Here's your """ending""" bro, 25 years in the making
LOL
Here's your """ending""" bro, 25 years in the making
LOL
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Honestly was the best way to end the show
Which cliffhanger does Yea Forums prefer?
S2 without a doubt, at least without knowing how S3 is gonna end up.
ehehe LYNCHED
this show is garbage
what was his endgame?
Blue Rose
Sometimes the journey beats the destination
Literally the only good ending to a TV show this decade.
The journey wasn't even good
the real journey was the friends we made along the way
TWIN PEAKS IS BOOMER SHIT FOR BOOMER SLUTS HONONONONONHAHAHAHHAHAHAHAHAHAHAHAHAHHAHAHA
based, in before some basedboy replies with "lynched"
The ending was one of the few things that was done well in season 3. The story leading up to that ending was putrid shit though.
its a good ending and its definitive, so get lynched faggot.
and it was brilliant
Cooper putting the ring on dead Mr. C's body did nothing, as Bob had already been destroyed. His (and Laura's) best hope was to give Laura the ring when he went back in time, just like Mike gave her the ring in the original timeline.
The woodsmen would've appeared and brought him back but now that cooper put the ring on him, he's in another dimension and on fire
the woodsmen were not going to somehow put Bob back together
Just like in the movie, when Coop tells Laura not to take the ring, he was putting Laura's survival before her soul. Perhaps seeing a bit of Caroline in her, perhaps just having some sort of hero complex, he just wanted to prevent her death, even if it meant her continued suffering.
It was a David Lynch production far more than a Twin Peaks season,I say this as the kind of pleb whose favorite Lynch movie is Elephant Man.
I think the fact that we seemingly hear Sarah's voice from inside the house is important. Like, it seems as if Carrie suddenly remembers Laura right after hearing that, and knowing what we do about Sarah either being possessed or not wholly alone it creates either a suitably bittersweet ending but also a point from which more story can be extracted.
In a way it's Twin Peaks being set down again at a sort of perfect point, it can end but it can also continue. I doubt there will be more, though.
Can someone spoonfeed me the Chalfont/Tremond connection? I don't have time for a rewatch right now.
Hello there~
I'm the only actress that didn't age like complete shit.
I don't have a crying basedjack, so someone post one for me
>NOOOOOOOO YOU'RE NOT SUPPOSED TO LIKE THINGS THAT I'M TO STUPID TO GET!
Norma aged OK. Although she died, so there's that.
In the original season 2, as far as we are aware, the old woman and her grandson are known as the Tremonds. Donna visits them in the house next to Harold's when she picks up from Laura's Meals on Wheels program. This is when we are first introduced to creamed corn. Somewhat later in the season, when Donna visits the house again with Cooper, it is occupied by an old woman called Alice Tremond (I think?) who is different from the old woman from before.
I don't recall if we ever have a new appearance of the old woman and her grandchild (the original Tremonds) in the series again after that. In FWWM they are called the Chalfonts, and they are seen in the room above the convenience store, and the outside of the Double R diner, the younger Chalfont wearing a white mask with a long cone nose. They warn Laura about something, I think? They give her that painting of a room. The details are fuzzy. Laura later also sees them in what can be a dream when she's in the room in that painting she gave them. FWWM is also where creamed corn changes its name to garmonbozia (pain and suffering.)
In S3 when Cooper takes Carrie (Laura) to her childhood home, it is owned by an older woman whose last name is Tremond. She says that she bought it from a family called the Chalfonts. She confirms this by seemingly asking someone from within her house that we never get to see. This is how the weird namechange retcon now becomes something with some sort of canon significance, I guess, since both names now coexist in some form.
My first instinct is to say that they may just be different families or duos that just share actors/forms, "trading off" in either giving cryptic hints or magical items. I'm tempted to assign one as good and the other as evil, but the fact that they at least symbolically sell houses to each other tells me it might be more complex than that.
This
He just conned money out of Showtime to make more stream of consciousness lynched crap
I don't remember correctly, but Mrs.Chalfont is also known as Mrs.Tremond, and she was a Spirit of the convenience store, so I take it as she was in cahoots with spirits of the black lodge, hence she had a connection to Judy
When Dale and Diane travel to the other Dimension or time or whatever, there are several references to Judy, and I like to think that they somehow trapped or baited Judy in that dimension, and thats why the Palmer's house was now the Tremond's
also you can take what this fella right here said
One of the fun things about Twin Peaks is the personal interpretations
All this so could he could fondle Monica Bellucci.
The other dimension feels like judyworld, her realm, and the realm where a part of Laura is stuck.
Richard going there has some grave consequences
I agree 90%, I would like to add that Cooper/Richard going there was his plan all along, to free us from Judy, and trapping everyone connected to the lodge there.
Yeah i agree it was a way to improve things , vanquish evil, and so forth. I think the ending isn’t successful though.
Hubris has been one of cooper’s sins, and I view the ending as a realization of both coop and not-laura about how little they actually know, and this world being a facade for something darker than they know.
L Y N C H E D
Y
N
C
H
E
D
and pleb filtered
I agree. Good conversation my man
based on what? Don't tell me it's because that version of Laura worked at a place called Judy's.
I mean I think there is some weird metafictional things going on where it's clear that to David Lynch the important part of Twin Peaks has always been Laura Palmer. Fire Walk With Me was David Lynch basically making up for the de-Palmered mid-2nd Season of Twin Peaks.
This is more correction of that where he literally grants Laura Palmer metaphysical importance equal to BOB in Part 8, and then he once again has Cooper sidetracked from the sort of intimacy the audience had been wanting with both Laura herself in Part 17 and then just someone who looks like Laura in Part 18.
On further reflection, the Tremonds were only important (in the meeting with Donna) because of their connection to Laura. In the Laura-intimate movie we have the Chalfonts, and then at the end of the Return we have a Tremond owning Laura's house who is unfamiliar with her consulting someone (offscreen, like Sarah's voice is right near the end) who is familiar with the Chalfonts. Then it seems as if Carrie "wakes up" into Laura, meaning we get the sort of process of Tremond > Chalfont > Laura.
If it's in Judyworld, I think we still see the importance of Laura asserted here where it might be Cooper trying to wake her up to "save her," or it's a means for Cooper to be able to navigate better as the whole world seems more disorienting, like the Black Lodge at the end of S2.
FRANCIS
YORK
MORGAN
A MESSENGER OF THE RED WORLD
2deep4u
The sound and visuals of Cooper/Richard and Carrie/Laura going to the alt twin peaks were phenomenal. Lynch somehow conveyed the impression they were descending into the pit of the beast, despite the fact they were just in a car going through towns and crossing a bridge. That was unquestionably intended to be Judy's world
>I mean I think there is some weird metafictional things going on where it's clear that to David Lynch the important part of Twin Peaks has always been Laura Palmer.
Exactly this. Its why the whole of the first episode is built around single person in twin peaks's reaction to her death and how it disrupts the whole town. Interestingly, Frost and Lynch were trying to put together a Marilyn Monroe movie, which was scrapped and they went on to do TP. Laura is the quintessential American girl, and one of Lynch's many 'women in trouble'. The question is whether Cooper can save her, the answer seemingly being no
phenomenal? a white light flickers inside the car for a few seconds, and then they appear driving at nighttime, that's literally it. they could've crossed into any other random world, based on that.
the world feels a lot shittier. The diner, carrie's home, the murder. Richard seems like a fusion of cooper and mr C. Everything feels wrong.
At the end the entire fabric of the world is torn apart when the pair discovers the truth.
I took it as Judy finally turning her eye on the pair, and as consequence the entire logic of the world breaks down.
AHHHH
well, it is Texas, not comfy Washington
Windom Earle
am I the only one who noticed his face being spliced into the scene with Laura's Doppelganger? I never see anybody mention it
i mean more the fact that there's zero of the human connections we saw in the other episodes. Nevada was comfy as fuck, even new york had some cuties getting it on before getting their faces scratched off.
But in judyworld everything reeks of animosity and distrust.
Right. I think the question of "saving" Laura Palmer is also an interesting part, just because it seems that every instance of the series that presented more about her and her situation has shown that there is something about someone who is at their core a good person being unable to stay away from abusive or corruptive situations. FWWM took every opportunity to show how many non-BOB or at least ambiguously-BOB portions of her life were still putting her in active danger (she went to Leo and Jacques with the hope that she might die, neither of them had anything to do with BOB, they were both just shitty and evil.)
Cooper discovering Carrie like he did shows perhaps (if this is how you interpret the end) that even if Laura survived and was "witness protection'd" away from Twin Peaks, her father, and everything that she'd somehow still be in the shit. She's there with some man she killed, we don't know if it was in self-defense or not but either way she's in trouble.
There's even some darkness there where it might imply that by not being under the control or subjected to Leland and surviving on she becomes and employee at Judy's, where as if the only thing that really did keep Laura good was the fact that she was killed by her abusive/controlling father.
>Richard seems like a fusion of cooper and mr C.
IDK, this has always been something that people have said about Coop in Part 18 that I just couldn't buy. His own behavior never struck me as particularly out of the norm for him considering his situation. He was a little more serious and a little less suave, but (and maybe this was because I had watched the series through a near-marathon) he felt just like a Cooper that was more near the end of his warp while also being pretty consciously "in the shit."
Those people are right, Richard was very different even from post-Dougie Coop. And Coop said it himself "once we cross, everything might be different"
>on richard
well, i just see it as Mr C not being terribly different from cooper apart from his methods. What sets him apart the most could be influence from BOB: his unnatural strength and almost world bending powers and schemes.
His intuition, his drive and his feel for coincidence and luck is the same as Cooper.
That's why i feel that Cooper at least absorbed part of the doppelganger. He is definitely not the same FBI-man.
>Would you like some coffee, Agent Cooper?
>Nah, I'm good.
Should've shot him right then and there.
>Blue Frank
>The Pink Room
How did Badamenti do it?
Pic related is a band whose sound is a lot like Angelo's jazzy tunes
I think those are some very valid points, but I would say part of it is just because the Doppelganger was a shadow-self of Cooper. He was Cooper enough but without Cooper's intrinsically good conscience and so on. I don't think the doppelganger was absorbed so much as reconciled with, he was defeated and because of that Cooper could let his hair hang down a little bit more.
Still, though, Cooper's behavior just doesn't strike me as being that out of the norm for the character considering his situation. He just sort of acts like how someone would if you put a hidden camera in their room after leaving a party you had with them. When they're on their own they're just not going to seem so sociable and chipper because they have nobody to really perform for. This is one of the few times we really do see Cooper alone, too, as now he doesn't even have the tape recorder he can use to "talk to" Diane.
The most abnormal thing I can think of was him putting the pistols in the frier. At the same time, if we think of this as Cooper and not a new Richard character, we can see that Cooper might be approaching this different world as a level of unreality rather than just a different reality. If the people here do not seem to be real in the same way that they would at the Double R or elsewhere, then they don't demand the same sort of care that they would if they were.
youtube.com
how did lynch do it?
also interesting how this girl power song is basically the most narcissistic thing and fits Mr C perfectly.
For real though, you got LYNCHED lol.
i was literally listening to this. Fantastic as Mr. C's "theme."
this is a good point but i think even cooper/richard loses the plot and is moving on autopilot.
He basically loses his old ego and starts following the rules of the new judyworld. Only the words of the fireman can keep him sort of anchored.
to expand on what i mean, i think your point of him being "alone" and doing uncharacteristic things is a good one, but also that the world he inhabits treats him really strangely, and feels bad right from the start. The richard linda sex scene feels wrong and creates animosity right from the start.
old cooper starts to break down and something new takes his place, at least for a little bit.
the anchor for this theory is him seemingly reeling with realization that something is not right when they approach laura's house.
>The original song was in the soundtrack for the feminist Ghostbusters remake
What did Lynch mean by this?
Bring the bacon and I'll put it in the pan
Got my own, baby life is grand
Every move I make is just a part of my plan
And I do it just because you said I can't
Do I look like,
The steppin' French type?
I'ma whole lotta grown ass American woman
Do I look like,
The walk over me type
I'ma whole lotta strong ass American woman
I know my worth and who I am
Mister if you're hard up, I can spare a few grand
Hell will freeze over and I'll be damned
'Fore I take orders from any ol' man
"yes, this is our psycho rapist to a tee"
except she lost every ounce of femininity and looks like a dude with leathery skin and painted-on eyebrows now. Probably a cigarette smoker
nice taste rofl
fix your eyes my man
that's the cougar look pretty much nailed down
I'm okay with this
Oh look, a faggot.
gotta say though, i feel for bobby.
Fuckin hell, you gotta marry the girl with a chronic bad boy thirst syndrome?
I thought Ed was gonna get cucked too, it felt like Lynch was projecting his fetish again.
Why did they do the whole Green Glove thing when they already had a fully developed superhuman strength character, AND she came back for S3?
she's got deeper forehead wrinkles than wojack, my dude. it's like she doesn't know that you can take showers at non-scalding temperatures, or that moisturizer exists
he wouldn't fucking dare cuck ed.
i mean bobby has always been sort of pathetic, that's why i liked him.
good natured kid inside.
Ed is just a sad old man who's entire life was a mistake.
It’s the best of the decade but there were some others. I don’t care what anyone says, I loved the finale of BWE.
that's what happens when you grow old my dude.
Might not be your thing, but its not like she looks like a dude. She got all the secondary sexual characteristics and good hips.
Sure, but I don't think it's enough to say that there was a *fundamental* change in his character. In a way I think it needs to be a mirror to the whole of the Laura story, how a fundamentally good person will appear when they are in a dark or dangerous situation, and how fully good people will almost logically end up throwing themselves into suicidally dark and dangerous situations.
Mr. C shows a fundamentally bad person in similar situations, but at no time do you get the sense that he's actually ever in over his head. He could literally only be defeated by a Rube Goldberg coincidence of everybody coming into the Sheriff's office at once with Lucy coming from almost nowhere to shoot him.
>he wouldn't fuck the shit out of that woman
based gaybro
Nadine was too busy digging herself out of the shit.
>Got a light?
Why did no one think to run away from some negro hobo?
mr C is clueless for most of the runtime. He doesn't actually know what he will get, but he knows how to get it.
the meeting with philip jeffries shows he has no real control of the powers that exist.
Judy is as much a threat to him as it is to Cooper. At least that's my feelings on the matter.
based Mad Men crossover
they have strange and mysterious powers. People are like deer in headlights when faced with them. Normal people anyway.
That reminds me. What happened to that girl who swallowed the cockroach man?
Well, you see, it's because this is the water, and this is the well.
That girl grew up to become Sarah Palmer, according to the books.
>mr C is clueless for most of the runtime
This
might or might not be sarah palmer. But it's definitely EVIL seeping into this world in a very real sense after a hole in our reality was torn by atomic testing.
This evil (might be judy) appears to 'seed' a young girl for reasons unknown.
it makes sense when we think of BOB as just one spirit, and him not even being in full control (or even control at all?) of Evil Cooper.
One spirit can cause mayhem, but is not omnipotent.
well, considering he's the doppelganger of Dale "don't worry, I fully understand this situation and will fix everything" Cooper, it's fitting
I loved it as much as I found it dissatisfying. Closure's overrated, learn to live with the uncertainty.
why 10 years between the bomb and the frogs, though?
What was the deal with that poor baby monkey?
>She's there with some man she killed, we don't know if it was in self-defense or not but either way she's in trouble.
This wasn't of her own accord. the white horse, trouble making power line and the golden orb were present that suggest some supernatural mischief. i think it's more whatever judy represents followers her, and good people in general, for their suffering, not that they're drawn to self destruction per se.
the way its presented makes it seem like it's cause and effect. Don't ask me why it takes so long.
too late, I already did
Never watched one ep of either series. Do you guys recommend it? Should I watch them both or is one better?
The one and only way to watch is S1 > S2 > Movie > S3 (aka The Return)
It's been two years and I still think about The Return every day.
Bobby used to have such great hair...
B A S E D
Watch the the third one also called missing pieces then watch half of S2 and then S1 and then the first movie called the return and then watch the rest of S2
>two years
AAAAAHHHHHHHHHHH
yeah it was great seeing dougie act like a retard for 16 episodes. great journey.
Every time I see a /tpg/, I want to rewatch the entire show.
Did someone say AHHHHHH?
Was he already dead when they filmed s3?
It's OK to be mad about not having a Janey-E of your own, user.
He didn't exist anymore. At least not in the typical sense.
>It's OK to be mad about not having a Janey-E of your own, user.
I will NEVER stop being mad about that.
>necklace
nice touch
>At least not in the typical sense.
Do you know something about Bowie that we don't...?
I know a couple where the girl acts just like Janey-E. Extremely loving and protecting of the dude. Sadly she's a 4/10 in terms of looks.
I don't get it. Who is this Zach?
>this woman was born in 1968
>is british, land of hideous women
A Blue Rose case, most definitely.
I'm as blank as a fart.
I don't think BOB is in control of Mr. C. If anything, it's the other way around, but it seems like it's more a partnership of some sort. "You're still with me". Like seen in the Lodge in the old finale.
indeed
you read that bitch girrrrrl
I am the Great Went.
If you don't like Season 3, AKA the greatest thing your feeble mind has ever been exposed to, leave the thread now and don't come back, and I hope you get LODGED
>There's a Richard and a Linda character in Twin Peaks
>Linda is never shown, only mentioned as "needing a wheel chair"
REEEEEEE why do you subvert my expectations
>feeble mind
Honestly, part 8 fucked me up for a week.
>tfw no trad Naomi Watts wife
How do I cope with this feel bros
Episode 8 (the return) is amazing.
everyone should've realized long ago that Lynch just likes giving several characters the same names
I mean look at the original series, Mike and Bobby and MIKE and BOB, should've taken a hint
So glad I dropped it after the first 4 episodes
A different RICH, and a different LINDA
she's too perfect to be real, user.
>didn't even get to the pleb filter episodes
yikes
>Janey-E was traditional
"Not where it counts, buddy"
It is amazing, but honestly, I wouldn't rank it among my favorite parts, and I think it's actually quite overrated, by which I only mean that it isn't more "brilliant" than the rest of it, it's only louder(literally and figuratively)
You mean DICK and LINDA
The beginning is already quite a great pleb filter, though, almost as if by design
a girl i know got filtered when mr C killed that girl in the motel.
sad, but i guess i can see why.
She is still a cutie but she a granny cutie now
Lynch could've dragged that sequence out a lot more if he wanted to, and made it more brutal, too.
The thing is though, he doesn't at all delight in violence or evil, contrary to what some brainlets would accuse him of
Following up on this some more, I wonder if along this line there might be something up with JUDY and Judy Garland, who served as another sort of real life influence on the character of Laura Palmer from what I have heard.
why would she get filtered there? personal issues? the scene was pretty tame IMO
nothing wrong with grannies desu
I agree, but some girls can't handle that shit at all
interesting
Women are fucking stupid
mr C is very rapey and doesn't give a shit about women other than how he can use them.
Some girls get triggered by that.
I certainly get triggered by the inverse: women who use men and get rewards for it.
>Do you guys recommend it?
No, all of us in this Twin Peaks thread wouldn't recommend the show. Fuck off, zoomer scum.
DAVID LUNCH LOL
Bump
Should've ended up with Cooper taking young Laura back home, fade to black.
Just fucking end it and stop with the pseudo-intellectual try hard for edginess sake, dark endings.
Lynch is talented but he has an element of hackery in him.
Wish he made an apperence
Filtered pleb lol
>....but who is the dreamer?
Lynch is literally the "I am a rooster illusion" guy. Absolute hack.
>reddit trying to push that the "donuts are part of the ring symbolism"
if anything, it could've ended when the gramophone scratching sound played in episode 17 and Cooper looked back and Laura was gone
*giggles at you*
it's interesting that everything in that town was a worse version of something in Twin Peaks, except for her.
The ending was literally perfect.
There's nothing pseudointellectual at all about any of his work, because it's not trying to be intellectual or cerebral in the first place. Pseudointellectualism is one of the last things you could accuse Lynch of, you faggot tastelet.
what?
Some girls pretend they can’t handle it so they have something to bitch about
Laura IS Judy. She is the dreamer.
I thought we weren't going to talk about Judy at all
I agree user igbore the monkeys rattling their cages. if not for the network putting a squeeze on him, we wouldn't even get the killers reveal, nor would we get fwwm and the return in its current form. Lynch is talented but gets too far up his own ass sometimes, still, his loyal cocksuckers would praise a 3 hour video of him sniffing glue and chanting "mommy gib milkies".
You were mistaken, and now a bellhop has to shower and change his outfit because of you
Does his ear piece really has only 2 setting,
>SCREAM AT ME OR I CANT HEAR YOU
>dont scratch the floor or my head might explode
Yeah, and had Frank Silva got his ass out of the fucking way and not been reflected in a mirror, we wouldn't have BOB.
So everything turned out much better than it might otherwise have, due to mistakes and fuckups. Similarly, the masterpieces that are FWWM and Season 3 wouldn't have happened.
doogies journey wasn't good tho
Yes it fucking was, you fucking cunt
Name a better innuendo-based show
S3, because it's not a cliffhanger
Tbh that redeemed s3 to me. The vast majority of The Return was either Lynch jerking off to himself by making himself ultra important or pointless shit in Las Vegas.
jfc
Why Yea Forums hates the return all of the sudden?
because Yea Forums is not one person.
Bowie could have saved it.
Yeah, but two years ago everybody loved S3
My favorite part was him wasting at least 5 minutes per episode on his personal mixtape.
no, he is just pretending to be retarded
i didnt, it's just that you lynchfags were so obnoxious in talking about the show that i thought there was no point and avoided tpg in general
during the airing the plebs were scared away by overwhelming force, that's all
this was the best scene in all of S3 which was mostly shit
Based. Now pay me for my fuckin whores
>I want the full Green Onions track in my tv movie show
>uh where would we fit it in
>JUST DO IT
It blows my mind that Bobby was the sole returning character with any real worthwhile development.
They did her dirty in The Return. Basically an extended cameo.
She did dirty to herself growing so fat
that's because the bitch caused problems behind the scenes and refused to do the part already written for her at the last minute, fucking over at least one other actor in the process (johnny horne, who then had to drop out due to scheduling conflicts and was replaced by a stuntman), and lynch had to write this thing for her and bring her in later again.
everything was sherilyn fenn's fault
What was her fucking problem?
she was supposed to play an even smaller role, and just get her ass beaten by richard horne instead of sylvia, her appearance is actually longer and better than she would get if she said nothing.
that's by no means confirmed, it's possible she would've had a lot more to do.
this appearance sure may be longer, but I doubt it's better.
>and just get her ass beaten by richard horne
Wow, that would have been a sucker punch to all Audrey's fans. Why Lynch hates his fans so much?
I'd hang on those cliffs.
Because when you have a mountain of people pointing out its flaws and you only get LYNCHED as a reply, you start to realize Lynchfags are more or less shitposters.
>reddit cinema "experts": every shot has a meaning, there is an unwritten contract between the director and the audience that if it's on camera, it has a purpose
>based lynch: *dab*
literally trolled reddit pseuds with nothing
what a fucking genius
What you fail to understand that your brilliant insights and cerebral critiques don't mean a thing to people who don't think what you point out as flaws are flaws in the first place. That's why you don't get serious replies. You'll never get me to engage with you on anything other than a very shallow level, because your opinions are alien to me, we don't share our premises, and I'm uninterested in you. In other words, you've been LYNCHED and what I don't get is why you keep coming back and whining about it among people who don't like your company and disagree with every single assertion you make about a work of art we love. You're the shitposter, user.
Have sex
have sex, brother.
what flaws? Nobody pointing any flaws about The Return in this, or other threads u fucking retard. The Return is HIGHLY acclaimed by both critics, cinephiles, and arthouse fans. Its one of the best movie/tv show in this decade, these are facts. Capeshitters didnt liked it? Who fucking cares, they have shit taste and they are not worth to spit on their ugly mcdonald faces.
Lads I just want to say that when James got up on stage I was jokingly thinking to myself "Imagine if he sang that fucking song" and then he did it and I was laughing and kind of mad but then, as it went on, I started getting comfy as fuck and it reminded me of watching TP for the first time and days past and life changing and by the end I was nearly in tears.
cuck
My gf told me few days ago that she hated The Return and it was 'psychedelic bullshit'. How much of a fucking pleb can you be?
Dump her and have your last words to her be "you've been lynched"
Laura Palmer actress went from prom queen to prom dinner lady who sweeps up.
Perform coitus
My wife seems to have loved it even more than me. I loved it but she seemed way more hyped week to week waiting for the new episode. And she still always wants to rewatch episodes. This is the first time in the 15 years we have been together that she makes me feel like the pleb.
>This is the first time in the 15 years we have been together that she makes me feel like the pleb.
don't worry: both of you are
Based as fuck
Damn fine wife, and HOT
How jealous are you right now
This scene terrified me so much. And I don't really understand why. What's with that jerky?
And the way she drinks and smokes. It was really sad to me :(
I thought for a very long time that the picture behind Cole was like a shuttle launch or something. It's the nuclear bomb from New Mexico.
the songs all fit the theme. No Stars (which he help write) is best, and one of the high moments of the season.
>that picture
I really, really wish I had been in Yea Forums when the show aired
Are you out of your mind?
the whole point of that song is to get comfy and remember that love is one of the very few things we can use to combat the fact that the universe is fucked and completely out of our control
>you now remember the noises coming from the kitchen when Hawk went to visit Sarah
>can sense Bob around the house
>is """unaware"""" of Bob/Leland fucking Laura almost every night or Leland being possessed at all
fucking evil cunt
This fucking scene was one of the creepiest moments, mainly because of Sarah's fucking face.
God, the ability Grace Zabriskie has to just be completely terrifying all of a sudden is amazing. I wish there was more of her
Hawk really dodged a bullet, there
OH MISTER JEFFRIES
Always wondered what Bowie thought of this.
Very good and comfy thread, will rewatch Fire, Walk with me on bluray very soon.
Dunno, but he did love working with Lynch:
>David Bowie comments on his experience with Lynch: “It’s like watching a 14-year-old who’s been given permission to rearrange the world for eight weeks. Invigorating. I highly recommend working with David. He’s delightfully and dedicatedly bonkers.”
>As for playing Phillip Jeffries, missing FBI Agent, Bowie says: “My character is an intensely over-travelled upholder of the law. He has seen too much and has little ability to do much about it. Not dissimilar to the perspective of a rock god, really.”
also, he stole Jeffries' belt
I love how anti-TP shitposts always turn into good TP threads.
I'M A I'M A GOOD MAN
Even the behind the scenes is comfy.
Thanks, user
>stephen lynch
A X O L O T L AMPHIBIAN
>maddy breaking her glasses
fucking why? she looked so cute in these.
It wasn't the ending that bothered me, it was the lack of show
Maddy is the least talked about mystery of the series.
>Laura is created by from the consciousness of an interdimensional being and his thicc waifu
>Nah we don't talk about where Maddy came from
Was she related to Leland or Sarah? I don't remember.
Implying that's the ending
Implying the real ending is not Lara Flynn Boyle's boggening IRL
>tfw maddy has already been established in the waiting room
>tfw lynch didn't give us mommy maddy kino in the return
>Hawk: You don't ever want to know about that.
>"I am the FBI"
>theme plays for the first time all series
>mfw
>mfw to this day when I think of the feels that moment gave me
>mfw I know I'm unlikely to replicate those 20 years of emotional buildup and relief in my lifetime
>What's with that jerky?
It's new to the store and it made Sarah glitch up because of it
so what were you doing between Mike saying "Finally!" and that moment?
what event is that from?
>you can't see the woman's face
LYNCHED
All we know is she lives in Missoula and has parents.
pretty much the same, but that line and the music starting just rocked my world
so you actually watched the first two seasons when they originally aired? nice
Guys, I just got done with season 2. I don't get it, what's all the hype about? Coop was an interesting character to be sure and the show is pretty comfy when it isn't going full retard with midgets in suits, but even then it wasn't THAT good.
Yea Forums misled me (again).
And who is this Diane Coop keeps addressing when he's recording his thoughts?
prepare for the lynched memes and name calling, kid
>doesn't say a word about how trash the second half of the season was
here (You) go, kid
S2 is consistently great.
Lynch was still calling the shots the entire time. He was on set every day as an actor, you think he didn't have the slightest bit of influence over the direction?
FACT: lynch has never denied his responsibility for S2.
FACT: mark frost is DESPERATE for some credit doing anything at all, so he laps up the rumor as if it were true. But it isn't.
I was too young to fully understand Twin Peaks when it first aired, although I did watch it with my parents. It was huge, and I can't even describe to you how different from anything else going on it was.
>But in judyworld everything reeks of animosity and distrust.
You're right, there's a change of atmosphere. I didn't noticed that, I saw the series some time ago and I'm watching some clips again.
After the fight with the cowboys in "Eat at Judy's", Cooper realizes he's in an hostile place and watches his back more, he's more distrustful. He even places the confiscated guns in a fryer, causing a risk of explosion, so he can leave the place more safely.
I'm sorry, I couldn't understand what you were saying, could you please take david's dick out of your mouth for a second and try again?
That's richard, user. He's not meant to be cooper, Kyle himself admits it.
What do you think about this analysis? Seems pretty crystal clear, and it looks like Judy is defeated.
God I want to rewatch everything.
>help of ANY kind
What did he mean by this?
I think the jerky was a sign (remember Sarah was some kind of psychic or medium) that something bad had happened to an innocent person, like those kids in the counter.
Or maybe she just suddenly remembered what happened to Laura after years of numbing herself with clamato and vodka.
If I remember well this was the exact moment Sara got possessed by some kind of demon.
I'd like to see her Twin Peaks
tssss fawkin home run
Richard? Didn't Bad Cooper killed him with electricity? Or is it like another identity of Coop? I don't remember some details, sorry.
>Kyle himself admits it
I had absolutely no idea about this. When did he say that?
>you now remeber ed saying in an interview to treat the scene with norma as if it was a dream
>tfw the best part of season 3 didn't even happen
>forgetting Richard and Linda
It's the first line of the series, user.
Anyway, Kyle talked about it in an interview. He said he was "another variation, sort of a subtle variation of cooper compared to the other two."
I found it. It's true, it's another person.
>It's the first line of the series, user
oh shit, sorry, lol
The album Blackstar and also the music video for Blackstar suggest that he dies but he stays as something else, maybe even somewhere else.
>If I remember well this was the exact moment Sara got possessed by some kind of demon.
I don't think it was exactly in that moment.
Also, wasn't that demon Judy? When she did that face mask thing, it looked just like it.
>That picture
I just realized that this is just a pissed driver scene. Something you see everyday.
I mean, but it's not. The guy is screaming about paranormal shit, not about driving, and instead of giving the middle finger he's just showing the pinky.
It just struck me as funny.
>The name of the show is literally TWIN peaks
this
Anyone notice she's waering RED?
And what's with that necklace? TRI PEAKS??
>I don't think it was exactly in that moment
The next time you see her it's when Hawk visits and she's acting all weird. It must have happened in between.
great fucking bait, have a (you)
WATCH IT BOB
>Yeah, and had Frank Silva got his ass out of the fucking way and not been reflected in a mirror, we wouldn't have BOB.
Sometimes people (specially people whose job is to tell stories) make up bullshit so the audience can remember things better or talk about things more.
Her behavior wasn't exactly normal before either.
I think she was already possesed but Judy/whatever growing stronger.
Also,
We live inside a dream.
Yeah, but this isn't one of those times.
SANTA MARIA
I don't remember this character either, fml, nothing!
I just found it. It's from FWWM. Deer Meadow, a town that's a shitty parallel of Twin Peaks. I never noticed this.
Also I think I found the explanation about the Chalfonts and Tremonds question these guys were asking.
>oh shit, sorry, lol
Nice quints
>What's with that jerky?
I thought it was perhaps some weird thing that changed like in the RR when the customers all turned into an alternative bunch of different customers and Shelly was confused for a second but ignored it, I think Cooper's intervention in the past at the end of the season makes a lot of weird things happen and the jerky changed along with Laura becoming a missing person and not a murder victim as well as Leland eventually suiciding instead of dying in season 2 and Sarah noticed and doesn't like it
It's a god damn bad story
It was The Jumping Man
I watched that earlier today. This motherfucker is talking out of his ass 90% of the time.
>Judy is the white horse
Hard to even watch past that point
>Sam
>More hostile than Albert
Anyway, yeah, Deer Meadow is probably "what would happen if the negative forces in Twin Peaks didn't have as many positive forces to counteract them". Also the Chalfonts show up in TP, too. They're not just Deer Meadow versions of the Tremonts.
By the way, make sure to watch The Missing Pieces if you haven't, that's where the screenshot with the girl is from.
Now that the dust has settled can we all agree that season 3 was monumental trash and not canon?
Absolutely.