Why do they do this?

Test

Do directors see life in funny colors?

that's not a bowling ball you fucking chimp

is he literally viewing it through pink glasses?

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>posts a pool cue to prove me wrong
nice doubledown, fag.
this is a render... look at filename..

>heh if I keep pretending to be retarded instead of admitting I was wrong everyone will think I'm cool

fucking Michael Mann

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4:3? Ewww...but then there would be black bars on my tv?

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I hate black bars so much. Artsy fartsy bullshit.

I don't know about remasters, but for modern digital film it's necessitated by the raw footage being hyper low contrast, low saturation, so you HAVE to manipulate it, and people with a "vision" will always start making choices at that point.

This will apply too when digitally scanning film footage, but I would have thought that once you have your system calibrated there would be no need to readjust it each time you scan new stuff. I don't really understand any of that.

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I'm sick of teal and orange. I just want natural colors

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based HD poster

>there would be no need to readjust it each time you scan new stuff
If it was all one interrupted shot then yeah.

You've been memed into thinking its common. It's common on film posters, it's not nearly as common in films. There was none of it in that webm.

>he doesn't watch kino on a 21:9 monitor
I pity you

What? Why? I'm taking about rescanning an already finished film there. A film that's done.

>once you have your system calibrated there would be no need to readjust it each time you scan new stuff
Well, in an ideal world where you're only scanning high quality theatrical prints that have intact colors, that would be true, but realistically for optimum quality you will be scanning the Interpositive or the original negative, both of which can have various degrees of fading. The negative will completely lack any original color grading, so you need to do one digitally. The Interpositive will at least need some tweaking because it's printed on an orange base that needs to be filtered, since it's just meant as an intermediate step to produce the internegatives, from which the final theatrical print with the truly correct colors is produced. Problem is, you can't just scan an old theatrical print easily because they will typically have scratches and lots of other problems and also fading and most of all, generational loss, meaning they will be a bit more blurry than the interpositive and much more blurry than the original negative.