>Inception
>half of the soundtrack is developed from the first second of the wakeup cue from the plot
>Interstellar
>ticking sound is played during time shift on water planet, hinting seconds
>when nolan starts his timefuckery and move back and forth, ticking sound goes apeshit, signaling broken timeline
this lil niggas music is so plot aware, i wish more composers did that
Inception
Carter Lee
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William Richardson
>its as if hes a professional movie composer or something not just some dude dicking around with a computer
Gabriel Hall
he did orchestrated a lot of traditional scores, the fuck are you projecting about
Justin Richardson
he makes loud noises, not scores
Ethan Anderson
>dude a score can only be subtle and mellow lmao
please finish high school and then come back
Mason Barnes
Well hes composing for scenes. A composer first looks for a FUCKING THEME. There it is.
Jordan Martinez
Sia is the Zack Snyder of music soundtracks
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Cameron Phillips
>theyre not themes! he is not a composer!
film composers first rule is not oversaturate the film with his shitty important music, but subtly support the plot, and that what he does perfectly
Evan Davis
The Last Samurai soundtrack is his best work by far
Jeremiah Gomez
Moron
Isaac Cruz
Inception
>half of the soundtrack is developed from the first second of the wakeup cue from the plot
>crassly imitated in a million lowbrow flicks for no reason
Anthony Gutierrez
I wish more composers wrote actual melodies and used leitmotifs more often. I've got nothing against ambient music, but I'm sick of music just playing second fiddle to the visuals.
Juan Garcia
i'd say melodies only works for fantasy due to the non realistic feel they apply
or modern day but harry potter kind of shit
Sebastian Morgan
Personally I like the style in John Sturges movies like Great Escape and Magnificent 7 where the main theme comes in as a stinger in little moments through the movie. These days they'd use an 80s top 40 for that long of thing.
Aiden Baker
hans zimmer looks like adrian belew in this photo, and speaking of which, would probably make significantly better scores if given the chance
Lincoln White
That score is beautiful.
Camden Kelly
this kike doesn't even orchestrate his music - he cannot read notation
notice how most of his scores are white key music
Nolan Jenkins
>i want music to be stuck in the past forever
please stay away
Easton Powell
God Bless Howard Shore
Ryder Davis
Zimmer and Williams are really the only two composers who use liefmotifs these days, other composers just jam a movie theme into every piece and think they're awesome.
Basil Poledouris was pretty great, be he dead.
Benjamin Lee
>I've only seen his work with Nolan
Isaac Gutierrez
>*BWAAAAAH*
very subtle
Luis Thompson
desu I need another Nolan slightly supernatural movie like The Prestige
Mason Carter
based
Gabriel Hughes
Landon Hill
Ignorant faggot
Jace Lewis
>projection
Christian Murphy
>Inception
2 notes on repeat, based on Edith Piaf's song.
Every orchestral part is lost in the editing, they end up sounding like samples from his synths.