>Maybe it means something more - something we can't yet understand. Maybe it's some evidence, some artifact of a higher dimension that we can't consciously perceive. I'm drawn across the universe to someone I haven't seen in a decade, who I know is probably dead. Love is the one thing we're capable of perceiving that transcends dimensions of time and space. Maybe we should trust that, even if we can't understand it. All right Cooper. Yes. The tiniest possibility of seeing Wolf again excites me. That doesn't mean I'm wrong.
what did she mean by this?
Interstellar
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This, in essence, is what being a woman is
but she was right
Women sometimes are
So being a women, in essence, is being right some of the time? very profound
>mfw Nolan/Thorne try to slip in a Carl Saganesque implication that the universe was engineered by a higher power of incomprehensible complexity so that intelligent life such as our own could thrive in it, but everyone writes it off as "love is a physical force" because the exposition is awkwardly written and delivered by a woman
Friendly reminder that "Contact" was supposed to end the same way, with the Vega aliens inquiring further about our number system because as the more advanced their understanding of physics got, the more clear it became to them that the universe was created by a higher power, and that they believed our base-10 number system could offer new insights into the nature of the divine as it might be evidenced in the mathematical constants and other equations defining the fundamental mechanics of the universe.
Spoiler: the number 3 comes up an awful lot
No she wasn't
it would've been better if COOPERBOY would just straight out laugh at her for 5 minutes bceause of how retarded she is
>Love is the one thing we're capable of perceiving that transcends dimensions of time and space.
what does that even mean
"Let me go to the planet with my husbandfu on it plz plz plz plz"
That is an interesting piece of information from Contact, but I fail to see how Nolan did the same thing. It seemed to be pretty directly stated that "Love is a physical thing" in the movie.
I had to watch this film with subtitles. The MC just kept whispering all the time I had no idea what he was saying
What about pusy
Screenwriting tips:
* State your theme within the first 5 pages, not at the end. The entire story should be an organic expansion on or refutation of this statement most fully expressed in the ACTION of the climax. Delivering your theme in dialogue AS the climax is utter cancer.
* Limit your theme to 1 sentence, maybe 2. Never spell it out in a soliloquy. You're writing a modern screenplay, not Shakespeare. Screenplays are driven by visuals and actions, not by dialogue, even when the dialogue is amazing.
* Avoid cliched themes like love if you have no new spin to add. You're an artist, not an archaeologist.
* Science fiction is primarily a vehicle for ideas. If your science fiction screenplay fails to introduce new and interesting ideas, then it fails as science fiction, and as a screenplay.
>State your theme
>Screenplays are driven by visuals and actions, not by dialogue
Jesus fucking Christ. Ask for a refund from whoever sold you this shit.
based retard
>ever stating your theme
She was just talking nonsense to manipulate Coop into traveling to her dead bf's planet.
That's Rust for you!
kek
that maybe it means something more - something we can't yet understand. Maybe it's some evidence, some artifact of a higher dimension that we can't consciously perceive. I'm drawn across the universe to someone I haven't seen in a decade, who I know is probably dead. Love is the one thing we're capable of perceiving that transcends dimensions of time and space. Maybe we should trust that, even if we can't understand it. All right Cooper. Yes. The tiniest possibility of seeing Wolf again excites me. That doesn't mean I'm wrong