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ROSENROT OH ROSENROT
Oliver Jackson
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Angel Thomas
Tiefe Wasser sind nicht still
Aaron Bailey
coca-cola, wonder bra
Sebastian Taylor
Te quiero puta
Lucas Morgan
MEIN HERZ BRENNT *heavy guitar riffs*
Jose Flores
Bäsed
Michael Gomez
It's hard to say what's their best song since so many are so damn catchy
Thomas Walker
OHNE DICH
Zachary Myers
God, I hate g*rmans so fucking much
Xavier Gray
I loved this entire sequence so much.
Grayson Hughes
YOU'VE GOT A PUSSY
I'VE GOT A DICK
SO WHAT'S THE PROBLEM?
LET'S DO IT QUICK
Isaac Price
Zack Snyder should have made music videos instead of movies
Dylan Allen
LET ME SEE YOU STRIPPED DOWN TO ZE BONE
DUN DUN DUNNA DUNNANAA
LET ME HEAR YOU MAKE DEZISIONS
WIZZOUT YOUR TELEEVIZIONS
Cooper Sanders
DENN DU BIST WAS DU ISST
UND IHR WISST WAS ES IST
Leo Peterson
How is Till still so good looking?
Kevin Smith
True. He can make good scenes, but can't make movies for shit.
Gavin Edwards
SCHWUUUUUUUUUUUUULER
MANN GEGEN MANN
Brayden Jones
Always music video kino, seriously.
NUN LIEBE KINDER GEBT FEIN ACHT
Owen Robinson
It helps when you realize that these good scenes you can’t link together are conveying information, not just looking cool. He uses both the visuals as well as kineticism to say things non-verbally.
Jacob Diaz
He's still good looking but not unnaturaly, he has definitely aged normally, but still retained his looks while doing so.
Liam Barnes
>it's not bad, you are just too dumb to understand K I N O
Christopher Williams
Watch this sequence. Watch it with two things in mind: visual storytelling and kineticism.
Notice how in the first scene, he’s among the crowd, but troubled by their reactions to him? Notice how he’s shown moving forward in the subsequent scenes, first walking, then leaping, then flying? Notice how his forward progress is halted in the flood scene?
That’s him realizing he’s leading us down that “road to atrocities” mentioned by the talking heads, unknowingly overstepping, doing too much, climbing too high above us, and starting to be looked upon as a god. The scene ends with him trying to figure out, silently, how to walk that back. That’s what makes him realize he can’t keep acting like he’s above us and continue ducking out on the hearings being held about him. He’s innocent. He knows he is. But by acting as if he’s above the law, he’s delegitimizing human institutions, setting himself up as some sort of god.
Aaron Perry
based, the sequence is the best in the movie its amazing how many people don't grasp it when its really simple
Benjamin Lewis
Rammstein was never good
Matthew Smith
Rammstein was always good, just like you've always been a waste of oxygen and resources.
Dylan Lee
WEITER, WEITER, INS VERDERBEN
VIR MÜSSEN LEBEN BIS WIR STERBEN
Parker Cook
kek