Dai Sato, Kenichi Yoshida and Tomoki Kyoda interviews

otaquest.com/tomoki-kyoda-interview/
otaquest.com/dai-sato-eureka-seven-interview/
otaquest.com/exile-nesmith-interviews-kenichi-yoshida/

Honestly reading through all of these interviews explains a lot of what went wrong with Hi-Evo, and it confirms a lot of what Yea Forums has been saying now.

>Sato and Yoshida recognize E7 was made in a day and age in the anime industry that can't be replicated now
>Sato and Yoshida acknowledge that the methods of animation and how anime is perceived nowadays has changed
>They both know that E7 was a once-in-a-lifetime achievement that can't be repeated
>They've accepted that moved on, like the rest of the world
>Kyoda is so desperate to recapture that lightning in the bottle and he's now bitter and angry he can't do it again
>Kyoda doesn't understand the world has moved on

It's sad to think that it takes Dai Sato, the fucking CREATIVE MASTERMIND of the whole series, to tell us this. I just wish he had the courage to say this to Kyoda so we wouldn't be subjected to all of these crappy films.

Attached: Eureka crying hi evo 2.png (500x211, 124K)

Other urls found in this thread:

en.wikipedia.org/wiki/Argumentum_ad_populum
twitter.com/NSFWRedditGif

Kyoda comes off as such an asshole in this interview. It's like he's desperate to be a bigshot like Hideaki Anno or Shinkai or Hosuda and he's pissed that every time he tries, he fails.

It's sad to think I once respected him.

>Dai Sato
>CREATIVE MASTERMIND of the whole series
He was just a fucking writer. E7 was Kyoda's baby and he's been spearheading all these projects while Dai has gone on to prove that he's just as much of a hack with his other works.

Sato came up with the original concept, composed the original screenplay and even wrote many of the episode scripts himself. Kyoda, at least back then, executed them. Granted, the director makes the final call in most productions but to say Sato had no influence on Eureka 7 is just wrong.

>hack
Space Dandy was fucking amazing, what are you talking about?

>the second half of Space Dandy was fucking amazing

not him but ftfy

Sato only wrote a handful of episodes. His scripts weren't even the best ones.
No.

He should recognize that it was a product of the time, and trying to make the same thing in a different age will never work.

Wrong. The initial idea came from Kyoda and he spearheaded the project with Sato coming out as the main composer. Its the main reason why these projects keep getting approved his because E7 is his baby where Sato's writing credit only extends to the first series.

>Space Dandy was fucking amazing,
No it was not. It had very bad comedy and forgettable characters hence why it was a huge flop in both Japan and America.

Japan don’t like wantanabe shows because he hates Japan

>No it was not.
Yes it was.
>It had very bad comedy
Only a fraction of the episodes were comedic, many didn't have comedy at all. And the comedic ones were good.
>and forgettable characters
The characters were great.
>hence why it was a huge flop in both Japan and America.
Ad populum is a fallacy.