Le ebin tweest

>wasn't paying attention

Ironic that you are the one who clearly missed the point of user's post. It's the inconsistency that makes it a plot hole. They don't mimic them even 50% of the time.

>mom at the start
>"I just want my daughter back!"
>people didn't know it had happened in the first 10 minutes of the film

What was with the daughter's connection to rabbits though? That's something I didn't get

She didn't become normal, didn't you think it was weird that she hunted down and killed more people than even her husband? And of course the little girl became twisted and evil, she spent decades being raped and tortured by monsters who couldn't talk.

Even if it was obvious, the movie still ends on revealing it as if it was a big twist because Peele fucking sucks and needed a dramatic way to end a shitty story

simpsons did it

I like that they insinuate that both her children are autistic because she is not a realie and instead is a fakie so theres something all fucked up with their jeans

It was fucking self defense, all the people she killed were trying to kill her first

>They should have just had a bunch of crazies togather and slightly mimicing people above
They did show the people simulating being on the fairground rides, so I think they just go to a room and emulate the experience of vehicles and whatnot

So glad I don't watch horrorshit.
Get fucked niggers

This was one of the dumbest things I’ve seen at the movies in recent memory.

>”HOL UP. I’ma splain atchoo a monologue about sumpin we both experienced cuz our coon director couldn’t think of any other way to get it across

Also, did he not realize that he essentially ended up treating “Adelaide” like she was somehow still the heroine?

Need a quick rundown. All I know about the movie is that it's supposed to be like doppelganger horror

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Opening scene girl walked into a house of mirrors and met her doppel, cuts to present day and the rest of the movie, end of the movie it's revealed the doppel walked out and the real girl stayed with the rest of the doppels under the house of mirrors

In his twilight zone episode about the scary plane ride the big twist was he causes the crash to happen by finding out that the plane is going to crash before anyone else does

Just the most obvious shit which Peele thinks no one has seen before

wew
glad I didn't waste any time or shekels on that then

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the twist really undercuts any kind of personal message the movie could try to have

Didn’t care for this movie. Should’ve just watched pet cemetery instead

Maybe if you're a brainlet. How about "there, but for the grace of God, go I". Or the one that was literally telegraphed throughout, "Therefore thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."

If it wasn't Peele directing it would have been destroyed by critics

>DOOD I KNOW THE BIBLE VERSES I HAVE DA BIG BRAIN

>In his twilight zone episode about the scary plane ride the big twist was he causes the crash to happen by finding out that the plane is going to crash before anyone else does
Elaborate on this?

She probably fucked like a rabid mongoose in the sack too

This. I get the feeling that maybe Peele is going to turn out to be some kind of middle ground between Abrams and Shyamalan, which is truly the worst of all worlds to me - a twist-addicted hack who cops better directors’ styles.

>Not knowing the bible

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What's up with her autistic son? Are they implying that he's a copy too?

I really liked the home invasion stuff, and the neighbours stuff, even with the stupid music. It was very tense and operated on so much dream logic that everything kept me on edge.

I thought I was weird that I felt a step ahead of way too many of the revelations as they came though (I got the scissors the moment I saw the holding hands, I got the "they copy each other" stuff way before the son killed his doppel by walking backwards, I got the Adelaide twist in the scene after it was done, etc.), and those that I didn't get while watching I still don't get now, with Google (and Yea Forums) as a guide

I spent more time trying to figure out what all that shit was about - Get Out was about liberal racism, this was about the lower class rising up, maybe. Or maybe it was about betraying yourself or something (black family acting white with white friends, daughter doesn't want to do running - the black person's sport - and all that).

I hated how arbitrary the tethers’ mimicry was, like they’re free to do whatever until the plot requires them to be subservient.

“There, but for the grace of God, go I” is precisely the message it undermines. Adelaide, the usurper, shows precisely zero remorse or sympathy for Red - the woman whose life she stole.

As for Jeremiah 11:11, how is that remotely applicable or just in the context of the film? “Bring evil” upon whom? The people who had precisely nothing to do with the doppels’ predicament, the people who were, in fact, the intended victims of the mind control experiment in the first place? Seems fair.

The only time it happened anywhere other than underground was with the boy, which was due to a game that they'd established. I got the impression that the doppelganger boy didn't feel pain too, based on the face burns and maybe something Red said

>oneitis said she liked this movie and recommended i watch it
should i watch it so that we have more in common?

I thought the movie was fine until the best part where the copy family was just standing outside. After they entered the house and revealed everything something was lost.

It just became an action movie, not horror in the slightest.

Agreed. It was all downhill from there. Peele seems to have some sort of aversion to incorporating overtly supernatural elements in his story. What fantastical elements are present, he paradoxically seems to feel a need to make sense if them, grounding them and demystifying them, which actually makes suspending disbelief *more* difficult, because he lacks the creativity to come up with anything that’s intriguing or believable.