Well, when is it airing?

>the wet season
it's in europe, there's no ''dry season''

Does he actually expect kids to want to watch this?

youtube.com/watch?v=99JR1MaZSA4

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When Bernie wins the primaries

no

Not this shit again...
Even my..
No, even the most retarded asshole in the whole universe has better ideas than Mr.Enter

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Again, I ask, how does Enter's world work. Is there like, pregnant kids out there and they birth adults? Is reproduction done normally?

It's one thing to accept Superman having those powers, it's another to think about the horrifying implications of a world Enter based on a shitty Disney short.

JOHN, ENTER MY TIGHT MAN PUSSY~

based

The show's backstory is that a bunch of cave kids killed a dinosaur and ended up in charge of their tribe, so modern society evolved in a way that kids ended up with ultimate authority. That's it. I think there's some nonsense in there about another continent where adults who don't want to have kids go, while those who do raise them until they're no longer babies, then submit to their whims.

Never.
Honestly a lot of problems with the show would've been fixed if Enter just went "cuz it's a cartoon". Idk why he decided make it so grounded in reality.

this

It’s a silly comedy why do you care so much? Do you need people to fail for you to feel secure in yourself?

>NO STOP ASKING QUESTIONS AND MINDLESSLY CONSUME BECAUSE ITS NOT A SERIOUS SHOW DESPITE THE FACT ENTER HAS MENTIONED SEVERAL TIMES THAT HE WANTS TO MAKE THE WORLD SERIOUS AND USE IT FOR SERIOUS TOPICS

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youtube.com/watch?v=QetIE9t-Fho

This world seems incredibly depressing to me, despite the attempt to make it whimsical.

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IIRC he made a children's book of it instead

I forgot he stole this from some rightfully obscure Disney Channel cartoon.

youtube.com/watch?v=9eBKN35UpuE

sounds like the name of a guy who fucks kids

alfred pumps the tires

>They actually made something out of it
God damn this Hellworld

Story telling is meant to trump logic user. Mr. Enter's idea is dumb and I'm not going to shill that shit, but Morrison is right in that the logistics of any given story never actually matter. It's the stories that are told. For example people bitch all the time about how Spider-Man in the Raimi films wouldn't have been able to make or afford his costume, but doesn't matter how Spider-Man gets money for his costume what matters is the conflict between Spider-Man and Green Goblin. The core story.

When the Redskins win the Super Bowl, the Wizards win the NBA championship; and if the Mystics, Capitals and Nationals don't fuck up the last couple years' good performances. Even than the Capitals are a piece of work.

Damn this city sucks.

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Today

you know what, it's actually pretty cool
Too bad only manchildren will hop onto this.

What the fuck is that vehicle?

>How to denote a bad writer.jpg

You can explain pretty much everything in fiction with made up science and magic but the problem with Enter's world is that it's completely detached from the human experience. If the humans in this world are the same as those in ours then why are the kids in charge? Once those kids grow into adults they will have enough life experience to not need the guidance of the kids. You don't become the leader just because you say you are, you need to give a reason to those under you to consider you their leader, that's just how living beings in this planet work. If this was some kind of magical world where being a kid somehow gives you an advantage over the adults this could work but otherwise with a concept like this you could only make a couple of shorts where you explore the wierdness of this world not an entire series where the audience is supposed to grow attached to the character and/or the world, you need something more grounded in reality to do that.

The problem with Mr Enter is that he takes himself way too seriously to shake off any otherwise minor leaps in logic. He is the man who preaches "Kids shows are serious business", and he should face the same level of scrutiny he likes to put himself under. Maybe then he'll understand what it's really like to make a kids show.

>it's completely detached from the human experience
Is it? I see similarly batty ideas in Canadian cartoons and they can provide somewhat serviceable premises (the quality of the actual execution tends to vary, unfortunately).
Having the kids do adult jobs in childish ways while adults "play" by doing boring things like taxes or enjoy broccoli as if they were candy could provide decent room for bait-and-switch humor. That animatic short wasn't so bad in that regard.

hi robobuddies

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Still better than hazbin hotel

The kids arrange it. Boom now stop asking.

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It doesn't exactly help that his "scripts" pull off the same shit he criticizes other shows of doing.

Reminds me of The Homer. Only even less practical.

What went wrong?

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He didn't fully commit.

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Half the scripts for Growing Around feature the boy main character crossdressing.

I think it's hilarious how Enter did a series of streams to answer questions about the show and most of the time he responded with "I don't know." He even asked the audience what he should do with elderly people in the show. Then a few months later he wrote a script that revealed that elderly people are basically exiled and only the mayor can visit them.

>exiled and only the mayor can visit them.
This sounds like it should be a reveled twist. Like the main kids realize the mayor is actually incompetent so is using old people to basically run her city.

Why?

That book was such a shitshow. It ends on a massive cliffhanger because he planned to make it a trilogy, then failed to deliver, even though he made a video about how he hates it when people make cliffhangers when they can't finish their work. The main character abusing her mom doesn't come across as cute like he planned and it made a youtuber cry because it reminded her of actual abuse. The characters and events are totally non-canon now because even he realized how bad it was. He admitted it made him next to no money. I think he even de-listed the book. At least the draft is still floating around on google docs.

That's his biggest problem - he's preoccupied with details that don't bother most people. Instead of presenting the highlights of the setting he's bending over backwards trying to answer questions that don't matter from the narrative standpoint.

>it made a youtuber cry because it reminded her of actual abuse
I'm gonna need some proof. For...research purposes.

The problem isn't that there are logical inconsistencies, it's that the story is framed in a way to draw attention to those inconsistencies. How could you expect anyone to watch a show where the laws of society are flip turned upside down and expect the audience to not have questions about it? It could be excusable if he focused the stories on the main family, but he keeps trying to turn it into some "deepest lore" sort of thing. Only very recently did he start adding cartoon physics to his scripts to help give the idea "hey, don't take this too seriously!" Earlier scripts are just this weird mishmash of kids running around spitting chocolate at each other and trying to shove roller skates down their mothers' throats.

>Earlier scripts are just this weird mishmash of kids running around spitting chocolate at each other and trying to shove roller skates down their mothers' throats.
Meant to add that these actions weren't portrayed in a cartoony sense, rather they evoked a feeling that this was Enter's ideal world where he could live out a childhood he never had and get revenge on the mean adults in his life.