NEVER DID NO HARM

NEVER DID NO HARM
NEVER DID NO HARM

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IT DEH

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YOU'RE JUST COOOOOMING
THAT'S WHAT YOU DO BABY
HOLD IT DOWN THERE

its bleh

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Noodle, one of my first waifus, beautiful angel, I just want to kiss her, she's so cute and beautiful and pure

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never gets old.

youtu.be/b3hzowjjjdc

its a man

SUPERFAST
SUPERFAST

based

>Until Prodigy allowed that hideous double-mohawked dancer to sing on tracks, electronic acts were sadly lacking in frontmen. Nobody wants to put posters of pudgy bald guys in windbreakers over their beds, so in the eighties and early nineties the youth culture of England developed a brief fascination with rave-friendly (but still band-oriented) dance-rock. It was the only way to reconcile their love of taking ecstasy with their love of rock-star worship. The Happy Mondays rode the crest of this wave, peaking with the Paul Oakenfold-produced 1991 album “Pills ‘n Thrills and Bellyaches.” I seem to recall there being about seventeen people in the band, but the only ones anyone might remember are lead “singer” Shaun Ryder and a drug-addled dancer named Bez (who was an official member of the band, although he did not actually do anything). Shaun Ryder was grotesquely ugly, high out of his mind all the time, and totally unable to sing, dance, play an instrument, or write anything but the most juvenile lyrics. He was, even with the aid of a teleprompter, prone to forgetting the words to his own songs while performing live. Unfortunately, if a band continues to sell records and attract a following, it is usually not economically viable to fire the singer due to gross incompetence. In Shaun Ryder’s case, however, it probably would have been a good idea; due to his heavy addiction to every single controlled substance known to man, he duped Factory Records into sinking more and more money into the notoriously terrible follow-up to “Pills ‘n Thrills,” eventually leading to the label’s financial collapse.