Looks like kino's back on the menu boys
>Robert Pattinson had just received a text from Emma Thomas, the producer of the mysterious new Christopher Nolan movie he’s scheduled to shoot later this year. The message read: “Keep it oblique.” Pattinson was on the promotional trail for Claire Denis’ interstellar “High Life,” a characteristically elliptical probe into dark thoughts and black holes, and the subject of Nolan’s unnamed 2020 tentpole had already come up too many times for comfort. There were breathless news stories about how Pattinson thought the script was “unreal,” and that the actor had only been allowed to read it in a room that was locked from the outside. In an entertainment culture fueled by secrecy and spoilers, Thomas was understandably concerned that her star might spill the beans.
>She needn’t have worried. Pattinson couldn’t explain the story if he tried. “Reading the script, you’re like… ‘huh?’” the actor said towards the end of a recent interview at A24’s Manhattan headquarters. “I feel like he must have invented something new — it’s incredibly dense, but also so meticulously thought out that it’s very easy to read. It’s cool.” He smiled and shook his head: “I don’t really understand how a lot of it works, but I’m very curious to find out!”
