i want to go to the movies and watch this movie with my gf. she's kind of a /pol/ type though so my question is, is there any "fuck white people" or BLACKED content in this movie?
just seeing black people on screen is no problem but if it gets preachy or interracial sex is involved i can't go see this with her
Nah, just skip out on it. It's honestly the biggest disappointment of this year.
Aaron Murphy
this but without the frog
Jaxson Hall
Not really, though the movie itself is a mixed bag with an interesting idea but a muddled story with a lot of stories and inconsistent logic.
It's not awful but in an attempt to be artsy it just comes off as a bit of a mess.
Christian Clark
>being this fucking whipped
but yeah what said is pretty spot on
James Green
>with a lot of stories Fucking hell, I meant "plot holes".
Colton Thompson
Yeah there’s a scene close to the start where Moss’ husband asks the black dad to impregnate his wife while he watches
Michael Ward
honestly don't waste your money on this, I've made this mistake yesterday it starts out pretty well but as soon as the actual story kicks in everything goes to shit, every form of suspense is gone except for the occasional omg she'll get stabbed in the face with some scissors - scene
the antagonists behave completely inconsistently, the whole story is a giant plot hole and there's some really cheap M. night shiamaladingdong twist that literally adds nothing besides new plot holes
Matthew Richardson
At face value it isn't preachy but underneath it's actually all about white people bad. At least there isn't any interracial sex.
>cuck Tim Heidecker Made me laugh
Jaxon Murphy
it's about class not race
Nolan King
To idiot brown people they are one and the same
John Sullivan
>At face value it isn't preachy but underneath it's actually all about white people bad.
this sounds bad can you elaborate
i hate how every black movie is somehow about whites
Nolan Howard
There is nothing about race in the movie user. It's entire message is about class (rich/poor/homeless.)
Also, fuck the police.
Henry Lee
>Also, fuck the police. To be fair, I'm pretty sure they were really busy that day with literally everything that was going on.
Brayden Jackson
user is being a fag, literally nothing about the film is about "fuck whites" and if anything I've seen decent arguments about how it's a moral about how some black people have a "lobsters in a bucket" mindset.
William Butler
Us was a clunky movie. It was just another slasher film with some half-baked writing.
It honestly needed more work, and was a let down compared to Exit.
Zachary Ward
>It honestly needed more work If anything over-complicating it was what ruined it. If the film ended after the boat escape it would've been fine, great even.
Gavin Butler
it's an allegory, so your gf won't know what the fuck the point of the film was anyway.
Andrew Nelson
They probably got murdered first desu. Adelaid was way too smart for a girl that lived her entire life in a subway tunnel eating raw rabbit.
Kayden Stewart
I honestly have no idea what the movie was trying to say, about race or otherwise. It has a strange combination of vague symbolism and overbearing exposition.
Jason Fisher
>Adelaid was way too smart for a girl that lived her entire life in a subway tunnel eating raw rabbit. That's just one of the several plot holes the film had. Literally what exactly was stopping her from just escaping the tunnel in the first place once the handcuffs were removed?
Jackson Parker
user is dumb. the movie intentionally baits the idea that it's about race, but then it becomes about class instead.
people calling it a big plot hole just didn't get the movie. it's all a metaphor for how different groups of society relate together where Peele ultimately doesn't come down on any side, just like with Get Out. Yea Forums is too dumb for him.
Nicholas Williams
>desu is still filtered but tranny isn't >4channel
Jacob Cruz
The doppelgangers lived in tunnels underground. Below the surface.
Literally a low class.
Jackson Ramirez
>Literally what exactly was stopping her from just escaping the tunnel in the first place once the handcuffs were removed?
the down escalator. another metaphor.
Luis Butler
Bitch couldnt even find her way to the exit sign because she didn't understand mirrors. That's hardly a plothole compared to the nonsensical "tether" rules.
Elijah Rivera
Literally wants a trigger warning Kill yourself you faggot
Samuel Sullivan
>the down escalator. another metaphor. That's incredibly stupid because they all still managed to get up to the surface. Speaking of which >tether Why are they only tethered some of the times but then all of a sudden they just stopped being tethered?
Joseph Martinez
>tether rules it represented the idea that the lower classes ape the fashions of the upper classes in shittier manner. but Peele was using satirical comedic exaggeration: the dopplegangers were as much a metaphor for how the lower classes are *perceived*.
peele didn't invent it. google "down escalator metaphor"
Daniel Gray
so its basically >fuck white people lol >wait actually fuck rich white peepo
dropped
Noah Price
I understand the metaphor and I didn't even say he invented, I'm saying it makes absolutely no sense in the context of the actual story itself.
Cameron Perez
that's where the class parallels end though. the people above ground aren't exploiting the underground people, they aren't even aware of them.
Aaron Nelson
Its directed by Jordan Peele It absolutely will have some kind of fuck wypipo message Look at their skits. They aren't militant but there is a definite angle
Jackson Gray
handmaid's tale woman's family were the 1%. Lupita's family were the schlubby middle class (she gave up on her dreams of being a dancer, ignoring the other thing).
other than the music references there's nothing about race in the film. Peele probably came up with the story before Get Out and didn't even have the casting firm in his mind.
they were led by Dopplelupita who had been to the surface world. it's a sci-fi allegory, though, you have to accept the film progresses based on symbolism.
Blake Diaz
That's why the twist ending was added, for a final hackneyed moral about how some survive by actively throwing others down. That still doesn't the very big and basic question on why Dopplelupita didn't just book it once her handcuffs were released. >accept the film progresses based on symbolism Except the film makes an attempt at creating rules and logic, it just quickly ignores it whenever it's convenient.
You can't argue that everything symbolism and there isn't meant to be an intrinsic sense of logic like Mother or a Finisher film while at the same time introducing a set of rules and origin in which it hand waves whenever it has trouble trying to make it work.
Evan Jones
it left key parts vague. its implied "DL" was handcuffed to that bed for years (hence her enthusiasm for handcuffing surfacelupita to things) until she felt she knew no other life and was culturally a moleperson and could barely talk. it didn't contradict its own logic that I recall.
Sebastian Hughes
>That's incredibly stupid because they all still managed to get up to the surface. Before Red started coordinating them, they all seemed physically uncoordinated and in a haze.