What the fuck is his appeal. Drive was his only good movie.
What the fuck is his appeal. Drive was his only good movie
Tyler Green
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Tyler Clark
The visuals. Even I have to admit that his stories are rather weak
Gavin Wilson
REF
Parker Reed
Nobody ever went into a marketing meeting and said, "Hey we're NOT going to be different."
He's different.
But not very.
But not...
But...
well..
he's.
Jacob Thompson
You nailed it, OP. He got lucky and he's been milking it ever since.
Landon Miller
Hey, he made this too
Angel Long
>Pusher trilogy
>Bronson
>Valhalla Rising
>Only God Forgives
>Drive
>only one good movie
Justin White
Drive is the only good one, correct.
Nathaniel Green
>threw a table at a wall in film school and got expelled, then re-did the scene in Bronson
>directed Drive even though he failed his driver's license exam like 7 times
>directed OGF only so he could visit toy shops in Thailand then got upset because his wife put his toys in the attic
>can't shoot his movies in non-chronological order
>color blind
>dyslexic
>lost virginity at 24
>proposed to his first girlfriend (now wife), she initially said no but kept the ring
>daughter doesn't call him Dad or Papa, calls him "Jang" the same nickname used by his adult friends and family
>believes in Thai ghosts because his daughter sees them and Jodo told him some spooky shit reading tarot cards
>tried to kill his stepmom but the gun didn't go off
>literally wears a towel when he's shooting a movie to keep his energy inside him or something
>can't pick his own clothes, wife does it for him
>Mads says he can't talk to him outside of movie sets because he can literally only talk about cinema
>kissed Goose on the red carpet at Cannes
>kissed Elle on the red carpet at Cannes
>cried on live Danish TV
>talked about fucking on live British TV
>has deluded himself into thinking he's close friend with David Lynch, randomly brings up "David" in conversations, while other people have no idea who he's talking about
>calls himself the new Friedkin, claims OGF is a masterpiece, to Friedkin's face
>despite his wife trying her best to dress him correctly, he still attends event dressed like a teenager while everyone else is dressed properly
>almost got to his now wife to run away on their second date because he told her he was going to show her a beautiful, emotional film and then forced her to watch The Texas Chainsaw Massacre
>described The Neon Demon as being about him picturing himself as a 16-year-old girl
>constantly kept mentioning that Elle Fanning had "just turned eighteen" at Cannes until there was little more than awkward silence in response to that notion
>has no chin
he's Yea Forums
Parker Roberts
>can't shoot his movies in non-chronological order
I wonder what the actors think of that
Juan Watson
Good taste user, OP is a fag
Benjamin Campbell
Drive isn't even one of his better movies.
Brayden Sanders
>watching Valhalla Rising
>first act is Sword & Sorcery arthouse kino
>they get on the boat
>becomes the most boring shit imaginable despite some nice visuals
Jack Morris
inconceivably based
Jackson Morgan
>can literally only talk about movies
No wonder he became good friends with Kojima. Also add death Stranding in the pasta
Logan Brown
valhalla rising was shit
William Morris
Another great one is
>pitched Drive to Ryan Gosling while crying in the back seat footwell of Ryan's car
Alexander Richardson
He's hilarious
Jose Clark
That boat ride was so long and i think i started halucinating during it. Most immersive movie, it was nuts
Blake Mitchell
why
Mason Anderson
And I thought autismos can't into comedy
Ryan Barnes
I watched all of these except the Pusher trilogy and I didn't even know the same director did them all. It was before I even heard of the dude.
Now that I know though, I see how they all have the same fucking pointlessness to them. Every single one of his fucking movies goes nowhere. You just sit there for 2 hours waiting for the plot to start, then you realize . . . that it never will.
Liam Wilson
The problem was the movie was in reverse: you get all that slow, boring arthouse crap out of the way in the beginning then ramp up the violence as the film goes along.