What is it? How do you go about it? And no, doesn't have to have shared universe connections.
You're given an enormous budget to make the movie/series you dream of
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Fuck off Hollywood! Just because you have no ideas, don't think you steal ours
An alt history where the Nazis invade the US in the 1960s, and a special SS task force brutally slaughters the Hollywood Jews. The twist is that the SS were the good guys the whole time.
I'll run away with the money and spend it on myself like a fat fuck
An epic thriller about the black plague
STALKER series.
A Punisher trilogy in the vain of the Nolan Batman movies, basically Frank is the only 'hero' around - there is no Iron Man, no Cap, no Thor, its as realistic a world as possible.
The first movie's villain would be Gnucci crime family, and as a side villain The Russian.
Second would be like Dark Knight but with Jigsaw as the villain.
Third would end with Frank retiring from his vigilante escapades but not before bringing down William Rawlins, a crooked CIA agent whom Frank has a history with - adding people like Bushwhacker and Barracuda as side villains sent by Rawlins to kill Frank.
An actually realistic movie about someone who failed to adapt socially at a young age, but then massive redemption arc with great pacing of character growth as they learn from their mistakes. I would like to have two main characters who only just cross paths with each other and no other connections, and they aren’t super contrasting to each other because I think that’s cheesy, but it could show the many ways people do deal with growing up slower than others. One would get a girl and the other would probably fail by spilling spaghetti, I don’t have an ending yet but with how movies are going into the three hour range I could make it work
HBO mini series adaptation of Armor
>adaptation of pic related
Lovecraft cinematic universe
the shitty, derivative half stories i scribbled down as a lonely kid
Dragon authors on adventures on the contient of Zamonien this is basically impossible to adapt but i would love to see the Zamonien stories by Walter Moers
A new Friday The 13th and Nightmare on Elm Street series. Both are just straight horror, no forced leftist autism, no forced diversity, none of it just pure straight up entertaining stories.
I’d adapt the gatsby but in Mexico. Or a Batman film where Bruce realizes that he failed Gotham and the court of owls been taking the money he’s been donating to the city . He dies and robin must take them down.
Sprawling epic about the North American continent when it was animal worshipping savages chillin next to a much higher Colorado river and warring with each other over who gets to eat the "good" berries.
Or blood meridian rated X
Slasherverse which culminates in a Sin City like crossover with slice of life vignettes about a team trying to kill the Springwood, Crystal Lake, and Haddonfield murderers (all places closeby).
I'll make the Silmarillion and I'd make it good and proper. To hell with revenue and normie comprehensibility.
The CIA cinematic universe. All characters ever portrayed by Aidan Gillen must team up to stop the universe from getting crashed, with no survivors. It'll be 10 films, culminating in them killing a Lovecraftian horror (played by Lena Dunham)
a movie set in new york in the 30s starring Ryan Gosling and Paul Dano playing conmen who stumble across a satanic cult that they have to defeat using the same conman strats that they used in the first act of the movie. it wouldn't even need to be that high budget, i just want to see this happen.
Live-Action Guyver reboot, as bloody and violent as I could make it without getting an NC-17 rating. Make it a trilogy and just have the protag just massacre Zoanoids.
I would make Tokyo Drift 2, but the entire movie would take place at night, and there's a scene where they have to shoot cables at a mecha and drift around it to trip it up.
It backfires and we end up getting Freddy, Jason, and Michael fighting each other and killing everyone in their way.
A 4 hour epic about the fall of Robespierre
And this fight isnt drawn out professional wrestling schlock but quick and dirty, with plenty of moments for the killers to "disappear" and pop back up rather than just stand there and take hundreds of shots for several minutes.
a 4 hour cunny film
My first order of business would be to Google, "How to embezzle millions of dollars."
Warhammer film.
Small scope like judge dredd. Would keep it real to grim tone and focus on action and squad Dynamics. War film.
Honestly, I've always thought an FFVI movie would be kinda cool, split up into two parts. The first half would end with the floating continent as the cliffhanger. Everyone escapes, Kefka starts ravaging the world, lightning and thunder, earthquakes, people die, etc. It would end just like it does in-game where we see a shot of the planet from space and silently watch a continent being split apart. Then we see, "On that day, the world was changed forever." and then credits roll. I had thought the movies could have a title and subtitle different from "Final Fantasy VI", but still keeping something from the story, so it would just be, "War of The Magi: World of Balance" for the first part, and "War of The Magi: World of Ruin" for the second part.
Aside from seeing Kefka destroy the world, which would be fucking awesome as a movie, it would be cool to see other stuff, like the classic opening of the Magitek armor walking through the snow. Or the flashback where the Esper cave is sealed up, and Terra is blown outside the gate. Gestahl sees her, picks her up, and says he has plans to use a human/Esper hybrid for his empire. Terra's mom watches helplessly as the gates close. And it would be kinda nice to be as 100% faithful to the story, including every character is possible. Like sort of a LoTR, 3-hour length for both movies. And the ending, where everyone's escaping Kefka's tower. In the original, it would show an item related to a certain character and say, "[Insert player name]"... "as"... "Terra Branford". In the player name spot, you could have the actor's name. And seeing the credits begin rolling, with the airship flying through the sky to that amazingly heroic and optimistic music. I feel like we'd have to scatter the airship theme in a few places during the two movies to fully appreciate the remix in the credits.
I could do a French Revolution Series, but I would need at least six films and it would end with 18 Brumaire.
Watch Black Death if you haven't already
Cenobite world but way more cryptic, homosex bdsm imagery with compelling human chars like Julia and less mundane bullshit.
It’s time
3 season series based on the "Nantucket Series"
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Or
Old Man's War film staring Clint and Scott Eastwood as John Perry.
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Robin's rampage in Titans but its Guyver and he straight up slaughters Chronos' mercenaries regular ol night guards, scientists and janitors in absolute brutal glory.
A 100 or so episode series about the rise of Imperial Japan, starting with Commodore Matthew Perry, and ending with the formal end of U.S. occupation. I mostly want to see it because the constant intrigue and assassinations in the middle of the show would be pure kino.
Ideally, I'd rope a relatively politically/historically unbiased team of directors/writers/historians, consisting of maybe 40% Japs, 20% Burgers, 20% Chinks, and 10% relevant Europoors.
>Season one would start with about 50 minutes into the daily life of relevant characters, including government officials, villagers, etc. and end with them spotting, in awe, Commodore Perry's ship in the distance
>The rest of the first season would then deal with the governments immediate response, Meiji Restoration, and path to modernizing
>It would maybe follow government officials, one average Jap citizen, and a student sent to the west to help gain knowledge for modernization
>Second season would deal primarily with modernization, the first Sino-Japanese war, and end with the Russo-Japanese war
>Season 3 would deal with the Russo Japanese war, the immediate aftermath, and end with the Annexation of Korea
>Season 4 shows Japan's brief and negligible foray into WWI. Meanwhile, strife in the government starts to rise, the Naval/Army/Government divide starts to become more wedged, and government by assassination becomes the law of the land
>Season 5 the second Sino-Japanese War breaks out, Japan generally starts pissing off everyone around them, the full extant of the communications breakdown, the fear of assassination, hyper-nationalism, and bureaucratic nightmare leading to WWII is on full display. Ends with one of several rational military leaders lamenting that hubris just brought them into an unwinnable fight, while others celebrate around them
>Season 6 deals with the Pacific war, ends with nukes
>Season 7 Deals with occupation and fallout
>Sean Bean
>Carice Van Houten
Sounds kino, i'll watch. Thanks
Get the writers, costume department and scenery team that did HBO's Rome, and produce the following:
>2-3 seaons detailing the fall of the Julio-Claudian dynasty after Augustus's death, essentially retreading over I, Claudius's major plot points. Also, unsimulated penetrative sex in the background of all of Tiberius's Capri scenes, and scattered through Nero and Caligula's screentime.
>Year of the four emperors miniseries, John Goodman as Vitellius, Charles Dance as Galba,
Stellan Skarsgård as Vespasian
>Crisis of the third century series, focused around young Rhineland legionnaires serving under Maximinus Thrax, and following their travails through the decaying Rome. After some time skips, the old legionnaires, now one a praetorian officer, and another a wealthy landowner in the East, are brought into conflict as AVRELIANVS marches on the fortress of the witch Zenobia.
>Finally, Diocletian and Constantine series, emphasizing the fact that, from when the series began, Rome has been transformed beyond recognition, and we are reaching the middle Ages, in effect, with an overall somber, mournful air.
A proper adaptation of Death Note.
>Season 1 would introduce Light, The Note, Kira, Ryuk, L, and set everything into motion from his first kills to the hunt for him across the world.
>Season 2 continues but L takes notice of a 2nd Kira, one who's (far) more brutal Kira, going as far as to kill petty criminals and even cops. This leads to the formal introduction of Misa Amane who cameos at the end of season 1.
>Season 3 sees Light take the fight to the FBI, partnering with Misa for his benefit, and one by one killing each individual federal agent.
>Season 4 introduces the Yotsuba arc, Misa's arrest, trial, all culminating with Light having to step in to represent her at trial.
>Season 5 kills off Light's dad, sending him spiralling into further depravity, losing his grip and ultimately orchestrating L's death.
>Season 6 Kira wins or so Light thinks until L's successors step into the mix with Light taking over as L and having to contend with Mello and Near
>Season 7 continues season 6's main arc, however it all gets more complicated when the DOJ is getting involved, season ends with the death of Mello.
>Season 8 introduces Mikami, partnering with Light to get him closer to his goal as God of the New World. Mikami however becomes more unhinged after becoming X-Kira
>Season 9 final season, Light vs. Near comes to its end as he puts together the pieces of who Kira was all along, season ends with the deaths of Mikami, Light, and Misa.
A sitcom about the origin of Quentin Tarantino.
Miniseries adaptation of Mason & Dixon by Thomas Pynchon, the greatest novel ever written.
Knight of the Old Republic trilogy but with a female lead instead of that ugly mullet who is considered canon Revan
Hollywood does have ideas, but making sequels and remakes is far more lucrative. Original movies don't tend to do well. Once in a blue moon something like Avatar comes along, but that's not enough.
Based cia
Easy
Buy the rights to any number of beloved series and characters. I will keep them safe from greedy holywood undesirables until things improve.
three words:
STEAMPUNK
CINEMATIC
UNIVERSE
Animated Tails Gets Trolled series with impossibly high production value and animation quality
lord of the rings tv series... with no blacks
M D E
D
E
I would spend most of my budget on feeding Chris Pratt until he becomes fat once again. then, I would film a couple sex tapes with him. I think that's worth it.
A historical drama series about the Jacobite Uprisings complete with massive setpiece battles like Waterloo
put it all in Link
I would make a movie about the disastrous life of my poor mother and give it a happy ending.
Does the MPAA even give a fuck about non-human characters being killed?
Babylon 5 remaster with completely redone CGI.
DS9 and Voyager remaster afterward.
Even that wouldn't take an enormous budget, though.
>Movie
Wes Anderson adaption of Infinite Jest
>Television
The Charlie Rose show without the bullshit
I spend a few hundred on rope and some sex toys. Then spend the rest of the entire budget getting Taylor Swift, Anne Hathaway, and Amy Adams to dominate and humiliate me
Series. Romance of the Three Kingdoms but set against urban gang warfare and drug trade.
With real onscreen death and rape.
Just so James Franco can finally stop ruining literary adaptations.
Warhammer 40k TV show following the Empire's most heroic commissar, Ciaphas Cain.
I have put zero thought into who I would cast, primarily because I have no money. I'm sure if I did I would figure it out.