Biggest pleb filter of the 21st century: the thread cont!
>Leftists believe it's a fascist dogwhistle
>Rightists believe it's a cuck film because muh non-chimp blacks
BRAVO Zahler, working the plebs overtime who can't separate metapolitics from enjoying films. Absolutely keking at reading seething reviews from all sides!
Kino of the year? Support this kino fampais. They're going after Mel and Vince.
Previous threads were cast iron
Other urls found in this thread:
scraigzahler.com
scraigzahler.com
nationalreview.com
digitalspy.com
jalopnik.com
twitter.com
Isn’t there a scene of a nog blacking a white woman? Is Mel a cuck now?
To refresh, the prev pumpernickel thread ended in crossover over whether Mel's cop would EVER live in such a shitty neighborhood IRL when he'd be in a police union with median pay of $45-55k based on 2014 statistics, plus at nearing 60, he's not too far off from a fat pension?
This on top of his wife being a 40something ex-cop who seemingly retired in good ranks due to a serious med condition. Any LEOs want to chime in on the veracity of these claims? Warning, some nigs itt are "hunting lions."
she's asian and you know it
Disinformation. Movie begins with a black felon rolling over on an apathetic Asian whore. The black is the cuck, asking her if she'd like to date basically. Also he has a small pecker, which seems to be Zahler's way of laffing at fag Leftist critics' fantasies. Vincent Gallo would approve.
New to the thread? Fan of the kino? Requisite links imo.
>Craig Zahler's official website
scraigzahler.com
>he reviews anime
scraigzahler.com
You can also personally message him thanks for kino.
>Based black Armond White unleashes hellfire on (((Hollywood))) and libtard critics' of DAC
nationalreview.com
Excerpt:
>At last, we have an American filmmaker who has experienced Tarantino and got past it. Zahler’s surprisingly felt art is not predicated on movie violence, even though genre violence is his métier. Despite Zahler’s heightened form of crime fantasy, Dragged Across Concrete presents a strangely naturalistic worldview. Instead of imagining how heartless — or “cool” — mankind can be, Zahler looks for hidden virtues in each situation, no matter how bizarre. Ridgeman, Lurasetti, and Slim shift between being foes and allies. Dare I say, Zahler dramatizes what, in classic Westerns and crime films, used to be considered their Americanness.
Mel Gibson is facing down Hollywood again, after yet another of his upcoming kino is likely going VOD like Concrete did. Can he weather the storm bros?
digitalspy.com
This
Sounds like my kind of kino
How did Zahler get away with a literal blackface scene?
Slim and Biscuit literally forced to where gross mulatto greasepaint in order to drive the white robber crew. After the robbers order them to surrender their weapons, literally cucked, they wipe away the paint, and take off their nappy wigs, to reveal their even darker skin. Insult to injury, yes that's Michael Jai "White" and due credit to him for agreeing to this scene, although unsure if he understood the subtext.
SHOTGUN SAFARI