Us

Political shit aside Get Out was a pretty fun movie and this looks really sick as well.

Hated Get Out and everything about it.

Loved the trailer to this, hope it's not a bait and switch into another "wypipo bad" movie. And no, I'm not oversensitive enough that I'll be upset when the dopplegangers inevitably kill the wealthy white neighbors, I'm talking broader narrative shit.

Last time a trailer had me this engaged was It Follows, and man about 80% of that movie delivered, shame about the final 15 minutes.

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I don't understand the threat. Just kill the one that looks like you.

They seem to be superhuman and there are a lot of them.
I think not getting killed is more of a problem than not getting replaced.

>"wypipo bad"
Get Out wasn't even about that. It was just a fucked up family that happened to be white.
Sure, there was a little tension between the guy and his girlfriend with the family dynamic, but even that was basically brushed aside.
Not every single fucking movie needs politics shoehorned into it.
Sometimes, just sometimes, a movie is just a fucking movie.

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Ah. Of course. Peele already used the medical science gone wrong narrative once. He woudn't suddenly go supernatural horror after that.

>Get Out wasn't about racial politics

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That's big copes from me.

You gotta be actively pretending that it isnt about Racial politics of modern America for you to be right.

>Entire movie is about how white people want to be in black peoples bodies because apparently they are “better”
“I-it has nothing to do with politics user!!!”

In the end, did they really have five on it?

From a thread a couple of days ago:

It's clones.

Basically, the government is cloning people to create more docile and obedient masses, and the beach is a controlled environment where they can test people's reactions to the real world. There's a racial undercurrent with the black family being so gentrified, and a lot of the the other cloning subjects are black, but there are also white subjects.

Lupita is one of the longest-running clone series, and she retains lingering memories from the previous clones' lives, which is why she freaks out so much when shit starts going south. The evil doppelgangers are malfunctioning clones who managed to escape and being wreaking havoc on the facility.

The white couple (Tim Heidecker and Elisabeth Moss) are actually scientists who test the clones' reactions to social environments, but as things go to shit and the clones begin overruning the facility, they find out they are clones themselves whose function is to test other clones.

The husband dies, but Lupita manages to escape with the children as the facility burns down. They escape and reach a police station at a nearby town, where she begins relaying to a local deputy what went down, but slowly picks up cues that the entire town is another fabrication and the whole thing that transpired might have been a deeper level of the test, and begins freaking out. But it's left ambiguous since she's paranoid as fuck.

I kinda think "Get Out" was received differently than it was originally intended, and Peele just ran with it when he realized how good it was for his career to lean into the controversy.

when I first saw the movie, I thought the racial/political angle was kind of a red herring. The first 2/3 of the film build up tension around the awkwardness of a black guy meeting his white girlfriend's family, there is all this racial tension - and then a batshit insane plot twist that no, it's not about racism or any "relevant issue," it's about a psychotic cult of brain-transplanting lobotomizers. I don't think there's really a coherent metaphor for racial injustice by the end, I think that was basically the joke of the film.

he was basically taking the piss out of the audience, the twist is like a punchline. That's how I took it. I think the first 2/3 have some genuine stuff about racial weirdness, but the message didn't really seem like "white people are evil," more like "racial tension makes people act really awkward sometimes."

but I don't know. People took it very seriously, the serious interpretation took the movie all the way to the Oscars, so maybe I'm the one who didn't get it. but idk. you can't forget that Peele's entire background is in comedy, and the tone of the movie seemed to me very similar to some of the horror-themed sketches he did on Key & Peele. There was a lot of humor in it.

Maybe the real five on it were the friends they made along away

Thats basically what I got from it too.
Yes, there was racial tension and all that, but then suddenly
>they literally want to cut out his fucking brain
It felt like a really fresh, awesome twist on it all.
But unfortunatley, literally everything has to be a goddamn argument or pissing match or have some fucking hidden agenda.
Thankfully I went with my gut and ignored all of the shrieking and shit flinging from both sides and saw it anyway, and i'm honestly glad I did.

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Get Out wasn’t even that good. All I really remember liking was the comic relief TSA agent friend.

I got the same impression from it, even in earlier interviews Peele said that this movie is based on his interactions with gf's (jewish) family.
Although there's also an alternative ending with clear social commentary so it seems like he wanted to say more but decided to just play it safe in the end
youtu.be/A3JS7_OcPWQ

Sounds like westworld but with clones instead of bots

What's the social/political commentary supposed to be?

Why is Tim Heidecker in this movie?

Not OP but when something like this looks good I love reading ahead what it’s about and then watch it expecting it.

Did you finish season 2? What happens after the whole weeb part? I couldn’t keep up and lost interest real quick.
If it’s not worth a type out then just leave it at that since I knew the show was shit.

Why do they let their young children listen to I Got 5 on It?

Not appropriate!

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wypipo are makin us gentrified an shieet