>You're right, actually. I am pretty- I'm pretty troubled and I'm pretty confused, but I... And I'm afraid. Really, really afraid. Really afraid. But I- I think you're the fucking Antichrist.
You're right, actually. I am pretty- I'm pretty troubled and I'm pretty confused, but I... And I'm afraid. Really...
Gabriel Reyes
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Gavin Johnson
Ah, to be 16 years old and stupid enough to enjoy this movie again.
Nathan Kelly
That's totally fucked up dude. How do you suck a fuck lmao
Grayson Garcia
Is it really any dumber than 90% of movies nowadays?
Brandon Watson
I love this scene. Mustve felt satisfying to say.
Angel Torres
I seriously doubt your dedication to sparkle motion.
The movies still good, stop trying to be edgy.
Parker Sanders
Your still just as stupid dont worry
Lincoln Ward
Dilatate.
Dominic Bailey
have sisex
Nathaniel Mitchell
The whitest movie ever
Levi Johnson
t. fat chinese bitch
Jacob Reyes
imagine being a normal student and watching the class psycho stand up and stutter his way through that
David Martin
And that's a good thing.
Daniel Brown
we live in a society
Carson Powell
He was the class Jason retard
Josiah Gutierrez
Was anything more embarrassing than the teachers' dialogues?
Evan Ortiz
>he's not committed to sparkle motion
Elijah Thompson
>being this edgy
Blake Cox
>picture of a Jew
>whitest movie ever
Aiden Powell
Mason Carter
STAR MAKING PERFORMANCE
>BEING THIS DUMB
youtube.com
Donnie Darko
"In the Halls", By David Chameides
A very clever sequence to establish multiple characters in a single shot. The shot manipulates time (much like the rest of the film) giving each character a different moment. Geographically, a single school hallway is a relatively static set. By moving in and around our characters, the shot becomes very fluid and dynamic, sustaining interest throughout.
Operator's Commentary
This was a fun one as I think it's a great way to do what would have otherwise been a very straightforward shot, introducing the characters a hallway, and put a twist on it. Richard Kelly the director had a really good sense of what would work. From a technical point of view the tough part was that we were doing all of the speed changes in camera with a huge honkin' cable attached. Made the whip pans oh so much fun. Norman Parker was my assistant on that show (although he would definitely tell you that i was his op not the other way around) and as we went though the shot, he had to anticipate the moments and speed change accordingly. He nailed it on every take.
Ian Ward
Is this the biggest case of one-hit-wonder director ever?
I
Jacob Barnes
Would've been a zero hit wonder if he had the movie his way
Christian Peterson
nah, because southland tales is good and better than most film
Joseph Scott
hat the fuck was thier problem
Caleb Turner
>dude your dad stabbed your mom lmao
Wouldn't that sort of joke get him expelled? What kind of school would take this kind of behaviour?