/film/

Meds.

>Armageddon Time, dir: James Gray
yes, I'm gonna make a movie based on my childhood, what an original concept I know

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le trailer
youtu.be/oOGlrUxPr0M

Why did no one tell me this was good?

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>Trushit
Lmao

so sion sono is a perv irl, who would have thought!

better than that hack Godard.

And a hypocrite

this one was great
made by Elia Kazan just before On The Waterfront, somehow totally forgotten

Attached: Man.On.A.Tightrope.1953.mosaic.webm (1506x1110, 1.44M)

no wonder you think that garbage is good lmao

Absolutely dire. What a shit year.

>GIMME SOME HIP HIP HOP GIMME SOME HIP HIP HOP
youtube.com/watch?v=sskfJ3AOxbA

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Good lineup

Shit threads, they need to die

Shit film

Cinema is on life-support.

>Les Amandiers, dir: Valeria Bruni Tedeschi
Horrible
>Holy Spider, dir: Ali Abbasi
Sounds good
>Crimes Of The Future, dir: David Cronenberg
Good, probably retooled Painkillers script
>Stars At Noon, dir: Claire Denis
Sounds good
>Frère Et Soeur, dir: Arnaud Desplechin
Hack
>Tori And Lokita, dirs: Jean-Pierre and Luc Dardenne
Social realism garbage
>Armageddon Time, dir: James Gray
I like him but it sounds horrible
>Close, dir: Lukas Dhont
Sounds terrible
>Broker, dir: Hirokazu Kore-eda
See above
>RMN, dir: Cristian Mungiu
Social realism dreck
>Triangle Of Sadness, dir: Ruben Ostlund
Probably an uneven satire of some sort
>Showing Up, dir: Kelly Reichardt
Meh
>Decision To Leave, dir: Park Chan-wook
Meh
>Nostalgia, dir: Mario Martone
Meh
>Tchaikovski’s Wife, dir: Kirill Serebrennikov
Could be good
>Boy From Heaven, dir: Tarik Saleh
Meh
>Leila’s Brothers, dir: Saeed Roustaee
Meh
>Eo, dir: Jerzy Skolimowski
Au Hasard Balthazar reimagining, sounds terrible but Skolimowski is good

Definitely less exciting than the last year which had some heavy hitters. The new Andrew Dominik and Peter Greenaway films seem like the most exciting films this year to me. One will be in Venice and I hope Greenaway appears soon and starts working on his other projects. He is already 80 and he didnt kill himself.

>Les Amandiers, dir: Valeria Bruni Tedeschi
autobiographical Les Amandiers (The Almond Trees) is about Bruni Tedeschi's years in Paris in the 1980s at Patrick Chereau's theater school
>Holy Spider, dir: Ali Abbasi
we follow family man Saeed as he embarks on his own religious quest – to “cleanse” the holy Iranian city of Mashhad from immoral and corrupt street prostitutes
>Crimes Of The Future, dir: David Cronenberg
A deep dive into the not-so-distant future in which humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, which alters their biological makeup
>Stars At Noon, dir: Claire Denis
In 1984's Nicaragua, a mysterious English businessman and a headstrong American journalist strike up a romance as they soon become embroiled in a dangerous labyrinth of lies and conspiracies
>Frère Et Soeur, dir: Arnaud Desplechin
Alice is an actress, Louis was a teacher and a poet. Alice has hated her brother for over twenty years.
>Tori And Lokita, dirs: Jean-Pierre and Luc Dardenne
a friendship between two young people after traveling from Africa and becoming exiled in Belgium
>Armageddon Time, dir: James Gray
A coming-of-age story about growing up in Queens in the 1980s.
>Close, dir: Lukas Dhont
Leo and Remi, two thirteen-year-old boys, have their close friendship suddenly thrown into disarray as the prospect of adolescence looms. Trying to understand what has gone wrong, Leo seeks comfort and grows closer to Remi's mother

>Broker, dir: Hirokazu Kore-eda
The film revolves around characters associated with baby boxes, which allow infants to be dropped off anonymously to be cared for by others
>RMN, dir: Cristian Mungiu
no description
>Triangle Of Sadness, dir: Ruben Ostlund
This dark comedy centers on a fashion model celebrity couple (Dickinson and Dean) who are invited on a luxury cruise for the super-rich. The yacht –whose captain is a rabid Marxist (Harrelson)– sinks, leaving the duo stranded on a desert island with a group of billionaire jetsetters and a cleaning lady,
>Showing Up, dir: Kelly Reichardt
a vibrant and sharply funny portrait of an artist on the verge of a career-changing exhibition
>Decision To Leave, dir: Park Chan-wook
a meticulous detective investigating the murder of a man in the mountains. However, he falls in love with the main suspect of the crime
>Nostalgia, dir: Mario Martone
neapolitan mafia story
>Tchaikovski’s Wife, dir: Kirill Serebrennikov
biopic
>Boy From Heaven, dir: Tarik Saleh
set in Cairo at a Koranic school following the collapse of a grand imam
>Leila’s Brothers, dir: Saeed Roustaee
no description
>Eo, dir: Jerzy Skolimowski
no description

Maybe you should stick to capeshit franchises champ

>NOOOO JUST MINDLESSLY CONSUME THE NEW DARDENNES FLICK
This lineup is as middlebrow as it gets. Even the sidebars are not exciting so far. Last year there were some unpredictable filmmakers, who push what they are making. Now back to watching pandering garbage by Dardennes.

Joke's on you my fav directeur is Scorcese.
But that line up seems classy af all foreign directeurs.

/flick/ is back?

Temporarily.

Hot take, but the Dardennes' first few films are chronically underrated on /film/

Obviously their output the past two decades is awful

>Broker, dir: Hirokazu Kore-eda
Is this our year Koreeda bros?

/film/ should be on Yea Forums as a thread about film literature.

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just click [Catalog]

>Obviously their output the past two decades is awful

>*tip's fedora*

>Is this our year Koreeda bros?

Dudewhatdoesfamilymean man has already won, they're not gonna award a Jap twice within 4 years

How the fuck is James Gray getting into Cannes every time? That festival had lost its prestige a long time ago.

>/film/ should be on Yea Forums
That failed miserably when we tried

Thanks, user.
Yeah, so far, this lineup seems disappointing.

Gray is very popular among European critics, especially French critics.

...we need a discord

That failed miserably when we tried

>Shit threads
Then name a better place to bring up, discuss and banter about classic and obscure cinema without being called a contrarian/pseud, without trannies making quips, without normalfaggots hailing the latest hack as the next muh Kubrick.
Ah yes, (You) can't.
No we don't.

No. It's the same humanist social realism bullshit.
>Koreeda
Another hack rears his ugly head.
You might be retarded if you don't understand why he gets in when he makes a film.

>being called a contrarian/pseud, without trannies making quips, without normalfaggots hailing the latest hack as the next muh Kubrick
Why are you describing these threads?

166537490
Nice try, moron. Didn't even answer the question as expected, kek.

why do we hate David Ehrlich again? don't always agree with him sure but he seems to at least make cogent arguments instead of pure reaction blurbs and I usually learn something reading him

You might be fucking retarded. This place is full of normalfaggots and your precious is full of trannies, these threads are not an exception. So r/truefilm is the same shit as here. Maybe better since people actually try to make a post of substance and have seen what they're talking about.

>Ehrlich
What did you learn? That your IQ is in double digits?

Am filming with mickey rourke right now and and all I can say is that he's a huge asshole.
How has your day been /film/?

for instance

People here genuinely argued that Sono is a cinematic master of immense honesty who makes films about reconciliation between men and women and the exploitation of women. You're saying there are no normalfags and trannies here? Get your head out of your ass.

That's well known.

ask him about how many boxing matches did he actually win without bribing the other guy

166537958
>r/truefilm
>maybe better
LMAO. You are definitely projecting your own retardation onto me, friend. Still waiting for an answer, btw.
They're outliers. Remember when people shilled Gallo for a while? Remember EVAfag? There was even someone who shilled Iñárritu at one time. These people come and go, at least that's my impression.

Yes, that's why last few threads were full of Eggers, PTA and other normiefag shit. I'm not saying the threads didn't have any merit but they've been shit for several months now. So if somebody says they're shit, he's right and normalfags do post here. Quite a lot. Same goes for trannies.

R/true film and r/criterion are on this level. It is not my fault you have delusional perception that these threads are trannyfree normalfagfree heaven. Theya re the same shit as truefilm but without the discussion and effort put into the posts. Obscure cinema is barely discussed here and the banter is not funny. It's just people saying this sucks.

Dupeioux is at it again.
Also he's making like a film a year nowdays.

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the real redpill. Yea Forums is also literally r/movies

Christ

*sigh* somehow, /film/ has returned