Thread for the discussion of arthouse films and classic cinema.
>/film/ literature
mega.nz
>/film/ charts
mega.nz
>/film/ directors directory
docs.google.com
>but user, how do I make webms with MPV?
github.com
previous
/film/
Noah Martin
Other urls found in this thread:
vimeo.com
twitter.com
Levi Rodriguez
i hate arthousefags with every fiber of my being
Josiah Stewart
Is he the greatest director of the modern age?
Tyler Morales
I watched Napoleon by Abel Gance. It took me half a day. I already watched it, but they released it on BluRay so I had to rewatch it.
Jason Mitchell
Why did you make two threads?
Ian Cook
Remember Dolan? What happened with him?
Carter Miller
Other then a few scenes I never l really liked it. Much prefer J'accuse and La Roue
Carson Perez
Don't worry, we hate capeshit zoomers too
>half a day
>anime
There is only 1 thread.
He is doing a tv show
Hunter Lewis
no, it's gonna be Chris Stuckman and his A24 bonechilling horror kino
Thomas Hughes
*I never really liked it
Sebastian King
RIP Catherine Spaak
Kevin King
this film about teenagers losing their virginity truly has great photography
Blake Clark
the other is a tranny falseflag
William Reyes
she was also in Il Sorpasso, The Libertine, Dario Argento's Cat o' Nine Tails and many other italian hits
Joseph James
Oliver Johnson
>Don't worry, we hate capeshit zoomers too
fugggan epiiic bro oXD
Sebastian Robinson
ozu's late spring is on tubi
Asher Morales
I have watched about 30 movies over the past month and a half. The best one I saw was Drive My Car. Beautiful message about overcoming nihilism
Jayden Phillips
>you now remember the filmed theatre posts
Carter Jones
sneed
Jack Cook
Watched Carnival of Souls as per user recommendation last thread. Pretty much a similar premise to Twilight Zone's "The Hitchhiker" and "Night Route" episodes except dragged out to be almost painfully dull and long. While the movies pretty neat in some aspects and is seen as a blueprint for alot of what came afterwards in cinema i can't see it as the masterpiece of horror people make it out to be. Without saying "Filtered" what do you anons like about it besides the uneasy music score throughout the movie?
Lucas Cooper
didn't take long to trigger
Ian Ross
for me, it's /film/
Tyler Carter
what was the biggest surprise?
Jeremiah Taylor
It's one of my favorites but it's really hard to put into words why I like it so much without just saying I like the dreamlike mood/atmosphere/vibes. Being in black and white is a huge part, I don't think I would like it half as much if it was in color. I also like the desolate setting and the fact it can be interpreted as a (metaphoric) study of loneliness/alienation/mental illness/depression, one of the first films to treat that subject in a serious way
Thomas Bell
Gabriel Allen
Easton Jones
Levi Harris
Lincoln Martinez
James Barnes
Why has /film/ been slid so often lately?
Eli Long
primordinally and utterly kinographique
shame that there's no good rip
Isaiah Anderson
I kinda get why he couldn’t make a decent flick, with film being such a capitalist art form and all, but true greats know how to work around those limitations. Also he doesn’t need to fucking cast himself as lead.
Gavin Morgan
He's also a plebeian pothead who is retarded. For me, that is the main factor
Sebastian Ward
It's shit
Jackson Lopez
What movie? For reasons of a /film/ conseunoir...
Lincoln Reed
Fellini's Amarcord
Hunter Carter
I didn't watch that one because it got mediocre reviews
Colton Jones
Never seen this. Which version should I watch?
Owen Hill
>Amarcord
>mediocre reviews
in what world?
Camden Cruz
What are some films that you shouldn't try to understand?
Films like Lost Highway or Last Year at Marienbad.
Michael Powell
You shouldn't try to understand any film, just let the images wash over you
Austin Brown
all of them
Jordan Taylor
Lost Highway is easy to understand.
Noah Turner
lmao
Lincoln Butler
Got it mixed up with another Fillini flick
Connor Wright
The next time you’re wondering why cover art has gotten so boring, low effort, and shitty, remember this- people unironically think that is GOOD.
Comparable to the film itself, actually.
Anthony Smith
>arcane cinephilia
>drive my car
uh
Luke Evans
>arthouse films and classic cinema.
How (for the purpose of this thread) does one define these things? Looking for actual discussion here, not trolling.
Does being both old and well respected make something classic cinema? For example Le Samourai(1967), Get Carter (1971), A Colt is My Passport(1967). Are they classic cinema, or does being gangster movies disqualify them? If they are classic cinema, then do other more recent releases such as Exiled(2006), New World (2013), and Nuit blanche (2011) qualify as well?
Is La Casa Lobo (2018) arthouse? How about Dementia (1955)?
Logan Kelly
I didn’t know about this film and now I wish I hadn’t seen it here - found a few terrible copies on Youtube, and I really want to see it. Might just suffer through the low resolution.
Robert Lewis
well, there's this
vimeo.com
don't know if it comes with english subs, though, and there's no english subs on subscene
Cameron Bell
>suffer through the low resolution
I used to watch VHS bootlegs of Jodorowsky, man up.
Bentley Gray
Not sure how you've seen a /film/ thread before, but basically anything goes that isn't capeshit, or IMDb top 250 garbage
Levi Brown
Directors' fortnight lineup
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys Men by Mark Jenkin
Falcon Lake by Charlotte Le Bon
Will-o’-the-Wisp by João Pedro Rodrigues
Funny Pages by Owen Kline
God’s Creatures by Anna Rose Holmer & Saela Davis
Harkis by Philippe Faucon
Men by Alex Garland
The Mountain by Thomas Salvador
Pamfir by Dmytro Sukholytkyy-Sobchuk
The Green Perfume by Nicolas Pariser – Closing Film
Paris Memories by Alice Winocour
Under the Fig Trees by Erige Sehiri
One Fine Morning by Mia Hansen-Løve
A Male by Fabian Hernández
James Nelson
This scene cemented The Long Goodbye as unfiltered kino
Austin Brown
>Le Samourai(1967), Get Carter (1971), A Colt is My Passport(1967)
both classic and non-American, which helps with the "arthouse" classification here, as foreign films historically play in arthouse theatres
>If they are classic cinema, then do other more recent releases
You are fucking retarded. How can a recent release be classic? Dumb fuck.
>Is La Casa Lobo (2018) arthouse?
Yes, great film too.
>How about Dementia (1955)?
Classic, also a great film, and noirs are welcome to be discussed here although they're not specifically arthouse.
Thomas Anderson
>but basically anything goes that isn't capeshit, or IMDb top 250 garbage
Absolutely wrong.
Andrew Collins
WHERE IS LYNCH
Jacob Davis
>Lynch in Directors' Fornight
NEWFAG
Gavin Jackson
Personally, I like it. Even if the whole film is just a plot twist that can be summarized in a sentence. It's not the destination, it's the journey. I'd be interested to hear what you think of some of the directors other films; try watching Shake Hands with Danger.
>You are fucking retarded. How can a recent release be classic? Dumb fuck.
I'll admit that I'm a dumb fuck. How old does it have to be before it's classic?
Grayson Nelson
>Falcon Lake by Charlotte Le Bon
/ss/ confirmed, based Cannes
Angel Sullivan
Totally forgot to check there, thanks!