This list is longer and he also lists his favorite work from each one of them here scaruffi.com
Thoughts? Is he based?
Greatest Film Makers
Liam Anderson
Lincoln Phillips
THE FACT
James Ward
scruffy is entry level in everything he touches
Aiden Ward
literally never heard of any of these. were is tarantino?
Michael Bailey
Number 59
Carter Wood
Scaruffi is a tastelet in everything he speaks about. Everyone who has been watching films or listening to music or reading books consistently for about 2 years knows about all of his favorites.
Also, his reviews are very shallow.
Grayson Reyes
He's pretty much a movie snob ,but I can't help but agree on his top 10.
Julian Russell
Where's Todd Phillips
Adam Parker
He isn’t in his top 139 greatest film makers of all time
Isaac Parker
>time
times, retard.
Blake Miller
Yes sorry it was a typo, I know English.
Adam Martin
Scaruffi isn't contrarian enough about movies to be a meme here, music on the other hand
Wyatt Kelly
Please based tv Scaruffi Drones, reply to my thread
William Cox
>Woo: Face/Off (1998)
>Smith: Dogma (1999)
Genuinely impressed with his taste
Nicholas Nelson
Where's Bresson ?
Jose Jenkins
In a good way?
Christopher Young
Dogma is a fun creative movie, and Face/Off is quintessential 90s action schlock.
Bentley Ward
>no villenueve
pleb
Grayson Campbell
Von trier.... Really?
John Flores
These are excerpts from his Villenueve reviews:
>The thriller Prisoners (2013), scripted by Aaron Gruzikowski and photographed by Roger Deakins, is, on the surface, more Agatha Christie (a simple "whodunit") than Alfred Hitchcock (yet another variant of the Psycho archetype). The plot is an impeccable puzzle. Behind the surface, however, it is also a morality play with two protagonists: an imperfect detective who is basically a social outcast and an atheist, but is also a real hero, and a God-fearing citizen with a stereotypical family and a impeccable social ca father-son deer-hunting tripredentials who, instead, is actually an amoral sadist. [...] Human depravity disguised as high moral ground. Religion is everywhere and sometimes it feels like Villeneuve is mocking it. The film can be read as a religious allegory, or as a satire of religion. Whatever it is, it is shot with the austere tone of a theological study. The Freudian subconscious is also pervasive, although treated in a manner that is not very plausible.
> Sicario (2015) is an action movie that tries to deal with the moral ambiguity of moral forces that use amoral methods to against amoral forces.
>Arrival (2016), based on Ted Chiang's "Story of Your Life" (2000) is a lightweight sci-fi movie sabotaged by old-fashioned (and a bit ridiculous) patriotic tones and Cold War psychosis (China and Russia are evil and the USA is the good one who saves the world). The plot is often implausible (she shows the aliens a sign "human" written in English and of course the scientists decipher the alien language in just a few days). The supposedly moral message has been used before in Peggy Sue Got Married: the protagonist accepts her future despite knowing how she will suffer.
Christopher Morgan
THIS