Kino thread: Sorcerer (1977)

>Go on Yea Forums expecting people talking about movies
>What I get: "Haha Captain Marvel capeshot Alita lol", "Actors are cuuuute", "I am sad and alone", "JEEWWWS" you get it

Lets actually discuss a MOVIE (if you know what that is) again.
I just watched sorcerer from 1977 and it was a pretty neat movie althrough it needed some time to get started and some of the scenes were overly long which made them lose the tension they wanted to induce, nevertheless it were great scenes.
The soundtrack was pretty neat too, I also loved Tangerine dream in Thief.

The theming and overall feeling was kind of surreal, the "lost in the jungle" theme reminded me of Apocalypse Now

Has anyone else seen this movie? What did you think about it?

personally I think it all the people died, for example in the car crash before the movie and the village is literally hell, the roadtrip being purgatory. Just think about it. All protagonists are criminals or terrorists and the other people in the village in some unnamed country are also nazis or criminals. But that is just my personal theory

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Cruising is a better Friedkin movie.

t.boomer

Faggot.

zoomaroo

Sorcerer is cool, but Wages of Fear is the better film. Clouzot's classical style zeroes in on the tension and terror of each individual life-threatening obstacle so you really feel it through the characters' nerves. Friedkin's approach was more psychedelic, similar to Apocalypse Now like you said and characteristic of the movie brat generation in general. He became more enamored with the spectacle and aesthetic of the various scenes. They're beautifully shot, but it still feels like a missed opportunity in comparison to Clouzot's commitment to a constantly tightening chokehold of suspense.

what a stupid movie name

One of my favorite films desu. I watched To Live and Die in LA last night and liked it too, any recommendations for other Freidkin movies?

The movie is good. Got to see the remastered version in the theatres earlier this year, going in completely blind.

Too bad it was such a flop back then, but Star Wars happened so it was just bad timing, I guess

Cruising is fucking fantastic
The French Connection
The Exorcist

I yet have to watch the original Wages of Fear but I went into watching the movie without knowing much about it before

The ending felt rushed, the militia they encounter and the finally drive through the rocky terrain fell flat for me. It was obviously supposed to be the harrowing trying madness the journey has become, but the whole tonal shift feels jarring. Still a great movie for sure.

Killer Joe
Jade
Bug

and all of the Friedkin classics, of course

Watch the original idiot, it's a million times better

This. While Friedkins version is a visual marvel and the production in general is impressive, the original is still a stronger film in many aspects.

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If you think about it, Friedkin is one of only a handful of directors to have made kino in every decade since the '70s.

'70s: The French Connection, The Exorcist, Sorcerer
'80s: Cruising, To Live and Die in LA
'90s: Blue Chips, Jade
'00s: Bug
'10s: Killer Joe

Dude is based.

Any one appreciate body snatchers? My favourite horror, nothing has encapsulated such absolute feelings of terror and paranoia for me.

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Wages starts in the village itself, which I think helps to build a sense of claustrophobia better than the globe-trotting opening sequences of Sorcerer. When the four leads are all gearing up to go, Wages really sells the feeling of a point of no return, especially with the eerie quiet early-morning atmosphere while they're waiting for the trucks to arrive then departing on them. Past that they're basically the same plot-wise, but Wages is more focused on the non-stop tension and suspense while the exact way those plot beats play out is also more effective in my opinion. Wages is great because of how well it cuts out unnecessary fat. Its whole theme is the inevitability and constant risk of death, so all it has to be is a suspense movie about guys in constant mortal danger. And it's a really great one.

One of the few "better than the original" remakes.

What made me think of it.

That's a really interesting way of ranking directors.
Peter weir
Scorsese
Cronenberg
David Lynch (if including twin peaks)

Special bonus 60's director: Polanski
Were the only ones I could think of

>original

You mean the french novel?

Remakes I unironically enjoyed more than the original, not the originals are bad:

Invasion of the Body Snatchers 1978
The Fly 1986
Night of the Living Dead 1990
The Thing 1982
The Hills Have Eyes 2006

Fiteme, faggits.

Yeah, it's pretty rare to retain creative talent and integrity over so many decades. Most in the entertainment biz have their little 5-10 year period and then fade into obscurity.

De Palma?

Am i retarded for expecting a literal sorcerer to appear throughout the whole movie?
Although listening to Friedkin's interviews he said it himself, that the fates of characters were tied together and put through all those obstacles for vague reasons as if by malicious force.

Scarface 1983

He hasn't really made kino since the '90s (Carlito's Way). Do not mention The Black Dahlia or Passion. They are mediocre.

I see absolutely nothing wrong there.
I would add
True grit
3:10 to Yuma
To a special 'I can't really decide which version like better'

Femme Fatale

This is one of the most fun movies I've ever seen. Excellent suspense and entertaining plot. Too bad the name will turn a lot of people off

I keep thinking of potential directors to add to the list then remember they either haven't made anything or have been flushing their legacy away in the last 20+ years.

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It's shit.

Need more edge of your seat kino

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Herzog... maybe?

A pretty logical movie to follow it up with, would recommend.

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Blow Out

Soundtrack is the best thing, film is pants.

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Forgot about those 2. I agree. True Grit 2010 kicks the shit out of the original, not that the original is bad.

>Femme Fatale
KEK
yep

Mankino of the highest order. Kinda weird how this actor dude fucked off for ages to come back and do CSI

Great movie. Really builds up the tension. I watched Body Double too but didn't like it as much.

Yeah. Kubrick had a kino run that lasted from the '50s almost into the '00s with Eyes Wide Shut. If he had lived a little longer and made one more kino, he would have spanned 6 decades.

My thoughts exactly. Wages of fear is so suspenseful

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The Friends of Eddie Coyle
The Yakuza

>Kinda weird how this actor dude fucked off for ages to come back and do CSI
Yeah. I don't know how anyone could have watched Manhunter and To Live and Die in LA and not wanted him in every crime drama from then on. Dude oozed tension and presence in the '80s.

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Battles Without Honor and Humanity

watched this the other week. was terrific

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Saw this last year and it instantly become one of my favorite movies.

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This is the best buddy cop film of all time.

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Filed under the same category as King of Comedy and Last Temptation, gets 1/100th level of praise as his other movies despite being one of his best.

John Huston

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Jesus, were old non safety matches really so easy to light you could strike them on smooth plastic?

And The Color of Money

Based Bloody Sam.

Watched this a couple weeks ago. great boxing film.

>it's all much safer now
>can't look cool like that any more

Was it worth everyone's safety?

Really good for a later Coppola film

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yep

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forgot pic

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Yes. Alfredo Garcia is kino.

The Last Detail

>aaaahhh let's discuss film, you incels
>this movie was neat
wow, I'd rather be drowning in Captain Marvel induced tears than see another pseudo intellectual way of saying 'I like this movie' disguised as a film discussion thread

Pic related is a hugely underrated movie from the equally underated Richard Lester, who retired way too soon.

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just watched this kino, what did I think of it?

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Always stopped watching Sorcerer after around 30 minutes of nothing happens but if that's indeed the case, it has to be a giant piece of shit.

Nice, a Sorcerer thread. Fuck Star Wars for killing auteur kino.

Pretty sure it was Michael Cimino with Heaven's Gate

This one is fucking great.

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Not that guy, but Sorceror was released the same weekend as Star Wars and got BTFO'd. A lot of people see it as a symbolic end to that kind of movie, even though some great examples were still to come.

Like, for example, Apocalypse Now. I really loved Sorceror when I saw it, and in a lot of ways I appreciate the simplicity of the story, but it could never fully gel with me because the atmosphere felt like a less successful attempt at what Apocalypse Now perfected. Still a damn good film, just not on the Exorcist or French Connection level.

More Altman & Gould kino

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This is the sweatiest film I've seen.

Peckinpah is so fucking underrated.

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I mean...That's 10 years before dracula, an even better movie.

You wanna talk underrated absolute kino do ya?

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that has to be do the right thing

about time we have a thread that isn't about capeshit. Again I will remind people to watch pic related

also can somebody post the Australian kino grid, lost mine.

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Seeing the Disney logo in a Lynch film felt so strange. Good movie though.

kino soundtrack

Nah, wages of fear isn't as good
The amount of work that went into sorcerer makes wages of fear appear amateur in comparison
Would we have sorcerer without wages of fear?
No
But still, that doesn't take away any of the actual (amazing) technical merit that sorcerer has

this is a reddit post made by a redditor for a reddit movie

Ain't that the truth, although very charming and innocent the movie dodges the usual disney sentimentality rubbish. Incredibly moving.
youtu.be/Dp_DnZkoVNY?t=252

It was only a matter of time until someone had the compulsion to contribute nothing.

>Always stopped watching Sorcerer after around 30 minutes of nothing happens
That's literally when it gets awesome, you fucking dumbshit ADHD brainlet.

They are called "strike anywhere" matches and they will ignite when scraped against anything with even the smallest amount of grit to it. If you're good, you can flick your thumbnail against the tip and light them.

Yeah. After this and Dracula, he was done. Made some real pieces of shit since the '90s.

That shit is pleb-tier.

Killer Joe is ice cold

I highly recommend pic related (or any Melville, really) for those interested in some great french neo-noir cinema.

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>babby's first French new wave
memes aside, I enjoyed Circle Rouge much better

One instance where weird casting actually works.

I liked both but I prefer Army of Shadows
btw I hate the FNW

One of those movies with an incredibly confusing title. I literally thought this was a dark 80s fantasy movie initially.

>pleb tier
incel jargon

Friedkin himself said it referred to fate
>The Sorcerer is an evil wizard and in this case the evil wizard is fate
100% spot on as a title, just misleading

Well, this thread is pretty entry-level as it is, I'm just making some good recommendations based on what people are talking about.
As for Cercle Rouge, for some reason it just didn't stick with me. It's fairly uneventful for most of its duration (which is common for Melville, but in this case it managed to bore me a bit) but it redeems itself in a way with the great characters and the heist scene. The marksman cop was top-tier bro too.
It was a good movie overall but I wouldn't put it above Le Samourai or Un Flic.

FNW is interesting to watch as a case study of a cinematic movement that couldn't be more of a product of its time even if tried, but aside from that I agree it's not a particularly high mark when it comes to quality save for some few directors like Melville, Truffaut or Lelouch.
Don't even get me started on Godardfags, too.

Yeah fuck Godard, that piece of shit never made a good movie past 1966
desu the TNW and/or YBW, CNW and JNW are vastly superior

None of the scenes are overly long. It's one of the most perfect movies I've ever seen.

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Except for like the entire first half hour.

Yeah, I started delving deeper into JNW and especially CNW these days and they're better by a mile. I really like Hong Kong New Wave too despite it being almost 2 decades apart from most "new wave" movements.
What are TNW/YBW? Taiwanese New Wave? Can you give me some recs?

No the first half hour is excellent, and the most original part of the film. You get a really good feel for each of the characters and their situation before they get to the village.

Pic related is one of the best films I've ever seen. Are there any more alcoholkino like this?

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how the fuck is le samourai less "uneventful" than Cercle Rouge? it has the same pacing, but I believe Circle Rouge puts a slightly less emphasis on character development due to the wider cast. Also Breathless is an iconic FNW piece.

>TNW and/or YBW, CNW and JNW
Taiwan, China, Japan, whats Y? anyway watch for some peak 70's japkino

>TNW
Taiwanese new wave.
I'd start with the omnibuses (Sandwitch man, In our time).
Definitely check out Yang's Taipei Story, Brighter Summer Day and Yi-Yi and move from there, or Hou Hsiao Hsien's Summer at Grandpa's, A time to live, a time to die
>YBW
Yugoslav Black Wave
Not much to watch, I really liked Man is not a Bird.
Something akin to YBW but not precisely it is Makavejev's Sweet Movie and/or WR: Mysteries of the organism
HKNW is good, but I still kinda just prefer the dumb-ish HK action movies
Have you watched any Terayama?

You really don't though. Only one that gets proper characterozation is the French guy.

It's really a one of a kind film

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nothing like it but you might like head on. its about this fag wog's adventure into degeneracy

The Blob 1988

...

I guess its unfair to term the whole movement as "new wave". In most cases its more of an Auteur revival era and its highly individualistic anyway, so its almost as if you're comparing a bunch of different film made in a different period and in a different part of the world made by different individual directors

Eh, I don't know. Samourai is pretty uneventful too but maybe I just liked the early characterization and the tension a bit better. I also think the shallow character development in Cercle bothered me despite the characters being interesting in their own merits. Felt like wasted potential.
Breathless is a meme at this point but it's one of the few Godards that I like.

These TWN recs seem interesting, definitely gonna check them out.
Yang's films have been on my watchlist for months now, guess I'll give them some priority in the next days.
I've also heard of Man is Not a Bird and Sweet Movie, gonna bump them up a bit too.
HK action cinema is top tier. Personally the only time I felt the west came to the same level in terms of action films was during the late 80's and the early 00's with stuff like the Bourne films, Collateral, etc.

>Terayama
Just googled him, holy shit he's the guy that made Throw Away Your Books, definitely gonna check his other works.

I'd recommend you start Terayama with Pastoral/Death in the Country and Grass Labyrinth
You can find some of his short films on YouTube
youtube.com/watch?v=01gAdjBUXpw

I watched Arrebato yesterday but didn't like it very much.

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Based, gonna check them when I get the chance, thanks for the recs user.

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>1977
geez gramps arent you a bit old to still be posting on Yea Forums lmao

not that guy but I recommend you check and Edward yang's stuff soon, they're great.

also, Australian hours?

REAL AU HOURS WHO THE FUCK UP

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Me. 8am uni class tmr. Fuck me

no thanks

The same could be said of Apocalypse Now in comparison to Aguirre, Wrath of God. Once you've seen the earlier film , the later one's impact falls away.