Marvel Comics of November 1962, part 2

Hi anons, let try out a new type of storytime. As most probably know, the Marvel Universe proper debuted in August 1961 with the release of Fantastic Four #1... but that was of course not the only comic book Marvel was publishing at the time.

During the 1950s, Marvel, then known as "Timely" or "Atlas" (they didn't really market their books under a specific label and had a ton of different publishing labels) was publishing an absolute ton of titles, but in 1957 Martin Goodman in his infinite wisdom decided it would be a good idea to shut down his distribution company and have his books distributed by American News Distribution instead. American News Distribution went bankrupt very soon after signing their deal with Marvel, and a scrambling Goodman had to settle for having his books distributed by the DC Comics-owned Independent News instead. Independent News limited Marvel to only 8 comics a month, so Goodman ended up canceling pretty much his entire line of comics and change the few titles he had left to bimonthly books so he'd at least get 16 different titles on the shelves. This is known as the Atlas Implosion and was a pretty significant milestone in Marvel history.

In 1960, Goodman eventually managed to talk his way into getting 10 books a months, and in 1961 he had just managed to argue forth an increase to 11, which in actuality ended up being alternating months of 10 and 12 books each. August 1961 was the first of these 12-book months, and one of the new bimonthly books he added to his lineup was of course Fantastic Four.

But why don't we take a look at EVERYTHING he was publishing at the time? These 10 and 12 book months are pretty easy to split up into 5 and 6 books per thread, so this time we'll check out the remaining 5 books from November 1962.

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Previous threads
August 1961, part 1 August 1961, part 2 September 1961, part 1 September 1961, part 2 October 1961, part 1 October 1961, part 2 November 1961, part 1 November 1961, part 2 December 1961, part 1 December 1961, part 2 January 1962, part 1 January 1962, part 2 February 1962, part 1 February 1962, part 2 March 1962, part 1 March 1962, part 2 April 1962, part 1 April 1962, part 2 May 1962, part 1 May 1962, part 2 June 1962, part 1 June 1962, part 2 July 1962, part 1 July 1962, part 2 August 1962, part 1 August 1962, part 2 September 1962, part 1 September 1962, part 2 October 1962, part 1 October 1962, part 2 November 1962, part 1

The other 5 November 1962 books were all published November 8th, and are the same batch we've always been getting in the second week of odd numbered months:

Patsy and Hedy #86

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"The Right Boy for Patsy!"
by Stan Lee and Al Hartley

Patsy and Hedy is back to four short stories again this issue, the switch to one long lead story isn't fully complete yet.

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[Hurries to use the bathroom, get some snacks and something to drink, plops down in front of laptop]

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Still one of Marvel's best books.

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Bottom right panel almost seems like it'd be too sexy for the code.

What the heck is that lamp behind Hedy??! A combination lamp and pipe?

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"Dear Patsy and Hedy..."
by Stan Lee and Al Hartley

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Patsy's dad sounds like Stan speaking from experience. How old was his daughter at this point?

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Especially since Patsy is a minor. Maybe Leonard at the Code thought the art was tasteful and non-prurient enough. Or maybe he was laughing at the comic and let it slide.

Interesting parallell.

This issue's text story. Reprint from Millie the Model #42 from 1953.

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>My fans simply adore me
You got that right, Hedy.

How many of these can you get right?

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Honestly, it's probably because they had more lax rules for books intended for female readers.

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Modern art!

Joan would have been twelve, But writers in general observe and make mental notes about all kinds of human behavior. I imagine he heard all kinds of parental wisdom from the many people he knew and worked with..

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"Hedy's B. M. O. C."
by Stan Lee and Al Hartley

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Ah! An original Picasso table lamp, then, Very avant-garde, mais non?

Amusingly, that story about their fan clubs from some months ago proved Hedy absolutely right. She had very loving fans, while Patsy's fans were demanding bitches.

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I hadn't thought about that. Lots of the fashion pages have Patsy and Hedy in their underwear, which Sue Storm couldn't have gotten away with,

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Part 2

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I still think they should have snuck Lois Lane in there, with her pillbox hat and notepad.

"A Star is Born!"
by Stan Lee and Al Hartley

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Hah! Number One is dressed like her role in that movie with Leslie Nielsen as the romantic lead.

Hahah, this is almost the same story as the one from a while back where Patsy pesters Buzz into taking up basketball to begin with... except Patsy and Hedy's roles have been swapped around.
I love how their personalities are actually similar enough they're able to do that.

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This one was pretty amusing.
It has that pre-code feel to it, those are usually the better text stories.

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Rawhide Kid #32

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You've touched on one of the reasons I like these stories so much, Neither girl is all good or all bad, they can show a range of emotions and attitudes while still being themselves.

In some of the stories, a panel will show Patsy and Hedy with completely identical thought balloons and smiling sweetly.

Rawhide Kid: "Beware of the Barker Brothers!"
by Stan Lee and Jack Kirby/Dick Ayers, lettering by Dick Ayers

With this issue Rawhide Kid finally makes the move to having a longer lead story, leaving Love Romances as the only Marvel book with only short stories.

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Yep. Good example right here, in fact

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I've noticed quite a lot of Rawhide Kid stories have the Kid in areas where he's not wanted, looking for a job. Makes you wonder why he doesn't just stick to those places, he doesn't feel as lawless as Kid Colt does.

This issue's text story. Reprint from Gunsmoke Western #37 from 1956.
We've read this one before when it got reprinted in Kid Colt #102 back in October '61.

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Something about the art in this issue feels off, like the inking is really rushed.

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I thought he was a wanted man, why is he giving his name like that?

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This feels like an incredibly stupid choice for a guy to send on that mission.

He's not wanted everywhere, Some states and territories are safe for him.

Why he doesn't stay there is a good question but then he gets in fights everywhere anyhow.

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Even if he's not wanted, he still has a reputation as a dangerous criminal and people tend to not want anything to do with him.

It IS dumb. I guess they were testing to see if the Kid would follow orders and how'd he react, but that's not a good way to find out.

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"The Judge!"
by Stan Lee and Al Hartley

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Fine, He has to make money at some point or start holding up stagecoaches himself. He doesn't have much choice.

They completely panic when he returns and says he knows the truth, so it doesn't seem like a very deliberate test.