this page and Togashi's smooth paneling, the close-up shot to Kurapika's right hand brings more momentum to the page.

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Does someone have a link to the ONE version of the Centipede fight ? (the pages he gave to Murata to design the fight).

He makes a bunch of unique framing and panel choices in the Hisoka vs Chrollo fight alone that people who claim to be all about the art totally miss. His character, creature, and world design are so inventive too. Togashi is a true Master.

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Fair enough, I'm a bit biased about that scene anyway.
It's a nice page but in the majority of pages, especially in the most recent arc, he's way too text heavy and it's a poor use of the medium. And I'm not sure if it's just the shit translations but in a lot of words he manages to say very little. It's a common trend I've noticed in hunterchad posts too.

Funny you mention Tezuka, I'm just finishing off Buddha right now.

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you are an actual child that can't make an argument. I explained why those fujimoto pages were shit and yet you still can't get it through your dumb skull as to why fujimoto
is a shitty mangaka.
actual god tier panel work and composition

God damn, it feels so good to be a Hunterchad.

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Those Kurapika chapters had phenomenal paneling. There are so many little dynamic artistic flourishes in the way Togashi paneled out what could have easily been a visually boring conversation if it were any other mangaka that gives the subject the appropriate weight.

Pic related, Kurapika and Melody leaning on and over the panel border as if it were a rooftop wall for example.

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You know how these days no one has a Hitler style mustache? I mean, theres nothing wrong with that style really, it can look pretty boss. But still no one gets one because HItler had it. Stupid really, but its the way the world works.

I can't help but feel the same way towards HxH because of the Hunterchads bullshit. I know it's irrational, and there might even be some truth in what you guys are saying, but you're just such insuffereable cunts it makes me not want to read the manga by association.

based atelier
yes definitely

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Might as well post more witch hat since people seem to like it.

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gayboy my explanations were better, thats why i didnt waist any brain power on you, gayboy

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Yeah, their arrogance and memespouting is insufferable.

That fight was so fucking great. Both from a story telling point of view and from an artistic point of view. An early shot of a severed head being weighed against a bowling ball underlines Togashi’s sense of mythic whimsy, while the minimalist evocation of an angry outburst reduced to splashes of ink demonstrates his strong eye for visual drama. Strange monsters melt through the walls of a ship, while Hisoka’s design shifts dramatically depending on the goals of a panel. And yet, in spite of all this visual eccentricity, there are still plenty of panels demonstrating Togashi’s grasp of the fundamentals. The clear impact of Chrollo landing his first clean hit. The dynamism of Hisoka making a desperate bungee gum escape. The beauty of a page framed as one continuous cycle, a trick he pulls off both through dramatic shading and through the natural curvature of the arena.

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Great choice, one of my favorite scenes.

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you don't deserve to read HxH anyway

god, cyborg looks so good

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What makes you think somebody cares if you pick it up or not? Sales are 1 mil per volume, the fandom is loving this arc, critics are already calling it a history changing arc on par with CA and our threads have 120+ IPs even when we're on hiatus.

HxH is an exclusive club for intellectuals. Togashi doesn't want low IQ subhuman like you following his series because they wouldn't be able to understand or appreciate what he's doing.

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god yes.

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It's good you should read/watch it. I hate huntards as much as everyone else but it's still worth reading. Keeping up to date with it is miserable though so I'm just letting the chapters pile on.

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You might not like it but this is what peak panelling looks like

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Being associated with a great man like Hitler is an honour. It's your fault for being so easily influenced by other people's behavior if you can't enjoy a manga because of its merits.

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Anyone who's posting shonenshit in this thread has absolutely NO IDEA what they are talking about.

you're lower than a child you have to be a DBZnigger(not surprising how much you enjoy Fujimoto's shit).

Based and checked.

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>balancing herself between the panels
>left side whims of nature, right side evils of humanity
>tfw I remember the thread where that user found all the real life tragedy references from Morena's chapter

Kino.

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>huntermumblers can't figure out how a circle works
oh no no no

The recent chapters are text heavy because Togashi is doing info dumb and exposition in this part of the story. All the text is very important to understand how things will play out in the future. But we still get some really nice panelling. Like the Theta and Tse panels that were pretty much without any text and the genius of it was that Togashi used a "Memento" approach by giving us a chapter without any clue and we couldn't understand what was going on and then later on he went and explained what happened, so when you re-read the Theta and Tse chapter, you'll see the greatness of those panels.

Well, people have already posted the better pages already, but there's a lot of less dramatic examples of panels being used or frames in visually interesting ways

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"Shounenshit" is the very core of the manga and anime industry. All the great names have written or started with "shounenshit".
Tezuka, Nagai who are considered the Gods of manga have written shounen. The biggest and most influential magazine in Japan is shounen.
Shounen has always been part of the manga industry since the beginning.

The structure of chapters 385 and 387 blew my mind. I feel like my IQ jumped from 130 to 180

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this amount of narcissism is too much even for a narcissist such as myself

Nigger I'm specifically referring to nu-shonenshit.
If you were posting Tezuka in this thread instead of HxH or fucking Naruto, I wouldn't have said it.

The whole MA arc is just fucking great.

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Can you tell me what you mean by momentum because this page looks very static to me. There's no sense of motion being conveyed by this closeup.

And again, there's LITTLE resemblance of any Tezuka influence in modern shonenshit. It's quite sad, actually.

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whoa thats actually crazy how fucking wrong you are. not only have i never seen dbz but im also white lmao

Only someone like Togashi could use his artwork to explain a plot point in such a fantastic way.

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is that the best Togashi has to offer? is drawing over panel lines all it takes to impress you?
none of those are that great at displaying story or time/movement which is the real challenge when paneling a scene.

And for something he doesn't even own, it's just fucking bizarre.

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Another one. This page is ridiculously good. It is the perfect example of how beautiful paneling can trump complicated and overdrawn work. It has to do with the amount of black used, and the only difference between the two sides is the dragon. This is the calm before the storm.

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dont you have to go and pray the axe doesnt end fujimotos current terrible manga

When Togashi was 20, he won the coveted Osamu Tezuka Award for new manga artists. On that occasion he met Tezuka who said to him that his manga will inspire the new generation.

This is a mess. You people really like manga that has absurd paneling like that? It just seems like a gimmicky narrative technique.

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You're alright user

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no because i like fire punch not chainsaw man. stop assuming things, its just getting embarrassing now

none of those are that great at displaying story or time/movement which is the real challenge when paneling a scene.
see

I'm overwhelmed by just how kino HxH--and this thread-- have been. Hunterchads truly are the pioneers of the new renaissance. Good shit bros.

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He's ringing the doorbell and the close-up focuses on Kurapika's chains which are a big reveal in this chapter.

Too bad his manga bears absolutely no resemblance to Tezuka.
If he's inspiring anyone, it's evidently regressive as hell.

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That's the only time that particular style of shaking panels off happens, most of the time the story is presented in a more conventional manner. It's the occasional flourishes that make it more interesting

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Left -> Right

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Right but that has nothing to do with "momentum". It's a static pose, there's no motion to transition the full body shot into the hand closeup.

Level E feels very similar to Tezuka's work. You should check it out.

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it doesnt matter fujimoto's art(yes retard that includes composition and paneling) is shit, is still bad between series. quit pushing fire punch as EPIK KINO LULZ because its shit with nonsensical art and an even worse plot.
Like a prophecy

To the HxH guy desperately posting to get people to appreciate the manga/anime.

Even though I hate the anime,
youtu.be/VYPIUXeKGQc
Was something great that came from it.

Then he somehow regresses back to his previous state in Jojolion

Americans are better at paneling

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might be that ONE's chicken scratch forces both himself and the reader to not rely on the art to interpret the story so it gets a lot more focus / attention.

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I read Level E. It RARELY looked nice, but the narrative was so fucking boring and convoluted. The only good part of that story was the baseball chapter. Most of the time the manga looked like pic related.

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compared to Tezuka, which is always filled with such interesting scene/action/movement.

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another shitty example that's just an info dump and a bunch of talking heads?

The OST for 2011 was Kino as fuck, mate.
youtube.com/watch?v=s7ZPdaqxsnU

and then Otomo where every single page is pure art.

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>if it works as intended
>TERRIBLE AND SHIT, FUCK THIS USELESS AUTHOR

>subverts expectation
>TAKE MY MONEY

>IT DOESN'T COUNT DEATH TO GODA INFIDEL

You really didn't enjoy Level E? It was pretty interesting, the comedy was funny, Prince Baka was actually a very entertaining and well written character too. It had some thought provoking arcs like the one with the FtoM person falling in love with a female alien.
The art wasn't as good as HxH, but it was very realistic.
Also, I love Tezuka too, so I can't say anything about him. He's a God and if you say that he's better than Togashi, I can't argue with that.

Togashit

>doesn't even post the deranged moonman comic

>keeps mentioning plot in a panel thread
how do you keep forgetting such a important thing in a debate? and the word "kino" cant even be used here because its definition is for great movies. And i never even said it was the best dipshit. Now that we have aside how wrong you are again, lets talk about the actual topic. yes it does have good art. there you go, thats all you get because thats actually how much thought you put into your side of the argument queer

ONE is masterful at paneling despite mostly doing scribbles for art

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why are you ONE shills so loud? do you not read any other manga?

subhuman brainlet.

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Dumping a scene from vagabond, the last few pages carry more weight with the rest of the chapter

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Nah, he simply does good work.

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>What are some mangaka that are good at paneling and scene composition?

"What are some mangaka that are good at paneling and scene composition?"

Almost like we're participating in the thread with a person we believe is good at paneling and story boarding.

Who do you think is good user?
Would you like to contribute instead of wasting your time not convincing us ONE is bad?

>why are you ONE shills so loud?
What do you even mean by this? Can't you not mention it or something?

ONE will never be taken seriously because his art is so amateurish that no magazine would ever publish it.

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Because ONE shills are all literal children

It's a shame.
Though, I think Mob Psycho as published in a magazine? Not sure.

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I don't try to hurt you hxh fag, why would you betray my trust.

But mob got published. Are you people insane?

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I honestly find the paneling in One Piece so cluttered and an incoherent mess to be honest.
Random panel breaks, Far too many speech bubbles (often covering up his own art)

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is this a false flag to show how shit Togashi is?
this page barley communicates anything without context. why would anyone think it's a good showcase of his paneling? or are people seriously that impressed by drawing outside of the panel boxes?

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It was published by a "webzine" called Ura Sunday. None of his works have ever been published by a magazine because they are below every standard.

This is great
Both art and paneling

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Whatever I post, you'll just dismiss it as bad because you dislike the fandom.

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>ITT people don't know the differences between paneling, composition, and art.

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>Shogakukan began publishing the series in tankĹŤbon volumes, with the first volume being published on November 16, 2012,[11] and the sixteenth volume being published on July 19, 2018.

you cannot expect anything more from shonenshitters

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thats the first time i mentioned plot retard and it was to add to my point that Fujimoto is shit not only in those pages posted but also in just storytelling and i was pointing out at the common fujimoto threads where the common post is "EPIK KINO LAWLZ".
oda is lazy and the common one piece chapter shows this They are all the same.

Minorites basically have the same IQ and tastes as the average Yea Forumsfag

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You have a point, Oda's paneling nowadays is hot garbage

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Next time I'll draw some arrows on it, so you don't have to think too much about it

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Left: Natural disasters
Right: Human disasters
Morena at the center trying to find a balance.
Kino? Absolutely.

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Yeah Paru's greatest strength in the art department is knowing when to use spreads and when not to, she always saves spreads for impactful scenes.

Why do people reverse troll HH so much?

I don't remember this reading left to right

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Because they have nothing better to do.

Based and morenapilled.

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I remade your OP image with items from this thread.

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Otomo's strength lies in details, aesthetics (like backgrounds etc.) and setting. But Togashi exceeds in everything else like panel arrangement, composition which leads to great atmosphere, character designs and drawing emotions.

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HxH fags really managed to destroy any general manga thread. /trash/ would be a better place for them at this point.

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that's the only page you've posted where the paneling has any relevance to the storytelling, and it's pretty average. and it's not because the gimmick of drawing over panel lines that you're so impressed by.
you're basically exclaiming how cool something like 3D films are while insisting it's an amazing use of cinematic technique.

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either way, still a panel thread in case you have forgotten again anyway youre gay for mentioning the fanbase and how is he bad? he told a story. it had great characters, theme and a clear story. its pretty simple to say the least.

100% disagree.

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I always forget about this one, thanks for the reminder.

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It's not fair, hunterbros! Using a book as a source is just cheating.

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I love HxH and I can confirm that 90% of it is shitposting on purpose to piss people off

It's like any other aggressive trolling campaign, it falls within the boundaries of the rules, it's not technically off topic, and the only thing they're really "doing" is engaging in bad faith/insincerely, but it's a deliberate attempt to piss people off

Use this wave of HxH faggotry to become more talented at counter-trolling and improve your abilities

This is the "taunt" skill, applied and refined into a weapon

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I never said anything about drawing over panel lines, though? I linked you to the Tse and Theta chapter which is an example of "paneling has any relevance to the storytelling". You probably didn't even read it and just gave it a quick look. There are a lot of examples where Togashi does this, have you even read the manga?

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It's the 2001 Dark Horse release.

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One of my favorite pages from this set of volumes. This is a lot of panels for Togashi, who usually likes to keep his pages on the compact side, but it works super well. As the ball travels towards Gon, the other characters on the far left side are reacting in time with the ball traveling. The layout makes it feel like the ball is moving.

Triggered brainlets who can't debunk any of the Hunterchad kino ITT.

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Dumping on this site is as much an ordeal as this fucking climb

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This. Whenever I'm losing, I immediately start samefagging and poorly defending the guy with absolutely terrible arguments that are easier for me to dismantle. My opponent immediately gets annoyed and starts some damage control, making it easier for me to approach his previously surgically precise points since he's wrangling a retard and is in arrogant mood since he's currently winning an argument, allowing me to eventually secure the win when he inevitably slips up.

Such is the life of a Hunterchad. If you're getting beat down, it's just another opportunity to manipulate the enemy. "Every situation has an opening." That's an adage that only Hunterchads swear by, compared to the hot-headed OPcel who gets flustered and starts spamming at the slightest hint of losing.

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End.

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Another brilliant page from Greed Island. Each of those swirly lines had to be drawn individually, and Togashi uses them to communicate what the bomber is seeing. We can see his glasses, and Gon in the chaos. Remarkable work.

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Based.

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But Oda was complimented by Horikoshi and Togashi himself.

BASED

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Based Vagabond poster, I'm re reading it right now

Inoue really knows how to make paneling easy to read and clear also love his compositions on those full single pages and double ones

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KINO

>Horikoshi
See pic

Source on Togashi ever complimenting Oda's art?

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Inoue took inspiration from Togashi.

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source on Togashi complimenting oda's scribbles

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Manga GI is pure soul. Bisky and the Bomber have a presence that neither adaptation could capture.

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No examples right now but Billy Bat is fucking great at panelling. Masterful switches in time and setting. fucking genius manga

Probably that fake interview that never happened. The only time Togashi even mentioned Oda was during his interview with Kishimoto saying that Oda had introduced a lot of characters in one of his arcs.

>But Oda was complimented by Togashi himself.

Proof. Now

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Horikoshi is more successful than those mangaka that hunterfaggot mentioned.

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This is a brilliant use of screentone on Togashi’s part, communicating light from the explosion against the blackness of night.

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>I never said anything about drawing over panel lines, though?
because the only examples of "good paneling" is shit where the drawings go over panel lines. you're just posting stuff you think looks cool without understanding what you think is impressive about the paneling. this is best example from HxH in this thread so far and it's still average compared to a sports manga.

youtube.com/watch?v=zFFru4q_4H8
is a pretty basic explanation of what paneling is and isn't

Horikoshi hasn't even sold 1/3rd of Kuroro no Basket or Tokyo Ghoul, retard

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>one panel
>paneling

>Its a DBSpic

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>source my ass
Nice one hunterfag

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ONEdrones
>just dumping pages with absolutely no analysis like chimps
Hunterchads
>in depth reasoning
>thoughtful comments on the work
>good taste
Really chogs the nog.

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>needing to tell people why a page is good and not just letting the eyes flow through it and understanding the natural appeal
it's a waste of time to explain something that doesn't need explaining

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