>4.25 on Goodreads
So, can anyone tell me why Pride and Prejudice is so "good" when someone with half a brain cell can see what is going to happen 1/4 of the way into the book?
>4.25 on Goodreads
So, can anyone tell me why Pride and Prejudice is so "good" when someone with half a brain cell can see what is going to happen 1/4 of the way into the book?
Jane Austen invented free indirect discourse. Before her novels, you didn't see novels using third person but with localized character perspectives.
Also, Austen novels are not about their endings, which are always "protagonist gets married to their true love while roastie thots get BTFO." The point of Austen's novels are all the things that lead up to that ending, everything that leads up to a marriage in the British gentry, the social satire of pseudo-intellectuals and golddiggers, etc.
Pride and Prejudice is the most popular of Austen's six novels among modern readers because Elizabeth Bennett is both a tsundere and a "strong independent woman," something that resonates strongly with modern audiences. It also does not feature certain creepy aspects of the time period like cousin marriage or marriage between a 16 year old girl and a 32 year old man.
>Jane Austen invented free indirect discourse
No she didn't
>Before her novels, you didn't see novels using third person but with localized character perspectives.
Yes you did
>reads modernist works for the plot
t. brainletto
>uses Goodreads as a measure of a book's worth.
Look at any of Joyce's books, Moby Dick, Heart of Darkness, Gulliver's Travels etc. That site is riddled with norms and women who are like "oooo I loveeeed that book, but It just didn't do it"
Why would knowing how the story goes change the quality of the book?
My proof is that it is one of the things Austen is most famous for and recognized by the large majority of literary scholars. What is your proof?
Good for the convo, not really the plot.
Snarkiness ("arch") of the narrator (first paragraph) incarnated into in-text Mary Sues.
Mocking the meagre obsessions of NPC parents ("youneedamanyouneedaman") and romantic rivals ("beauxbeauxbeaux").
I don't care for the plot either.
The only part i vaguely liked was Willy Boy knocking up some village tramp and slinking off disowned into obscurity; so talcum mild, a female ending, where it could have easily ended with an angry father / brothers and a brace of axle stocks.
Not user; post an earlier writer who used FID as a mainstay.
Austen is English the way Tolstoi is Russian
ya boi goethe
Good call.
I suppose Austen could be credited as first Anglo to do it, second/third in the world?
Not a landmark, but still reasonably newwave for being around 50 years off and in another language.
Because sometimes books need a twist, or something to make them more than a "average" book, in my opinion. Not all of the time, of course, but in this sort-of case, I think it's needed. I feel like a book like Oblomov, for example, does the love story thing much better than P&P, although much younger.
This was one of the worst books I have ever read and I will never stop being angry about it.
>reading for plot
muricans just cant into satire
How is cousin marriage creepy?
Because Austen is a master portraitist of character, a profound and detailed analyst of social psychology who manages to presente her insights within a light-hearted and humorous story that moves at a quick pace.
Her English is also delighftul, the way her characters's personalities come alive in the way they speak, it all shows an incredibly alert observer of the human condition.
Does anyone else feel that Austen would have been better as a short story writer?
Having her never ending sarcasm and cynicism span 200+ pages without a break gets fatiguing, but it's really good when read in small portions.
Lady Susan is the best thing she ever wrote and it's a novella so I'm inclined to agree with you.
>can see what is going to happen 1/4 of the way into the book?
What impact does that have on quality? Crime and Punishment's plot is completely obvious from the very title, and it's still a masterpiece. Go read some more whodunnits, fuckwit.
> he reads books for the plot
HAHAHAHAHA
I like the tsundere romance.
>reading novels
That's your problem, grow up kid
So you are saying that 40+ women not using contraception (unless they hit menopause) area creepy? They have significantly higher chance of birth defects, even higher than real incest (siblings or parentage child).
laurence sterne uses it and his books are actually high quality
only someone who doesnt read would think Jane Austen invented anything, literary scholar or not
>masterpiece
Yeah, ok homeboy. Again, refer to my Oblomov comment. If it were a short story, then you may have a point, but it goes on for 230 pages...
Austen's humor is what we'd call stereotypically British. Have the British always had this sort of sense of humour? Until I read Austen I wasn't aware it went back that far. Does anyone know where it came from or why?
>16 year old girl and a 32 year old man
>creepy
Brit humour comes from living beneath perma pic-related with a load of other mongs who you hate, who hate each other, and who also hate you. It's impossible to take life seriously in such circumstances.
Based and otomepilled.
women
kek
>plot
i'm sick of this meme
British humour gets madder the further north you go. Scottish people have the most absurd and dark humour.
>uses goodreads as an indicator of quality
>uses plot as an indicator of quality
you cannot make this up
She invented literary realism years before Stendhal
It triggers incels to learn this. They think, because she had a vagoo, she can't be a significant writer, but she did and she is, and all your ideology is nonsense
The things I'd do to prime Keira Knightley, lads
We don't find incest creepy directly because of the bad genetic outcomes; humans that exhibit negative assortative mating (in this case disgust towards relations with family members) will generally produce healthier offspring than those who exhibit incestuous tendencies. The poor genetic outcomes and high infertility rates among the children of incestuous couples contributed to the natural selection for more exogamous mating tendencies. This explanation does not apply to women over 40 because it is only recently in the history of humans that one could expect to live to that age, so not enough time has passed for sexual selection to result in a population with different attitudes on creepiness. Maybe in a few thousand years, if humanity survives that long, men will find older women creepy.
>le evolutionary psychology meme
>not all X
>It is Only recently in the history of humanity that you could expect a human being to outlive 40
>Stendhal
>Realism
jfc lel
Anyway, Austen is trash. Wish we could talk about Scarron etc. instead. At least we could have some fun.
It's funny and has memorable characters. Darcy is 100% based.
>It also does not feature certain creepy aspects of the time period like cousin marriage or marriage between a 16 year old girl and a 32 year old man
Literally both of those things are major plot points. Collins proposes to Elizabeth, who is his cousin, and Darcy's aunt goes on and on about how her daughter was always intended to marry Darcy; and as for 16-year-olds getting married, did you forget about Lydia and Wickham?
its the other way around you pleb. if the only thing going for a book is its twist then its shit yo average.
Not seeing the genius of Austen is the mark of the terminally underread. Spend some more time with good literature and come back to realize what a fool you've made of yourself just to spite the more naive of her reader base.
Generally I agree. But on rare occasion you do end up with surprisingly good reviews on goodreads.
this
why are people so morally retarded?
It's a telltale sign that someone doesn't really understand how narrative voice works, I'd say 9/10 criticisms of Austen stem from this