Well that was a waste of time

>Inland Empire on the other hand. THAT is a pile of crap and Lynch's worst
Shut the fuck up, cunt.
It's an incredible piece of work and I love it. It's a genuine masterpiece and one of his best films. Along with Fire Walk With Me.

Fight me, bitch. It made no fucking sense whatsoever and went on forever for no reason.

>It made no fucking sense whatsoever and went on forever for no reason
You are aware that every single pea brain pleb says the same exact thing about Mulholland Drive?

Lynch shot bunch of extra stuff the make the film cohesive and he achieved just that.

This movie literally explains all the ulterior motives of Hollywood, while exposing its movers, shakers, and producers.

NOOOOOO Yea Forums TOLD ME DAVID LYNCH WAS FOR PATRICIAN BIG BRAINS LIKE MEEEE I WATCH ONLY MOVIES THAT Yea Forums APPROVES BECAUSE I'M A FREE THINKING ENLIGHTENED GENIUSSS

>47
checked.
You'd be surprised how much sense it continues to make with every next viewing.
Anyway, I don't give a shit about convincing you of anything, even if it were possible. It's an absolutely amazing piece of cinema and I think, in time, it will come to be recognized as the masterpiece it is.

They are pea brained. Mulholland Drive did make sense. But I'm not talking aboout MD, I'm talking about Inland Empire, and it made no sense.

I had to rewind and jerk off to the lesbian scene when I first saw it, great movie.

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I consider myself pretty unlynchable, but to this day only one thing he's ever done eludes my grasp.
And that thing is Inland Empire.

how many times have you seen it?
>it made no sense
stop trying to understand it. it's a journey, it's a dream. a pure experience.
that being said, it does in fact make a lot of sense in a lot of ways, but you have to experience it again to understand things.

OP here. I never said the movie was difficult to grasp. I explicitly stated it to be a waste of time, its near two hours and thirty minutes unjustified by the scenes presented. Retards calling others retards. Get the fuck out of here you dick riders. Can't believe I patiently sat through this shit.

>but you have to experience it again to understand things.
That's the thing. Will be a long while before I watch it again because it really left a bitter taste in my mouth after sitting there for three hours

Wait, I'll keep going. Before this, I watched Under the Silver Lake. That movie was great. Watch that over this shit. Come at me, faggots.

Well, I'm sorry for your loss. If you really disliked it, I dunno how much things can change for you, I was mesmerized by it the first time around but I didn't really "love" it, it was just a fever-dream like experience watching it late at night, but the second time around it just clicked and I was completely taken by it. It's one of my favorite movies, like top 3. I really, really love it.

>abloo bloo why do people like thing I don't like!!!!

>talk shit about [insert lynch movie]
>don't expect lynchdrones to shit their pants in contempt and seethe in the thread
fool

You seem upset.
I think you should be on some kind of medication, Mike

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I don't need medicine, user, I am not in pain.

I actually meant your arm, Mike. He's off out there again, ranting about the Jews.

I understand that it's all about the emotion, I'm not trying to solve it like some kind of puzzle.
I am still absolutely Lynched by it.

>abloo book why do people like thing I don't like!!!!
Figures that somebody who likes Mulholland Drive can't even read. I responded to anons suggesting I was mad about the movie being incoherent. I restated my original post with more clarity. Illiterate, Mullhoallland Drive-watching faggot.
I agree with the earlier anons about the two babes being babes, at least.

Is he? I thought that was just talking shit about lynch fucking his daughter and plotting to kill Jack Nance.

Nothing makes fucking sense...

I was really getting into it for the first 45 minutes then it all collapses in on itself. I was desperately seeking for something to cling to but didn't find it. Although when Laura Dern gets stabbed then the camera comes back to reveal the film set I was very impressed. Saying that I cannot comprehend how the previous 2 hours had any bearing on that.

>Figures that somebody who likes Mulholland Drive can't even read.
I don't like it that much, illiterate faggot. Where did you read something to the contrary? Why is an illiterate powerpointer insulting me?

I think the movie only really gets going at that point, the ~1 hour mark.
Give it some time and try to watch it with an open mind, maybe you'll get more out of it.

So what was wrong with the film?

Yeah, he's not fond of the Merchant's Guild at all.

no splosions or characters in spandex punching each other

Being Pleasantly Lynched is also a possibility

What does that even mean? Why does something have to "make sense" to be enjoyable?

Fantastic movie. Sorry you apparently couldn't grasp it.

Secretly his best film

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bruh ayo I been fw david lynch since I jumped on the twin peaks bandwagon in 2017 so trust me, I know what the FUCK I'm talking about when it comes to KINO

i'm amazed at the amount of details in this movie, and i think that's because it was written as a whole show that has been condensed afterwards. i don't know any other movie as intricate as this, and yes most of it makes sense. only the midget is useless imo, and the hobo is left for interpretation.

but i loved it even when i didn't understand any of it, like lost highway. if it doesn't work on you then don't bother rewatching it. these movies don't work on everyone, but i don't think they're pretentious.

Pleb filtered and lynched

Not even a secret. Undistilled kino

>plot

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You’re a waste of space

you've posted the wrong image, user

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why are you so mad about movies?
go pester people in a capeshit thread or something

you seem to be mistaken

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good meme, but FWWM really is his best. fight me irl

I think you wanted to post this.

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LYNCHED

FWWM isn't even his second best. It's not even the best Twin Peaks movie.

you're taste a shit
give me your address

Based.

>David Lynch’s best film since ‘Blue Velvet’.
Even the film poster agrees with me, user!

Wild at Heart is better than Lost Highway though

best Lynch movie incoming

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Hold up.

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holy that shit wild at heartmind

I didn't even notice. Anyways i still think Lost Highway is his best.

1 Kino st.
Imrite, OK

its pretty cleat what the hobo means

oh is that RIGHT, faggot?
come meet me on the corner for some fisticuffs right now

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Based, truly the best

Cage's character in Wild at Heart is the most alpha character in film history

what a fucking pleb opinion, goddam

I think you meant Willem Dafoe's character

He grabs puss but he's a complete weasel so loses alpha points

Inland Empire has a cool atmosphere and some great scenes but where the film loses me is that it is unavoidably, objectively hideous, and not in a way that adds to it at all. The film looks like shit.

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agreed

>it is unavoidably, objectively hideous
objectively incorrect

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based

wrong
in all seriousness, I genuinely like its aesthetic and think it looks beautiful at times. especially towards the end.

Anyone else thinks Diane Ladd looks really hot in Wild at Heart?

I've tried to watch Lost Highway about 4 times now but I always get lost(kek) in the first 20 minutes and have no fucking idea what's happening.

It's a retread of Lost Highway but worse.

The first 40 minutes are absolutely terrifying, it's nightmarish. Rest is great, kind of less creepy but then it turns into nightmare once again. The film makes sense but you can make sense of it in many ways which is great.

I disagree. They have similar structure yes, but the thematic and emotional core of both of them is completely different.

>They have similar structure yes
I disagree with this. Lost Highway's story flows back in on itself in multiple directions while MD is pure non-linear chopped up story

Goes for most of Lynch's work. A plotfag might claim he's making the same movie over and over, but as we know, plotfags are retarded. They have a lot of superficial things in common, they're very identifiably "Lynchian", but every one of his films has a very unique character of its own and is a completely different work from the others.

I am no ashamed of saying I got lynched pretty hard from MD. I can't tell if he was trying too hard or if I genuinely didn't get it.

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not him but pls tell, I didn't get it

I agree i said similar not the same. Similar in the way that Lost Highway has the psychogenic fugue aspect, changing into different character and in Mulholland Dr. it's kind of similar with dream/fantasy and changing into different character.

naomi watts places the hit on the other chick in the diner irl, in the dream she puts the guy who looks at her in her own place. his dream of seeing something horrible or whatever is her repressed knowledge of the hit she put out. the hobo is her guilt and she doesnt want to face, but its also a representation of failure, as in she hasnt made it in hollywood and there is no alternative in her mind so she might aswell end up as a hobo. the guys heartattack and death is foreshadowing that she would kill herself irl too if she ever had to face the guilt

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I've only seen MD once but I don't think any of MD is in a dream, it's just completely non-linear apart from the start which is chronologically the start too.

almost the entire movie is a dream dude

I don't see it

i got meme'd into watch it as well

It's pretty clear.

doesn't wildly contradictory shit happen in it? how is it not a dream for the most party?

theres characters that have multiple names, jobs, and even relationships. irl coco is adam keshers mom, in the movie she is the landlady. theres also a transition between real life and dream where you see either a lamp or a pov shot of someone dropping on a pillow, i cant remember.

in the dream*

Looks at the plebs on this guy!

>doesn't wildly contradictory shit happen in it?
Does it?
>how is it not a dream for the most party?
I thought it was the story of Diane who comes to Hollywood to be a star but is passed up for her girlfriend Camilla who's career only moves due to unexplained underworld connections, as well as Camilla being openly sexual with the director around Diane. This breaks Diane's heart and she decides to have Camilla bumped off, but it goes wrong and by pure chance or subconscious thought in Camilla's mind, she returns to Diane as an amnesiac, which Diane luckily also cottons onto also very quickly and invents Betty (from the Winkie's waitress) as Camilla invents Rita in a panic. Diane, now as Betty, finds her love returned to her at Club Silencio.
The only gaps in my theory at the moment are the dead body that Rita and Betty find and the man behind the Winkie's. I'll need another watch for that though.

you really shouldn't talk about the plot of a lynch movie if you've only seen it once.

this explains it pretty well

birthmoviesdeath.com/2012/03/04/film-crit-hulk-smash-hulk-vs-the-genius-of-mulholland-drive

>I'm talking about Inland Empire, and it made no sense.
Inland Empire is easy to understand.

MD is probably Lynch's worst. Best is either the ultimate pleb filter Inland empire or FWWM.