What am in for?

What am in for?

Attached: file.png (1383x2048, 3.64M)

white people bad

Movie made by a crypt-fascist about how white liberals are race traitors. Incredibly based and redpilled.

It’s jordan “I’ll never cast white leads in my movies” peele. You’ll love it if you vote left and hate white people

dude will get insane because of liberals

Liberals bad, and not just White Liberals bad.

All white people (even the "good" ones) are soulless cannibals who want to steal the resources of black people for their own benefit.

You're in for a horror movie that is

-Predictable
-Not Scary
-Not Entertaining
-Doesn't even bother to make its violence have any impact
-Widely beloved for some reason

Enjoy OP!

A movie that has been made before about a dozen times, but now with blacks.

Bizarre self indulgent black fantasy.

>wypipo secretly want to be us

Niggers

entertainment :)

Attached: 1494051873935.png (420x420, 37K)

cast him

white fragility

something that really make u think

Only accurate review in this thread
Also the brain switching trying makes no sense after setting up all the hypnosis shit beforehand .
(The fat friend was the only good character)

Posting in a /pol/ thread

Nigger

Judaism.

its really fun and playful while being kinda predictable at the same time. you seen it before but its also something new

calm down bro it's just bants that all

It's really blatant. That being said, for a film so blatant, the blatancy is done adequately, relative to what the film is trying to tell and achieve. There is a core reflection on modern social discourse regarding race politics that Peele obvious wanted to impart through a warped story. For what that is worth, he didn't completely fail to do that.

Yet for a horror, there's no real sense of tension in the film though until the last act, which isn't because Peele didn't try to craft tense scenes, but rather because they just held no threat. As a psychologically thrilling experience it sags as a result of the facile rich-folk setting and the irredeemably duplicitous villains held within it. By the end, the girlfriend and her family honestly just seemed like the bizarre, comical musings of a bitter Black man's take on african-american fetishization in the modern USA.

All the acting is okay, and the cinematography was decent, and certainly indicative of Peele's influences in old pulp horror, the likes of which were evident on his sketch show with Keegan-Michael Key. Yet for all its acclaim, I couldn't help but think the film was a decidedly shallow take on an idea that is nonetheless fundamentally interesting enough to garner wide discussion. And certainly from some avenues of modern critical circles, a degree of self-indulgent support.